The boys meet while separately out boating and sixteen year old Alexis falls in love immediately with eighteen year old David. We know from the start that the relationship is doomed but we obviously don't know how and why. Hints and fragments emerge from the text - and it is a text. Alex is writing the events of the six week romance as a way of explaining his criminal actions to a social worker.
The running length of the film whirls past just as the summer romance between the lads does. During the affair, things are revealed that start to show that all is not well - David goes back to the drunk guy they rescued, he hints at a deeper relationship with the literature teacher, mum is clearly worried about him and asks his younger friend to keep an eye on him, it turns out the boat was not dealt with.
Alex is blind to it all and is blissfully happy in his first proper love affair. They do things young besotted teenagers do - drink, go to fairgrounds, have punch ups with rival guys, drive dangerously on the Suzuki. They exchange kisses and embraces and make love while David's mum is doped up on sleeping pills.
It all comes crashing down and when it does, the events take a gruesome and tragic turn of events. Alex is in trouble. He had made David a promise he thought he would not have to keep either at all or for many years but is now obliged to carry it out. On the way to this, he's helped by his English acquaintance who offers the apercu that he was in love with an idea and not the person. It's the definition of puppy love.
Frantic typing feverishly results in clarity both for David and the court and his story ends as far as the film is concerned but carries on beyond its ending with another boat ride; our imaginations can envisage the course of his life now that he's learnt a lesson and is a bit wiser to the ways of the world.
As always, Ozon's storytelling is masterful as is the cinematography. The choice of music was perfect. "In between days" by The Cure framed the film and I can't imagine anything more apt especially once the film was complete.
The two leads played their parts fantastically. The supporting cast were not fleshed out but didn't need to be. Their characters were recognisable cliches that could be found in a French provincial town nearly forty years ago and simply drove the plot along.
I do recommend this film.
The running length of the film whirls past just as the summer romance between the lads does. During the affair, things are revealed that start to show that all is not well - David goes back to the drunk guy they rescued, he hints at a deeper relationship with the literature teacher, mum is clearly worried about him and asks his younger friend to keep an eye on him, it turns out the boat was not dealt with.
Alex is blind to it all and is blissfully happy in his first proper love affair. They do things young besotted teenagers do - drink, go to fairgrounds, have punch ups with rival guys, drive dangerously on the Suzuki. They exchange kisses and embraces and make love while David's mum is doped up on sleeping pills.
It all comes crashing down and when it does, the events take a gruesome and tragic turn of events. Alex is in trouble. He had made David a promise he thought he would not have to keep either at all or for many years but is now obliged to carry it out. On the way to this, he's helped by his English acquaintance who offers the apercu that he was in love with an idea and not the person. It's the definition of puppy love.
Frantic typing feverishly results in clarity both for David and the court and his story ends as far as the film is concerned but carries on beyond its ending with another boat ride; our imaginations can envisage the course of his life now that he's learnt a lesson and is a bit wiser to the ways of the world.
As always, Ozon's storytelling is masterful as is the cinematography. The choice of music was perfect. "In between days" by The Cure framed the film and I can't imagine anything more apt especially once the film was complete.
The two leads played their parts fantastically. The supporting cast were not fleshed out but didn't need to be. Their characters were recognisable cliches that could be found in a French provincial town nearly forty years ago and simply drove the plot along.
I do recommend this film.