The Brahma Diamond (1909) Poster

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Way Down East India. Warning: Spoilers
I saw an incomplete version of this film (476 feet) at the 1998 Cinema Muto festival in Pordenone; the footage was loaned by the Library of Congress.

IMDb's synopsis of the movie appears to be accurate. What intrigues me about this early DW Griffith film is that 'The Brahma Diamond' is one of the very few Griffith movies to contain fantasy elements. The temple guard uses some sort of Oriental magic to locate the stolen diamond and recover it, establishing the guilt of the true thief. In a well-paced sequence of intercutting, this sequence contrasts with shots of the heroine in prison, about to be unjustly executed for the theft. SPOILER COMING. The guard arrives with the missing diamond in time to save her life.

I was aware that Mack Sennett had served an apprenticeship under Griffith before starting his own Keystone company: Sennett always acknowledged his debt to Griffith. Still, when I glimpsed Sennett in this movie -- after seeing him play louts and bumpkins in dozens of Keystone films -- I instinctively laughed, even though he isn't giving a comedy performance here. Since I saw only an incomplete version of 'The Brahma Diamond', I shan't rate it.
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The Cinematic Daniel Defoe
Single-Black-Male15 October 2004
In all of these short films that the 34 year old D.W. Griffith made in 1909, he created a vocabulary for film-making like Daniel Defoe did for novel writing. I don't particularly like this offering in the same that I didn't like 'Robinson Crusoe', but I did feel that I could do it better in the same way that I felt that I could rewrite 'Crusoe' in an improved way. What this film needed was a trans-valuation of viewpoint so that it could be digested more easily for contemporary audiences. As it stands, it is unpalatable, not because of the period or the subject matter, but just the point of view. Opinions will always shift from generation to generation, but what may have been acceptable to Griffith's generation is not so now.
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