My review was written in February 1991 after watching the movie on Showtime.
"Flight of Black Angel" is an unsettling, extremely taut thriller about a craze American fighter pilot with a tactical nuclear weapon board. This timely, cautionary tale is one of the better features presented as a direct-to-cable offering.
Billed as a "Showtime Original", film was made as an indie theatrical feature y Hess-Kallberg Associated, but was acquired by the pay-cable company and premieres via Showtime rather than in theaters.
A proper subtitle could be "He Came to Bomb Las Vegas", as young U. S. Air Force Academy pilot William O'Leary goes nuts kills his family and arms his plane to turn routine training exercises of young pilots into a game of death.
He also fakes the serial numbers on a computer requisition form and successfully thwarts other fail-safe systems to get a 50-megaton tactical nuclear weapon loaded onto his F-21 Mirage jet. He then arms it for a kamikaze run on the nation's gambling capital.
Helmer Jonathan Mostow, making a quantum leap here to quality from his debut Hess-Kallberg feature "Beverly Hills Bodysnatchers", directs with ruthless skill that makes this film the most disturbing of its type since "Henry: Portrait of a Serial Killer".
Clues gradually inform the viewer of the anti-hero's despair with the world and his religious fanaticism, believing himself to be a messianic angel of God out to destroy earthly corruption . O'Leary's subtle, understated acting does a terrific job of avoiding the maniac cliches of the genre (that persist right through the current feature "Silence of the Lambs") and creates the horror beneath a classical all-American boy facade.
As his commander and ultimate nemesis, top-billed Peter Strauss offers solid support. An affecting performance is turned in by Michelle Pawk as a young mother kidnapped by O'Leary along with her husband and baby.
The power of this film can be measured in its avoidance of the happy ending syndrome that afflicts modern screenplays. Though there are survivors to pick up the pieces, "Black Angel" packs a morbid wallop and genuine suspense as to the fate of the protagonists.
Good model work for explosions and effective use of aerial dogfight photography deserve high marks for this low-budgeter.
"Flight of Black Angel" is an unsettling, extremely taut thriller about a craze American fighter pilot with a tactical nuclear weapon board. This timely, cautionary tale is one of the better features presented as a direct-to-cable offering.
Billed as a "Showtime Original", film was made as an indie theatrical feature y Hess-Kallberg Associated, but was acquired by the pay-cable company and premieres via Showtime rather than in theaters.
A proper subtitle could be "He Came to Bomb Las Vegas", as young U. S. Air Force Academy pilot William O'Leary goes nuts kills his family and arms his plane to turn routine training exercises of young pilots into a game of death.
He also fakes the serial numbers on a computer requisition form and successfully thwarts other fail-safe systems to get a 50-megaton tactical nuclear weapon loaded onto his F-21 Mirage jet. He then arms it for a kamikaze run on the nation's gambling capital.
Helmer Jonathan Mostow, making a quantum leap here to quality from his debut Hess-Kallberg feature "Beverly Hills Bodysnatchers", directs with ruthless skill that makes this film the most disturbing of its type since "Henry: Portrait of a Serial Killer".
Clues gradually inform the viewer of the anti-hero's despair with the world and his religious fanaticism, believing himself to be a messianic angel of God out to destroy earthly corruption . O'Leary's subtle, understated acting does a terrific job of avoiding the maniac cliches of the genre (that persist right through the current feature "Silence of the Lambs") and creates the horror beneath a classical all-American boy facade.
As his commander and ultimate nemesis, top-billed Peter Strauss offers solid support. An affecting performance is turned in by Michelle Pawk as a young mother kidnapped by O'Leary along with her husband and baby.
The power of this film can be measured in its avoidance of the happy ending syndrome that afflicts modern screenplays. Though there are survivors to pick up the pieces, "Black Angel" packs a morbid wallop and genuine suspense as to the fate of the protagonists.
Good model work for explosions and effective use of aerial dogfight photography deserve high marks for this low-budgeter.