Sometimes something happens with a person in your life that is absolutely devastating, your world is completely flattened and you're left adrift, wandering spiritually and unable to relate to anyone else. The desolation of the scenery in this film, the poor run-down towns in Texas, and the wide openness of the landscape as the little car drives through it mirrors this feeling of being lost after such an event. This is a film that wields a heavy emotional hammer, and it left me with a hollow feeling in my chest.
The pace is slow but it matches the weight of this guy's past, and builds to an extraordinary scene, as he and his old lover communicate with the benefit of time having passed and through a mirror, saying the words which usually end up being unsaid, and coming to a kind of peace. There are scars which never completely heal but somehow we move on, and this film is a catharsis. There are so many other things to love about it too - Wim Wender's use of light and color, Ry Cooder's lonesome slide guitar, and Harry Dean Stanton's sense of what it is to be broken. It's a masterful, haunting work, one that will stick with you.
The pace is slow but it matches the weight of this guy's past, and builds to an extraordinary scene, as he and his old lover communicate with the benefit of time having passed and through a mirror, saying the words which usually end up being unsaid, and coming to a kind of peace. There are scars which never completely heal but somehow we move on, and this film is a catharsis. There are so many other things to love about it too - Wim Wender's use of light and color, Ry Cooder's lonesome slide guitar, and Harry Dean Stanton's sense of what it is to be broken. It's a masterful, haunting work, one that will stick with you.