By 1929 standards, "The Black Watch" is a decent film. When seen today, however, it seems very stilted and slow. But you cannot fault the movie for being so static and stagey, as in 1929 filmmakers were still struggling to integrate sound into movies...and it took them another year or two to get it right. In this case, it was the first sound film of John Ford...and it shows.
When the story begins, the officers of a Scottish Highlands regiment are having a party and toasting to their success in WWI...which has just begun. They see it as a chance for glory and fun and all that rot, but John Ford filmed this section with great sentimentality...as if to glorify the godawful mess that the war would soon become.
During this party, Captain Donald Gordon King (Victor McLaglen) is called to talk to his commander. He's ordered to go to India for an undercover mission instead of just getting his head blown off in France with his friends. And, because the film shows such patriotism and gung ho attitudes, Donald is sad to not get into the action!
Once in India, he's expected to insinuate himself into the inner circle around a strange and charismatic woman named Yasmani (Mynra Loy) who is plotting a rebellion in British India. To do this, he is publicly disgraced and runs to Yasmani's camp...hoping that she and her men won't realize the whole disgraced thing is a sham. What's next? See the film and find out for yourself.
Technically, this is a very good film. The cinematography is exceptional and the sound for 1929 is excellent. The sets also are pretty amazing.
On the other hand, the film has a few deficits. None of the 'Indians' in the movie look the least bit Indian...with the likes of Walter Long and Myrna Loy playing natives!! Such silly casting wasn't unusual back in the day and Hollywood was still trying to figure out what to do with Loy...even casting her as a Chinese lady in "The Mask of Fu Manchu" only a few years later. In addition, although the sound quality is good, the acting combined with the sound isn't so hot. It's incredibly stilted and the acting stagy as well...not unusual for 1929 but obvious by the standards even of 1930-1932. Some scenes look as if they were from a silent movie, stylistically speaking. This is especially true when the Captain was pitching woo with Yasmani....the acting of both (particularly Loy) was truly awful!! As a result, the scope and excitement that should be in the story are sadly lacking at times. Overall, well worth seeing but probably a bit of a disappointment for Ford fans. My score of 4 might seem a bit high, but it is watchable and I tend to cut the films of 1927-29 some slack because of changing technologies and styles.
When the story begins, the officers of a Scottish Highlands regiment are having a party and toasting to their success in WWI...which has just begun. They see it as a chance for glory and fun and all that rot, but John Ford filmed this section with great sentimentality...as if to glorify the godawful mess that the war would soon become.
During this party, Captain Donald Gordon King (Victor McLaglen) is called to talk to his commander. He's ordered to go to India for an undercover mission instead of just getting his head blown off in France with his friends. And, because the film shows such patriotism and gung ho attitudes, Donald is sad to not get into the action!
Once in India, he's expected to insinuate himself into the inner circle around a strange and charismatic woman named Yasmani (Mynra Loy) who is plotting a rebellion in British India. To do this, he is publicly disgraced and runs to Yasmani's camp...hoping that she and her men won't realize the whole disgraced thing is a sham. What's next? See the film and find out for yourself.
Technically, this is a very good film. The cinematography is exceptional and the sound for 1929 is excellent. The sets also are pretty amazing.
On the other hand, the film has a few deficits. None of the 'Indians' in the movie look the least bit Indian...with the likes of Walter Long and Myrna Loy playing natives!! Such silly casting wasn't unusual back in the day and Hollywood was still trying to figure out what to do with Loy...even casting her as a Chinese lady in "The Mask of Fu Manchu" only a few years later. In addition, although the sound quality is good, the acting combined with the sound isn't so hot. It's incredibly stilted and the acting stagy as well...not unusual for 1929 but obvious by the standards even of 1930-1932. Some scenes look as if they were from a silent movie, stylistically speaking. This is especially true when the Captain was pitching woo with Yasmani....the acting of both (particularly Loy) was truly awful!! As a result, the scope and excitement that should be in the story are sadly lacking at times. Overall, well worth seeing but probably a bit of a disappointment for Ford fans. My score of 4 might seem a bit high, but it is watchable and I tend to cut the films of 1927-29 some slack because of changing technologies and styles.