6/10
Mildly engaging
23 January 2021
One-joke "high concept" comedy wears thin after a while, but remains mildly engaging throughout thanks to George C. Scott's multilayered (both lucid and delusional) performance and Joanne Woodward's appealing turn. Despite all the name-dropping, it is not so much a Sherlock Holmes parody or homage (there is hardly any deduction) as it is a romantic comedy and a celebration of the liberating potential of fantasy. **1/2 out of 4.
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