Pretty pictures do not a film make.
Though Earwig has great cinematography and an ethereal glass harmonica score, it is dramatically inert from the word go.
It comes off as dull and pretentious and squanders its moody setting and mysterious premise.
Lucille Hadzihallilovic's third feature is arguably her weakest and most self-indulgent yet.
Though Earwig has great cinematography and an ethereal glass harmonica score, it is dramatically inert from the word go.
It comes off as dull and pretentious and squanders its moody setting and mysterious premise.
Lucille Hadzihallilovic's third feature is arguably her weakest and most self-indulgent yet.