9/10
3.23.2024
23 March 2024
No one can imagine how Rohmer's freneticism of colors, natural setting, and petit trivia.

Two girls, one lives in modernity and one lives in a rural area. The chemicals between both two somehow completely different but shared cultivated values of society unfolded in 4 separate stories.

The first one is the best for me, the most beautiful cinema comes from nature. Then the second and third get a little closer to the conventional drama of people's heterogeneity in the modern city. It's enjoyable to see Joelle Miquel's stupendous unfamiliarity conjured in this Rohmer-comedy.

The fourth then gets back to the silence topic, corresponding to the first one's "blue hour", Rohmer also challenges the concept of languages and silences with his jocular dialogues (though they are mostly modified by actresses).

Best use of colors, and It could be a quiet chick-flick, the waiter's persona is very misandrist. Rohmer's style is, slow, quiet, beautiful, modernism.

Metrograph (I sneaked in for Rohmer, the ticket was sold out. Thank God New York is raining, so that not everyone came for it)
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