I'm a big fan of the Decline series and Spheeris has always had a great grip on the lifestyle and passion behind rock and roll as the focal point of the trilogy. While Decline III is undoubtedly the most depressing of the series, it is probably also the best.
While the other two movies were mostly about musicians and aspiring musicians, Decline III is more about the followers of musicians and their devotion to the lifestyle of the punk movement. This film is much more about homelessness than music and attempts to show why some young people are drawn to the nomadic life of a punk. The people Spheeris interviews all seem lost but they share a deep bond with each other as well as a pessimistic life view brought on by traumas of their childhoods that include abuse and degradation.
What Spheeris does successfully is showing how beautiful the souls of these people are. In many ways, you can see the punks in this film as anti-heroes who stand for positive values like inclusion, equality, free thought and non-violence, despite society's desire to paint them as violent troublemakers. She gets down into the muck with them, spending a lot of time asking real questions and showing their daily way of life, all the time showing how the punk lifestyle is less about music than philosophy.
There are also some great, high-energy musical performances that rival the ones shown in the other Decline films in terms of power. Spheeris found a lost generation of kids who were deemed disposable by their parents and society and showed us how smart and gentle they are under a tough exterior.
While the other two movies were mostly about musicians and aspiring musicians, Decline III is more about the followers of musicians and their devotion to the lifestyle of the punk movement. This film is much more about homelessness than music and attempts to show why some young people are drawn to the nomadic life of a punk. The people Spheeris interviews all seem lost but they share a deep bond with each other as well as a pessimistic life view brought on by traumas of their childhoods that include abuse and degradation.
What Spheeris does successfully is showing how beautiful the souls of these people are. In many ways, you can see the punks in this film as anti-heroes who stand for positive values like inclusion, equality, free thought and non-violence, despite society's desire to paint them as violent troublemakers. She gets down into the muck with them, spending a lot of time asking real questions and showing their daily way of life, all the time showing how the punk lifestyle is less about music than philosophy.
There are also some great, high-energy musical performances that rival the ones shown in the other Decline films in terms of power. Spheeris found a lost generation of kids who were deemed disposable by their parents and society and showed us how smart and gentle they are under a tough exterior.