James Greville is a teenager who has lived in children's homes ever since being orphaned as a child. He has always assumed that he has no living relatives, so is surprised when he learns that he has a great uncle who has invited him to stay at his home in the countryside, an old manor house named Greville Lodge. James does not, however, find life at Greville Lodge much to his taste. His great uncle is a quiet, lonely and reclusive old man, living with only his elderly housekeeper Sarah for company. His manner seems to hint at some great sadness in his distant past. Apart from Sarah, the only friend James makes is Billy, the eccentric gravedigger at the local church, who has a strange, unsettling manner.
To make matters worse, James becomes convinced that the house is haunted and that mysterious figures are watching him. He begins to have strange dreams in which he is another James Greville, in this case the son of the owner of the house back in 1939. This James Greville has formed a close friendship with Ben, an orphan who has been employed by his father as an assistant to the gamekeeper. James, however, needs to keep this friendship a secret from his autocratic father, who would not approve of his son fraternising with members of the servant class. As the film progresses we learn about the tragedy which struck the house one Christmas and which explains the sorrow which has haunted James's great uncle for so long.
Jon Newman, who plays James in both his modern-day and 1939 incarnations, is not particularly memorable, but there are good contributions from two senior members of the British acting profession, George Cole as Great Uncle and Prunella Scales as Sarah. The film is an intriguing mixture of ghost story and period drama, a sort of M R James meets L P Hartley. There is a strong narrative drive; the story is clearly and succinctly presented and the action builds inexorably to its shattering climax when we discover the tragic secret of Greville Lodge. This is a thoroughly enjoyable piece of entertainment.
A goof. The modern-day scenes are supposed to take place around Christmas, whereas those set in 1939 , apart from the climax, take place in late summer and autumn. The entire film, however, must have been filmed in summer, because we see trees in full leaf even in those scenes which are supposed to be set in December.
To make matters worse, James becomes convinced that the house is haunted and that mysterious figures are watching him. He begins to have strange dreams in which he is another James Greville, in this case the son of the owner of the house back in 1939. This James Greville has formed a close friendship with Ben, an orphan who has been employed by his father as an assistant to the gamekeeper. James, however, needs to keep this friendship a secret from his autocratic father, who would not approve of his son fraternising with members of the servant class. As the film progresses we learn about the tragedy which struck the house one Christmas and which explains the sorrow which has haunted James's great uncle for so long.
Jon Newman, who plays James in both his modern-day and 1939 incarnations, is not particularly memorable, but there are good contributions from two senior members of the British acting profession, George Cole as Great Uncle and Prunella Scales as Sarah. The film is an intriguing mixture of ghost story and period drama, a sort of M R James meets L P Hartley. There is a strong narrative drive; the story is clearly and succinctly presented and the action builds inexorably to its shattering climax when we discover the tragic secret of Greville Lodge. This is a thoroughly enjoyable piece of entertainment.
A goof. The modern-day scenes are supposed to take place around Christmas, whereas those set in 1939 , apart from the climax, take place in late summer and autumn. The entire film, however, must have been filmed in summer, because we see trees in full leaf even in those scenes which are supposed to be set in December.