It was the first New Year's Day of the millennium and an old son disappearing tried to convince his young Dad to correct the time- line.
Well, you don't dream: it's indeed a French movie with a lot of good things: an old icon (Belmondo), my favorite French actress (Geraldine) and actor (Romain) together, under the direction of the most innovative of French filmmakers (Clapish). Unfortunately, the result is rather bad.
I don't know if it's deliberate or due to the lack of money but the movie is the all-time number one for hideous costumes and make-up: the 1999 party is bleak and the people from the future are bleaker! Compare Tatoine and you will have a brighter Tunisian landscape! Beyond, the story seems lost in sands because it's never emotional: It's a pity because there was a pit of good ideas: parenthood, Paris under sand, excavating the basement for antiques!
Ironically, the movie has become what it depicts: a small hope of unknown in a desert of French production (always about comedies or drama) but quickly drowned under a sandstorm
Well, you don't dream: it's indeed a French movie with a lot of good things: an old icon (Belmondo), my favorite French actress (Geraldine) and actor (Romain) together, under the direction of the most innovative of French filmmakers (Clapish). Unfortunately, the result is rather bad.
I don't know if it's deliberate or due to the lack of money but the movie is the all-time number one for hideous costumes and make-up: the 1999 party is bleak and the people from the future are bleaker! Compare Tatoine and you will have a brighter Tunisian landscape! Beyond, the story seems lost in sands because it's never emotional: It's a pity because there was a pit of good ideas: parenthood, Paris under sand, excavating the basement for antiques!
Ironically, the movie has become what it depicts: a small hope of unknown in a desert of French production (always about comedies or drama) but quickly drowned under a sandstorm