When I see Benoit Poelvoorde's name on a movie, I always watch. He's become the new Pierre Richard, if you remember The Blond Man With a Brown Shoe from the 70's. Only thing, Poelvoorde is much tougher than the benign Richard. Watching him can be a little exhausting.
Whatever, here we have a surrealist caper masquerading as a police procedural. I think Dupieux must have been influenced by Bunuel and by Argento, for the surreal aspects and the violence. What happens to Philippe in the office has to be seen to be believed (it involves a protractor). The acting is first rate, from Poelvoorde as the bullying detective and Gregoire Ludig as the harried suspect. There's a wonderful turn by Anais Demoustier as Philippe's girlfriend, constantly saying 'actually' to everyone's exasperation. I'll be looking out for more of Dupieux's work.
Whatever, here we have a surrealist caper masquerading as a police procedural. I think Dupieux must have been influenced by Bunuel and by Argento, for the surreal aspects and the violence. What happens to Philippe in the office has to be seen to be believed (it involves a protractor). The acting is first rate, from Poelvoorde as the bullying detective and Gregoire Ludig as the harried suspect. There's a wonderful turn by Anais Demoustier as Philippe's girlfriend, constantly saying 'actually' to everyone's exasperation. I'll be looking out for more of Dupieux's work.