Footage of the great opera superstar is included in this French documentary which includes various interviews, letters she had written and recorded arias performed live. The main focus is an interview with David Frost in the 1960s.
This film has an unfair advantage compared to other documentaries. Its subject is so compelling that it can only come off as great regardless of the skills of the film-makers. (In fairness, the film-makers did a fine job.)
Callas truly represents the grandeur of the 50s, 60s, and early 70s. She had a regal elegance with an old-world, old-school charm that has been missing for many years - decades even. The highlight of watching such stunning arias (much greater than just hearing the audio recordings) provides an elation that could never be experienced by downloading an app to a mobile phone.
Though Callas - the person and the singer - lived in the same world as the one we are in now, the world then seems like a different entity from the one we currently inhabit. This alone makes the viewing of this film so worthwhile. Further evidence of a greater difference in this "other world" included separate brief interviews with three young, intelligent men lined up for hours at the Met opera house in the mid-1960s, expressing great admiration for the diva. Such articulate admiration for great artists is very unlikely in our current times.
The film does have its flaws. Some of the English dialogue in the footage was incomprehensible. Subtitles would have been more than helpful. Also, some of Callas's old letters were narrated in a tone that did not always sound genuine. But the pluses far outnumber the minuses.
Around the beginning of the film, Callas makes a quote of how music is one of the ways that the great heavens can be made earthbound. She certainly lived up to that principle. This film graciously proves so. - dbamateurcritic.
This film has an unfair advantage compared to other documentaries. Its subject is so compelling that it can only come off as great regardless of the skills of the film-makers. (In fairness, the film-makers did a fine job.)
Callas truly represents the grandeur of the 50s, 60s, and early 70s. She had a regal elegance with an old-world, old-school charm that has been missing for many years - decades even. The highlight of watching such stunning arias (much greater than just hearing the audio recordings) provides an elation that could never be experienced by downloading an app to a mobile phone.
Though Callas - the person and the singer - lived in the same world as the one we are in now, the world then seems like a different entity from the one we currently inhabit. This alone makes the viewing of this film so worthwhile. Further evidence of a greater difference in this "other world" included separate brief interviews with three young, intelligent men lined up for hours at the Met opera house in the mid-1960s, expressing great admiration for the diva. Such articulate admiration for great artists is very unlikely in our current times.
The film does have its flaws. Some of the English dialogue in the footage was incomprehensible. Subtitles would have been more than helpful. Also, some of Callas's old letters were narrated in a tone that did not always sound genuine. But the pluses far outnumber the minuses.
Around the beginning of the film, Callas makes a quote of how music is one of the ways that the great heavens can be made earthbound. She certainly lived up to that principle. This film graciously proves so. - dbamateurcritic.