... in that it seemed so big and grand in my memory, but is actually quite small and underwhelming when revisited.
It had been years since I saw Tin Pan Alley, definitely over a decade. It was on the Fox Movie Channel back when that channel used to play classic Fox titles around the clock, but now relegates older films to twelve hours a day, and usually it is about the same twenty titles all of the time and pre 1960 titles? Forget about it.
So when it popped up available to see I decided to jump on it, and the production as a whole left me disappointed. It pretty much amounts to this - In 1915 pretty chanteuse (Alice Faye) meets two struggling song writers/publishers. They catapult to success based on a title they buy off of a performer in a restaurant, then success goes to the head of the publisher Faye loves (John Payne). Complications ensue, but none you won't see coming from a mile away. And the musical numbers are too bland and too long.
But it does have its charms. Alice Faye is great as the wholesome girl next door with the wonderful voice. Jack Oakie doesn't look or sound like somebody who would be a net positive in a musical, but he works great as long as he has somebody to bounce one liners off of, and John Payne fits the bill for that duty. Then there is Elisha Cook Jr of the noirs as a geeky gifted composer. If that doesn't sound weird then I assume you could see Hoagy Carmichael playing a psychopathic killer?
Finally there is the one really good song in this film - "You Say The Sweetest Things" by Gordon and Warren performed by Alice Faye. Fortunately, Fox knew this was the best song because it becomes a kind of background score as the plot unwinds. With a second billed Betty Grable who hardly has a line and a great cameo appearance by the Nicholas Brothers, this is probably worth your time.
It had been years since I saw Tin Pan Alley, definitely over a decade. It was on the Fox Movie Channel back when that channel used to play classic Fox titles around the clock, but now relegates older films to twelve hours a day, and usually it is about the same twenty titles all of the time and pre 1960 titles? Forget about it.
So when it popped up available to see I decided to jump on it, and the production as a whole left me disappointed. It pretty much amounts to this - In 1915 pretty chanteuse (Alice Faye) meets two struggling song writers/publishers. They catapult to success based on a title they buy off of a performer in a restaurant, then success goes to the head of the publisher Faye loves (John Payne). Complications ensue, but none you won't see coming from a mile away. And the musical numbers are too bland and too long.
But it does have its charms. Alice Faye is great as the wholesome girl next door with the wonderful voice. Jack Oakie doesn't look or sound like somebody who would be a net positive in a musical, but he works great as long as he has somebody to bounce one liners off of, and John Payne fits the bill for that duty. Then there is Elisha Cook Jr of the noirs as a geeky gifted composer. If that doesn't sound weird then I assume you could see Hoagy Carmichael playing a psychopathic killer?
Finally there is the one really good song in this film - "You Say The Sweetest Things" by Gordon and Warren performed by Alice Faye. Fortunately, Fox knew this was the best song because it becomes a kind of background score as the plot unwinds. With a second billed Betty Grable who hardly has a line and a great cameo appearance by the Nicholas Brothers, this is probably worth your time.