The first to Japan made the audio-visual language is so great and love it!
The second one was deleted.
The third and fourth feel influenced by Kurosawa Akira's movie style is quite big, with the characters of the spatial relationship to create the beauty of the picture, deep in the style of Kurosawa Akira.
The final Godard is still a heavyweight, responding to the cinéma vérité movement of the 1962 Chronicle of the Summer and presenting the theme of "fraud" in a different light. Here it seems that the fixation on good and evil has been stripped away and turned into a stance, aimed at the powers that be.
It's good, I don't know why it's rated so low.
The second one was deleted.
The third and fourth feel influenced by Kurosawa Akira's movie style is quite big, with the characters of the spatial relationship to create the beauty of the picture, deep in the style of Kurosawa Akira.
The final Godard is still a heavyweight, responding to the cinéma vérité movement of the 1962 Chronicle of the Summer and presenting the theme of "fraud" in a different light. Here it seems that the fixation on good and evil has been stripped away and turned into a stance, aimed at the powers that be.
It's good, I don't know why it's rated so low.