It is surprising that 'A Face in the Crowd' only got a mixed critical reception when it first came out, though can actually understand why some were not so taken with it. It is great though that 'A Face in the Crowd' has gotten the acclaim it deserves over-time and is so highly regarded here. Anybody that wants to see every film directed by Elia Kazan, see a different side to star Andy Griffith and see a very interesting subject being addressed should absolutely watch this film.
As far as Kazan's films go (all of which are woth watching, even if for a couple of them just the once though to me he never made a "bad" film), 'A Face in the Crowd' is not as iconic as 'On the Waterfront', 'A Streetcar Named Desire' or 'East of Eden' or as emotionally powerful as 'A Tree Grows in Brooklyn', 'Pinky' and 'Man on a Tightrope'. It is still up there as one of his better films in my view, but he is not the only reason to see it. It was really interesting to see Griffith in such a different role and do it so well and in terms of subject matter it is one of the bravest ones of Kazan's films along with 'Pinky'.
With the exception of 'The Visitors', one of the few films from Kazan that didn't feel like it came from him, Kazan's films were very well made visually. That is the case with 'A Face in the Crowd', it is shot intimately without being static and opened up enough without being heavy or trying to do too much. While having the right amount of audacious style and grit. The editing is sharp and fluid and the locations are made good use of. The music is effective enough, isn't overused and at least fits the mood, wouldn't have said no to Alfred Newman or Alex North scoring though.
Kazan's direction is typically on the money, apart from the rare occasions where a film of his doesn't feel like it was directed by him (i.e. 'The Visitors'). He has great visual style, gives so much dramatic impact to scenes and his famously peerless direction of actors and how he got such great performances from actors against type or inexperienced is all on display here in 'A Face in the Crowd'. The script is razor sharp and has scathing bite as ought for a film with a satirical edge, and provokes a lot of though. Although it is very scathing to the extent that it's almost scary, it is done in good taste too.
The story is a compelling and brave one, really admire it when any film or anything take on this subject and represent the media in this way (a truthful one by the way and should be portrayed a lot more) and it has aged incredibly well. Namely because, sadly, the subject is still very relevant today (just like when 'Pinky' tackled racism). Anybody who has read any of my previous reviews will notice my admiration for films handling difficult but worth addressing topics and exploring them in an uncompromising way, which 'A Face in the Crowd' does and brilliantly, and if anybody feels uncomfortable after watching that is a good thing.
Furthermore, the characters are interesting. Can understand where some critics are coming from when they feel that with Rhodes being such a juicy and larger than life character with an incredibly powerful presence in a quite scary way that he dominates everything else too much, but personally don't agree so much. Although it is Rhodes that everybody remembers, one shouldn't overlook the other characters as Marcia brings a lot of heart to the film. He also doesn't feel too much of a cartoon at all and is quite accurate too. Griffith is absolutely brilliant and was never better, while there is also a fine performance from an emotive Patricia Neal. All the performances are very good.
My only complaint is the slightly too drawn out ending.
Otherwise, this is absolutely great in almost every way. 9/10
As far as Kazan's films go (all of which are woth watching, even if for a couple of them just the once though to me he never made a "bad" film), 'A Face in the Crowd' is not as iconic as 'On the Waterfront', 'A Streetcar Named Desire' or 'East of Eden' or as emotionally powerful as 'A Tree Grows in Brooklyn', 'Pinky' and 'Man on a Tightrope'. It is still up there as one of his better films in my view, but he is not the only reason to see it. It was really interesting to see Griffith in such a different role and do it so well and in terms of subject matter it is one of the bravest ones of Kazan's films along with 'Pinky'.
With the exception of 'The Visitors', one of the few films from Kazan that didn't feel like it came from him, Kazan's films were very well made visually. That is the case with 'A Face in the Crowd', it is shot intimately without being static and opened up enough without being heavy or trying to do too much. While having the right amount of audacious style and grit. The editing is sharp and fluid and the locations are made good use of. The music is effective enough, isn't overused and at least fits the mood, wouldn't have said no to Alfred Newman or Alex North scoring though.
Kazan's direction is typically on the money, apart from the rare occasions where a film of his doesn't feel like it was directed by him (i.e. 'The Visitors'). He has great visual style, gives so much dramatic impact to scenes and his famously peerless direction of actors and how he got such great performances from actors against type or inexperienced is all on display here in 'A Face in the Crowd'. The script is razor sharp and has scathing bite as ought for a film with a satirical edge, and provokes a lot of though. Although it is very scathing to the extent that it's almost scary, it is done in good taste too.
The story is a compelling and brave one, really admire it when any film or anything take on this subject and represent the media in this way (a truthful one by the way and should be portrayed a lot more) and it has aged incredibly well. Namely because, sadly, the subject is still very relevant today (just like when 'Pinky' tackled racism). Anybody who has read any of my previous reviews will notice my admiration for films handling difficult but worth addressing topics and exploring them in an uncompromising way, which 'A Face in the Crowd' does and brilliantly, and if anybody feels uncomfortable after watching that is a good thing.
Furthermore, the characters are interesting. Can understand where some critics are coming from when they feel that with Rhodes being such a juicy and larger than life character with an incredibly powerful presence in a quite scary way that he dominates everything else too much, but personally don't agree so much. Although it is Rhodes that everybody remembers, one shouldn't overlook the other characters as Marcia brings a lot of heart to the film. He also doesn't feel too much of a cartoon at all and is quite accurate too. Griffith is absolutely brilliant and was never better, while there is also a fine performance from an emotive Patricia Neal. All the performances are very good.
My only complaint is the slightly too drawn out ending.
Otherwise, this is absolutely great in almost every way. 9/10