As a massive, in fact - borderline obsessive, Agatha Christie fanatic, I am particularly interested in reading the books and watching the film versions of the stories that she herself loved the most. "Crooked House" was a personal favorite of hers, and it was indeed a terrific book and got turned into a very enjoyable movie recently (in 2017). "Ordeal by Innocence" is another favorite of Mrs. Christie, and while the book is a masterpiece, this 1984 film-version was quite a disappointment.
The plot, of course, remains genius. The convoluted and twisted, but simultaneously highly original murder mystery is one that only could have come from the brilliant and practically inexhaustible mind of Agatha Christie. It's the tale of the noble Doctor Calgary who travels to a remote British island to return an address book to a young fella named Jacko Argyle whom he gave a lift two years earlier. When Calgary finds out Jacko got executed for the murder of his adoption mother, while he could have confirmed his alibi and save his life, Calgary insists on reopening the case. However, the rest of the entire family, as well as the local police inspector, are very much pleased how the case got resolved with Jacko's hanging, and Calgary's persistence and intrusion leads to new crimes.
Once more, the story is great and the denouement - albeit reasonably simple for a Christie mystery (which is perhaps why she loved it so much) - is marvelous, but the rest of the production is heavily flawed and poorly handled. The pacing is often too slow, the camerawork and editing are monotonous and dull, and then there's the misfit music. I'm glad to read I'm aligned with all my fellow reviewers around here who also state that the moody jazz-soundtrack (by Dave Brubeck) was a terribly wrong choice. The cast looks impressive, but notably the acclaimed names (Plummer, Dunaway, Sutherland) deliver the most underwhelming performances.
The plot, of course, remains genius. The convoluted and twisted, but simultaneously highly original murder mystery is one that only could have come from the brilliant and practically inexhaustible mind of Agatha Christie. It's the tale of the noble Doctor Calgary who travels to a remote British island to return an address book to a young fella named Jacko Argyle whom he gave a lift two years earlier. When Calgary finds out Jacko got executed for the murder of his adoption mother, while he could have confirmed his alibi and save his life, Calgary insists on reopening the case. However, the rest of the entire family, as well as the local police inspector, are very much pleased how the case got resolved with Jacko's hanging, and Calgary's persistence and intrusion leads to new crimes.
Once more, the story is great and the denouement - albeit reasonably simple for a Christie mystery (which is perhaps why she loved it so much) - is marvelous, but the rest of the production is heavily flawed and poorly handled. The pacing is often too slow, the camerawork and editing are monotonous and dull, and then there's the misfit music. I'm glad to read I'm aligned with all my fellow reviewers around here who also state that the moody jazz-soundtrack (by Dave Brubeck) was a terribly wrong choice. The cast looks impressive, but notably the acclaimed names (Plummer, Dunaway, Sutherland) deliver the most underwhelming performances.