6/10
Wow!
28 November 2023
Warning: Spoilers
The Campos and Mounter family have been fighting for years. Then Senor Campos (Rufino Ingles) and Bill Mounters (Luis Induni) come to an understanding. Both families will fight in the open and a judge will decide who wins. The losers must leave California.

Rodrigo Campos (Peter Martell) and the rest of the family spring a trap and kill nearly all of the Mounters except for Bill and his son Johnny (Peter Lee Lawrence), who is captured by the Campos family and kept in jail with Lefty (Andres Mejuto), a man with a hook for a hand.

The Campos want them to fight to the death but Johnny gets them away alive. Lefty then teaches him how to survive: "Shoot first, shoot to kill. Keep an eye on the allegedly dead. Beware of spare guns. Never turn your back to another colt. Keep your eye and your hand steady if you want to live long and healthy. Always get even."

Johnny comes back for revenge and falls for Giulietta Campos (Cristina Galbo), which should let you know that he's the Italian Western Romeo and she's Juliet. There's also a saloon girl named Rosalind (Maria Cuadra) who falls for him and like all fallen women who redeem themselves in these movies, she dies to help save him. There's also Sheriff Cooper (Piero Lulli), who is in love with Giulietta and she in no way returns his ardor.

In real life, Lawrence and Galbo fell in love and were married. Sadly, he died of brain cancer at the age of thirty, but before that, he would be in Pistol for a Hundred Coffins and she would appear in The Living Dead at Manchester Morgue, The House That Screamed and What Have You Done ro Solange?

This was directed by Gianni Puccini, who mainly worked as a writer. His assistant director was Paul Naschy, who also appears in a bar scene where his character loses an arm wrestling match and has his hand impaled.

I really enjoyed this movie. It takes the basics of Shakespeare and becomes its own movie. It ends - spoiler warning - with death itself killing everyone else except our young lovers, which is quite different than the classic.

It was shot by Mario Montuori, who was the cameraman on Bicycle Thieves. I also love the soundtrack, which is Gino Peguri. He also did the music for Bloody Pit of Horror and Supersonic Man.
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