The name Ezel Akay (Ezop), takes place on the top lines of creative cinema lists thanks to his muchly peculiar cinematic langue. Most of his movies have been treated as examples of golden works in Turkey Cinema by many authorities.
But unfortunately this last movie is too far off meeting any audience expectation based on Ezel Akay cinematography.
Although the movie evokes the cinematic grammar of "Neredesin Firuze" (one of Akay's previous successfull works) it fails to catch an adequate dynamic mood which Neredesin Firuze significantly staged and 9 Kere Leyla tries to perform.
-. Inadequate links between mythological significations and political discourse and
-. Failing repetitive jokes which dominate and vanish sub-contents
could be counted as main major problems.
But unfortunately this last movie is too far off meeting any audience expectation based on Ezel Akay cinematography.
Although the movie evokes the cinematic grammar of "Neredesin Firuze" (one of Akay's previous successfull works) it fails to catch an adequate dynamic mood which Neredesin Firuze significantly staged and 9 Kere Leyla tries to perform.
-. Inadequate links between mythological significations and political discourse and
-. Failing repetitive jokes which dominate and vanish sub-contents
could be counted as main major problems.