It was said of Joseph Pevney by a colleague that 'some former actors become good directors and some become hack directors. Pevney is no hack and is more than good.'
Although this marks Pevney's directorial debut his undeniable flair and precision are already in evidence, aided immeasurably by one of Universal's most respected editors Milton Carruth.
This is minor Noir to be sure but grips throughout its eighty minutes and reflects not just post War cynicism but the Fourth Estate's questionable ethics when catering to the public's desire for sensationalism.
Pevney is excellent with his actors and the casting is spot on. Not exactly renowned for his sympathetic persona, Howard Duff has arguably his best role as a narcissistic sociopath, a type that the female of the species finds impossible to resist and the troublesome Lawrence Tierney again convinces as a nasty piece of work. On the distaff side there is lovely Peggy Dow who quit filming to raise a family whilst classy Anne Vernon in her only Hollywood appearance provides the Gallic 'Je ne sais quoi'. Solid Bruce Bennett plays a newspaper editor whose conscience is mollified by increased circulation figures. Brian Donlevy has star quality in spades and steals all of his scenes. The eagle-eyed might spot an uncredited Rock Hudson as a doorman. They all have to start somewhere.
The old Hollywood Rule Book requires Duff's loathsome character to get his just desserts but the climax in which he finds redemption has been aptly described by one critic as 'ingeniously ironic'.
Although this marks Pevney's directorial debut his undeniable flair and precision are already in evidence, aided immeasurably by one of Universal's most respected editors Milton Carruth.
This is minor Noir to be sure but grips throughout its eighty minutes and reflects not just post War cynicism but the Fourth Estate's questionable ethics when catering to the public's desire for sensationalism.
Pevney is excellent with his actors and the casting is spot on. Not exactly renowned for his sympathetic persona, Howard Duff has arguably his best role as a narcissistic sociopath, a type that the female of the species finds impossible to resist and the troublesome Lawrence Tierney again convinces as a nasty piece of work. On the distaff side there is lovely Peggy Dow who quit filming to raise a family whilst classy Anne Vernon in her only Hollywood appearance provides the Gallic 'Je ne sais quoi'. Solid Bruce Bennett plays a newspaper editor whose conscience is mollified by increased circulation figures. Brian Donlevy has star quality in spades and steals all of his scenes. The eagle-eyed might spot an uncredited Rock Hudson as a doorman. They all have to start somewhere.
The old Hollywood Rule Book requires Duff's loathsome character to get his just desserts but the climax in which he finds redemption has been aptly described by one critic as 'ingeniously ironic'.