There is a myth perpetuated by film buffs that a film can be so bad that it's good.
This is absolute nonsense of course as there is no such animal.
Even allowing for the directorial inexperience of 'actor' William Marshall this lamentable opus is just plain bad.
The leading lady is Micheline Presle(here billed as Prelle so as not to challenge non-European viewers!) It is hard to believe that she had previously appeared in 'Diable au Corps' and 'Les Jeux sont faites'. Being married at the time to Marshall was probably her excuse although her role as a Creole femme fatale no doubt looked good on paper.
Agnes Moorhead and Victor Francen are wasted and Vincent Price's character is so obnoxious as to be almost unwatchable. This was not a happy experience for Price as he was obliged to sue for 'unpaid salary'.
The score by Rene Cloerec is atrocious and the screenplay, allegedly written by leading man Errol Flynn, is aimed at the slowest-witted person watching.
The professional relationship between Flynn and Marshall was short-lived and doomed from the outset, resulting in a legal dispute over a semi-documentary pacifist piece called 'Hello God'.
Watching Flynn in this is a sad spectacle indeed. An actor in his prime who has simply ceased to care.
Ten years were to elapse before Marshall was again let loose on a film set resulting in 'The Phantom Planet' which is no doubt yet another that falls into the category 'so bad it's good'!
This is absolute nonsense of course as there is no such animal.
Even allowing for the directorial inexperience of 'actor' William Marshall this lamentable opus is just plain bad.
The leading lady is Micheline Presle(here billed as Prelle so as not to challenge non-European viewers!) It is hard to believe that she had previously appeared in 'Diable au Corps' and 'Les Jeux sont faites'. Being married at the time to Marshall was probably her excuse although her role as a Creole femme fatale no doubt looked good on paper.
Agnes Moorhead and Victor Francen are wasted and Vincent Price's character is so obnoxious as to be almost unwatchable. This was not a happy experience for Price as he was obliged to sue for 'unpaid salary'.
The score by Rene Cloerec is atrocious and the screenplay, allegedly written by leading man Errol Flynn, is aimed at the slowest-witted person watching.
The professional relationship between Flynn and Marshall was short-lived and doomed from the outset, resulting in a legal dispute over a semi-documentary pacifist piece called 'Hello God'.
Watching Flynn in this is a sad spectacle indeed. An actor in his prime who has simply ceased to care.
Ten years were to elapse before Marshall was again let loose on a film set resulting in 'The Phantom Planet' which is no doubt yet another that falls into the category 'so bad it's good'!