Tristán in this film presents for the umpteenth time his classic character of inept and clumsy but attractive to women. Until the 1990s, Argentine cinema offered vehicles for its capocomics where we could always find laughter, beauty and sensuality. The film honors this premise by offering us Susana Traveso who lights up the screen with her presence. Tristán is a nurse and must solve a fortuitous circumstance with his friend Rolo Puente that will make it easier for him to achieve his dreams. Obviously it is a film for fans of the good old Argentine cinema that later became pretentious and immensely boring. That is the problem with cinema today: instead of entertaining, it wants to educate.
Review of Enfermero de día, camarero de noche
