This is a real treat, a keenly observed, merry black comedy of life for a mild-mannered undertaker turned unwilling hangman. Every scene is filled with small observations and asides that add something memorable, and every bit character in every scene tosses in some little bit of "business" that is not necessary for the plot, but enriches it and deepens the believability of the world in which it is set.
Watching this made me think on how, if this film had been made at the same time outside of Europe, the British would have probably made it as a crass Carry On movie, and the Americans would most likely have turned it into a Jerry Lewis vehicle, without any subtlety, thoughtfulness, sensuality, societal commentary or beauty, and yet this is funnier than any of those put together, too.
The wedding scene is hilarious, with so much going on at every moment outside of the dialogue, and the "wave to daddy" line on the docks is priceless.
It's always a comedy, and yet one in which the viewer is never allowed to escape the oppressive moral weight of taking another's life, and the inability to look away from this increases as it goes along, until the ending borders on harrowing.
It's a film that really should be as well known as some of those by Fellini, and I'm eager now to see more by its mischevious writer and director, Luis Garcia Berlanga.
Watching this made me think on how, if this film had been made at the same time outside of Europe, the British would have probably made it as a crass Carry On movie, and the Americans would most likely have turned it into a Jerry Lewis vehicle, without any subtlety, thoughtfulness, sensuality, societal commentary or beauty, and yet this is funnier than any of those put together, too.
The wedding scene is hilarious, with so much going on at every moment outside of the dialogue, and the "wave to daddy" line on the docks is priceless.
It's always a comedy, and yet one in which the viewer is never allowed to escape the oppressive moral weight of taking another's life, and the inability to look away from this increases as it goes along, until the ending borders on harrowing.
It's a film that really should be as well known as some of those by Fellini, and I'm eager now to see more by its mischevious writer and director, Luis Garcia Berlanga.