Review of You've Got Mail

6/10
Ironic in Hindsight
29 November 2019
Warning: Spoilers
You've Got Mail represents the tail end of the golden era of romantic comedies, during which writers and directors were trying to get an angle that would work for a more cynical movie-going public. Nora Ephron, with her rapier wit which she often hid within a cinematographic soft glove, was one of the more successful filmmakers of the later period. This film is a remake of The Shop Around the Corner from an earlier rom com era, so there are layers to the references in this movie, and if you catch them all, some of them are quite ironic. Especially the unintended ones, though. The script updates the story of the big retailer putting the small retailer out of business even as the two proprietors fall in love by recasting the retail stores as bookstores (this was actually a very big deal in the 90s) and the pen pals are corresponding via email rather than snail mail this time around. Looking at this film all these years later, you can't help but marvel at the fact that the filmmakers had written a romance about a big box bookseller winning the girl by utilizing a tool that was destined to put him out of business one day. Tom Hanks and Meg Ryan both have a great deal of personal charm individually and solid chemistry together, so the movie works on that level. Some aspects of the film aged less well than others. For example, the opening scenes that show Hanks and Ryan seeing their lovers off to start their days, and then sneaking back to their laptops to emote at each other via email, are played as cute hijinks, when today their actions would be recognized as an emotional affair. It's immediately clear that neither one is involved with a suitable lover, and then those lovers very conveniently (and somewhat ironically) develop a connection with each other, but still. This movie is somewhat of a time capsule, and still worth a watch with that in mind. Hanks and Ryan do a better job of selling the idea that these two can overcome his rampant trampling on her livelihood through their personal connection to each other much more successfully than the script manages to do.
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