The plot of this movie is as fresh as today's news about refugees, asylum seekers, detentions and deportations, sensationalized images of immigrants, and the question of who gets to come to the US. Peter Kaban, a displaced person seeking to enter the US (Vittorio Gassman in a touching performance), escapes from detention and begins a desperate search through nighttime New York for the jazz musician who can corroborate his claims to having saved the life of an American soldier. The story has potential as a remake (sub Syria or Honduras for Hungary, etc)!
The America the writer-director (Maxwell Shane) portrays is not the wholesome suburbia many folks associate with the 1950s, but a tough tawdry urban jungle of sexual harassment, single moms surviving as strippers (Robin Raymond in a sympathetic turn), shabby single-room occupancy buildings,exploited factory workers, kids who have to dance in the street for coins, homeless people sleeping in subways, and desperate people eating food left behind in restaurants...brilliant imagery with a Noir atmosphere.
I did not fully understand Peter's story as a displaced person. He says clearly enough that the Nazis murdered his family and that he had been in Auschwitz, but he does not fill in much between WW II and 1953 --and so in 2018, it is difficult for us to understand exactly who he is and what happened to him in that period. 7-11 million people were wandering through Europe at the end of the war as "displaced persons": Jewish survivors of the Holocaust; Poles, Germans who had lived in Eastern Europe, and Ukrainians; refugees from the Baltic countries that were incorporated into the Soviet Union; and some Nazi collaborators fleeing the Soviets. The US passed strict and rather controversial legislation as to who could come to the US (e.g., only people who were already in displaced person camps by 1945 as well as many other rules), and Peter evidently did not match the approved profile. Maybe viewers in 1953 understood the context more clearly than the average viewer does now.
The America the writer-director (Maxwell Shane) portrays is not the wholesome suburbia many folks associate with the 1950s, but a tough tawdry urban jungle of sexual harassment, single moms surviving as strippers (Robin Raymond in a sympathetic turn), shabby single-room occupancy buildings,exploited factory workers, kids who have to dance in the street for coins, homeless people sleeping in subways, and desperate people eating food left behind in restaurants...brilliant imagery with a Noir atmosphere.
I did not fully understand Peter's story as a displaced person. He says clearly enough that the Nazis murdered his family and that he had been in Auschwitz, but he does not fill in much between WW II and 1953 --and so in 2018, it is difficult for us to understand exactly who he is and what happened to him in that period. 7-11 million people were wandering through Europe at the end of the war as "displaced persons": Jewish survivors of the Holocaust; Poles, Germans who had lived in Eastern Europe, and Ukrainians; refugees from the Baltic countries that were incorporated into the Soviet Union; and some Nazi collaborators fleeing the Soviets. The US passed strict and rather controversial legislation as to who could come to the US (e.g., only people who were already in displaced person camps by 1945 as well as many other rules), and Peter evidently did not match the approved profile. Maybe viewers in 1953 understood the context more clearly than the average viewer does now.