3/10
It's A Feminist Triumph.
12 October 2018
You can't help but think that with a cast of A-List celebrities or a well-known director such as Steven Speilberg this film would be nominated for an Academy Award. The storyline was a solid original plot where three young ladies from a planet of all women find themselves trapped on Earth seeking a unique form of energy to fuel their space vessel. It isn't a solid Sci-Fi for many fans, but it is a rather remarkable love story in the vein opf 2017's 'The Space Between Us'. Ellie Church, Allison Maier, and Alyss Winkler carried this film. Respectfully I haven't seen this kind of talent from strong female role models since the 2002 film 'Chicago'. Ellie Church & Brian Papandrea (as Charlie) brought an on screen chemistry for the love story that I haven't seen since the 1950 French film 'Un Chant d'Amour'. Powerful heart touching drama. I genuinely felt the love between this duo.

I only had two criticisms regarding 'Space Babes From Outer Space'; Although this movie was marginally female driven, my first criticism has to be the lack of racial diversity. I could easily imagine someone like Yaya Alafia or Lupita Nyong'o being part of this undertaking. My last criticism would be the character of 'Carrieola' was under-used in several scenes that required nudity. I understand for some that on screen nude scenes can often be a career ender, but in situations where the female body is part of an expressive nature ('The Wrestler" 2008) rather than a gratuity of flesh ('Nymphomaniac' 2013) it is simply necessary. The ending itself (which I won't spoil for anyone) is quite a twist. It was reminiscent of M. Night Shyamalan staple of movie twists that I recall from 'The Sixth Sence' - I literally did not see it coming.

Recognizably this film is not for everyone. It came to life as a Kickstarter campaign and is an easy target for trolls who like to hate on matriarchal ideologies. While it is humorous at times, it is not as funny as ( say) the science fiction classic 'Space Balls'. It is a relatively fresh take on modern society that is suppressive of an opposition through censorship - for example those who might refuse Netflix movies to be nominated for prestigious film awards. I found this film to be entertaining, although for full disclosure I watched it for free, and I suspect the majority of viewers would appreciate the same. More bluntly; do not pay for this movie if you can see it in gratis.
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