German comedies are not only stupid, unfunny and primitive, they also spread fire-threatening ideologies: Til Schweiger is not an isolated case, his colleague Bora Dagtekin has already taught the audience to despise the poor with his " Ju Göhte" series. Only those who submit to the dictates of the majority are integrated. This motif now returns in Dagtekin's new comedy "The Perfect Secret", but this film now has new victims: women and gays. Til Schweiger's film "Klassentreffen 1.0" was already homophobic and misogynistic, Dagtekin's work follows on from it, even though he proceeds a little more subtly - and thus is actually only more perfidious.
Review of The Perfect Secret
