Of all the 1930s English comedies, Will Hay's films are the ones which appeal most in a modern audience. Silly, gentle, nostalgic and always uplifting. Although most of his films are virtually identical, this is one of the best.
This was made immediately after WHERE THERE'S A WILL with the same team but with one notable addition: Moore Marriott and Graham Moffatt as Harbottle and Albert who would repeat their roles in Hay's next five pictures. These three are simply magical together.
Although his gentle humour; laughing at loveable incompetence is akin to that of Laurel and Hardy, I find the mood of Hay's films, that sense of teetering close to the close to the cliff edge between blissful ignorance and anarchy closer to that of early Marx Brothers. Maybe it's also because they inevitably have a Margaret Dumont equivalent, a wealthy trusting and naïve patron who can see only the good in Will Hay/Groucho - in this picture, like the previous ones that's Norma Varden who looks and acts suitably matronly despite only being 36! A film like this ostensibly looks childish but what it's doing is appealing to our base emotions and there's nothing wrong with that - after all, you couldn't call SPONGEBOB sophisticated but it's still funny.
It takes real genius (Hay was famously quite the intellectual) to make something which appears so childish so engaging to grown-ups.
This was made immediately after WHERE THERE'S A WILL with the same team but with one notable addition: Moore Marriott and Graham Moffatt as Harbottle and Albert who would repeat their roles in Hay's next five pictures. These three are simply magical together.
Although his gentle humour; laughing at loveable incompetence is akin to that of Laurel and Hardy, I find the mood of Hay's films, that sense of teetering close to the close to the cliff edge between blissful ignorance and anarchy closer to that of early Marx Brothers. Maybe it's also because they inevitably have a Margaret Dumont equivalent, a wealthy trusting and naïve patron who can see only the good in Will Hay/Groucho - in this picture, like the previous ones that's Norma Varden who looks and acts suitably matronly despite only being 36! A film like this ostensibly looks childish but what it's doing is appealing to our base emotions and there's nothing wrong with that - after all, you couldn't call SPONGEBOB sophisticated but it's still funny.
It takes real genius (Hay was famously quite the intellectual) to make something which appears so childish so engaging to grown-ups.