A pilot and an actor are thrown into a life of death situation when they are shot down in enemy territory.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.