I profess that I have a love for good films about teaching. This one stars Bette Davis as Lilly Moffatt, a spinster schoolteacher, whose desires for elevating the minds of young people who are destined to a life of coal mining in a Welsh community, becomes focused on the promising talents of Morgan Evans, a young man who shows a spark of superior intellect.
Miss Davis is well suited to her role, a woman of restrained passions. While watching her, there are moments when I sense similarities with the acting style of Meryl Streep.
The rest of the cast is quite good. John Dall, in his film debut, plays Mr. Evans. It is an inspired performance that earned an Academy Award nomination.
Based upon a true story, TCIG invites comparisons to "My Fair Lady" and, especially, "Spencer's Mountain" in regard to the central story about molding a young mind.
I have one criticism. The singing vocals are so strong that they are distracting. A small group of young, work-weary miners should not sound like the men's chorus at the Met, for example.
Miss Moffatt might be seen by some as selfless in her dedication to higher principles. She denies herself of so much in her pursuit of education. But hers is a selfish campaign for transformation-of a man, a town, perhaps a country. She trades something of lesser value for something of greater value, so she does not sacrifice, even in her final dramatic decision. And it is her pursuit of a greater purpose that gives her story nobility. And the pleasure she finds in her achievements can only be seen as justifiable and virtuous.
Miss Davis is well suited to her role, a woman of restrained passions. While watching her, there are moments when I sense similarities with the acting style of Meryl Streep.
The rest of the cast is quite good. John Dall, in his film debut, plays Mr. Evans. It is an inspired performance that earned an Academy Award nomination.
Based upon a true story, TCIG invites comparisons to "My Fair Lady" and, especially, "Spencer's Mountain" in regard to the central story about molding a young mind.
I have one criticism. The singing vocals are so strong that they are distracting. A small group of young, work-weary miners should not sound like the men's chorus at the Met, for example.
Miss Moffatt might be seen by some as selfless in her dedication to higher principles. She denies herself of so much in her pursuit of education. But hers is a selfish campaign for transformation-of a man, a town, perhaps a country. She trades something of lesser value for something of greater value, so she does not sacrifice, even in her final dramatic decision. And it is her pursuit of a greater purpose that gives her story nobility. And the pleasure she finds in her achievements can only be seen as justifiable and virtuous.