I was positively impressed with João Maia's film and, above all, with the way Sérgio Praia incarnates the character of António. There were moments when real footage of the time was interposed and I was so much immersed in the actor's performance, that I could not tell which was which.
Afore going, I had seen some negative critiques, namely from the actual singer's brother, who claimed the film focused too much on the homossexual issue and less on the artist's career. I couldn't disagree more, for two reasons.
First, it is simply not true. The film focus mainly on the creative genius of the artist and his internal agony to create his art.
Second, yes, there is some attention brought on his love relationships, especially the one with Fernando Ataíde, but notice this: it's a biographic picture and sexuality is a central aspect in anyone's life - it is only natural that, in a film about the artist's life, some importance is given to his more fleshly passions. Furthermore, we are talking about Portugal in the 70's and 80's, a time when homossexuality was much more than a mere personal detail.
What I found to be missing in the film was any significant reference to the period António Ribeiro was in the war in Angola and his television debut by the tv host Júlio Isidro.
Afore going, I had seen some negative critiques, namely from the actual singer's brother, who claimed the film focused too much on the homossexual issue and less on the artist's career. I couldn't disagree more, for two reasons.
First, it is simply not true. The film focus mainly on the creative genius of the artist and his internal agony to create his art.
Second, yes, there is some attention brought on his love relationships, especially the one with Fernando Ataíde, but notice this: it's a biographic picture and sexuality is a central aspect in anyone's life - it is only natural that, in a film about the artist's life, some importance is given to his more fleshly passions. Furthermore, we are talking about Portugal in the 70's and 80's, a time when homossexuality was much more than a mere personal detail.
What I found to be missing in the film was any significant reference to the period António Ribeiro was in the war in Angola and his television debut by the tv host Júlio Isidro.