Seas cover seven tenths of the terrestrial globe and have inspired painters, writers, composers and not a few film-makers and this adaptation of a novel by Roger Vercel is one of the very best of its type.
Considered by the French to be among their most gifted directors, Jean Grémillon is fated to be little known abroad except to a coterie of cinéphiles. He had envisioned a far more realistic storm sequence to be filmed in Brittany but this was deemed impracticable for health and safety reasons and he was obliged to shoot in UFA's studios at Billancourt. Nonetheless this sequence still comes off pretty well. Filming came to a grinding halt with the outbreak of war and it was not completed and released until 1941 by which time its two stars had gone to Hollywoodland.
Navigating the stormy waters of desire are Jean Gabin and Michéle Morgan, one of Cinema's most memorable couples. On-screen chemistry is hard to define but their deep fondness for each other off-screen is evident whilst her ethereal quality is perfectly allied to his earthiness. As his wife is Madeleine Renaud who was later to star in Grémillon's excellent but underrated 'Le Ciel est a vous'. Renowned as a stage actress her sporadic appearances in film represent quality over quantity. Fernand Ledoux makes the most of a thankless role and if you blink you'll miss an uncredited Alain Cuny.
Stunning cinematography by one of his nation's finest, Armand Thirard, powerful score by Roland-Manuel whilst at the insistence of Grémillon and Gabin, the screenplay has been entrusted to Jacques Prévert whose poetic/realist style is perfectly suited to this tale of doomed love and the forces of Nature.
Grémillon's ambitious projects were constantly thwarted by the constraints of commercial cinema but his comparatively small output is a legacy to be treasured.
Considered by the French to be among their most gifted directors, Jean Grémillon is fated to be little known abroad except to a coterie of cinéphiles. He had envisioned a far more realistic storm sequence to be filmed in Brittany but this was deemed impracticable for health and safety reasons and he was obliged to shoot in UFA's studios at Billancourt. Nonetheless this sequence still comes off pretty well. Filming came to a grinding halt with the outbreak of war and it was not completed and released until 1941 by which time its two stars had gone to Hollywoodland.
Navigating the stormy waters of desire are Jean Gabin and Michéle Morgan, one of Cinema's most memorable couples. On-screen chemistry is hard to define but their deep fondness for each other off-screen is evident whilst her ethereal quality is perfectly allied to his earthiness. As his wife is Madeleine Renaud who was later to star in Grémillon's excellent but underrated 'Le Ciel est a vous'. Renowned as a stage actress her sporadic appearances in film represent quality over quantity. Fernand Ledoux makes the most of a thankless role and if you blink you'll miss an uncredited Alain Cuny.
Stunning cinematography by one of his nation's finest, Armand Thirard, powerful score by Roland-Manuel whilst at the insistence of Grémillon and Gabin, the screenplay has been entrusted to Jacques Prévert whose poetic/realist style is perfectly suited to this tale of doomed love and the forces of Nature.
Grémillon's ambitious projects were constantly thwarted by the constraints of commercial cinema but his comparatively small output is a legacy to be treasured.