È Stata La Mano Di Dio (2021), or how Maradona saved Paolo Sorrentino. The new film by the Italian director is autobiographical and features his fetish actor, Toni Servillo, who shows, once again, why he gained that status (since I saw Le Conseguenze Dell'Amore, from 2004, I became a fan of this partnership). An engaging and captivating narrative, visually appealing, sometimes leads us to laughter, other times to the deepest sadness. But this time, Sorrentino uses his most intimate memories and offers us a tale about family, loss, pain, discovery, life.
Review of The Hand of God
