Home
IMDb > Rebecca (1940)
Rebecca
Quicklinks
Top Links
trailers and videosinterprètes et équipe techniqueanecdotesofficial sitesphrases célèbres
Overview
infos principalesinfos complètesinterprètes et équipe techniquesociétés de productiontv schedule
Récompenses et critiques
avis des utilisateurscritiques externescritiques des forumsawardsnotes des utilisateursparents guidedans la lignéemessage board
Synopsis et citations
résuméplot synopsismots-clésrésumé du Amazon.comphrases célèbres
Curiosités
anecdotesbêtisierinfos B.O.F.clins d'œil dans génériqueinfos sur d'autres versionsliens avec d'autres œuvresfoire aux questions
Autres infos
en ventebox office/businessdates de sortielieux de tournagecaractéristiques techniquesinfos laserdiscinfos DVDbibliographieNewsDesk
Matériel publicitaire
accroches trailers and videos affiches photo gallery
Liens externes
horaires dans les sallesofficial sitesdiversphotossound clipsvideo clips
Photos (see all 58 | slideshow) Videos
Rebecca (1940) -- When a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants.

Overview

Note des utilisateurs:
MOVIEmeter: ?
Down 54% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Alfred Hitchcock
Writers:
Daphne Du Maurier (novel)
Philip MacDonald (adaptation) ...
(suite)
Contact:
View company contact information for Rebecca on IMDbPro.
Release Date:
12 avril 1940 (USA) suite
Accroche:
The shadow of this woman darkened their love. suite
Plot:
When a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants. full summary | full synopsis
Plot Keywords:
suite
Awards:
Won 2 Oscars. Another 9 nominations suite
Avis des utilisateurs:
"She knew everyone that mattered. Everyone loved her." suite

Ensemble

  (in credits order) (verified as complete)
Create a character page for: ?

Réalisé par
Alfred Hitchcock 
 
Scénaristes
Daphne Du Maurier (novel)

Philip MacDonald (adaptation) and
Michael Hogan (adaptation)

Robert E. Sherwood (screenplay) and
Joan Harrison (screenplay)

Produit par
David O. Selznick .... producer
 
Musique originale
Franz Waxman 
 
Image
George Barnes (photographed by)
 
Montage
W. Donn Hayes (uncredited)
 
Direction artistique
Lyle R. Wheeler  (as Lyle Wheeler)
 
Maquillage
Monte Westmore .... makeup artist (uncredited)
 
Assistant réalisateur
Edmond F. Bernoudy .... assistant director (as Edmond Bernoudy)
Eric Stacey .... assistant director (uncredited)
 
Art Department
Howard Bristol .... interior decorator
Joseph B. Platt .... interior designer
Dorothea Holt .... illustrator (uncredited)
 
Technicien du son
Jack Noyes .... sound recordist
Arthur Johns .... sound (uncredited)
 
Effets spéciaux
Jack Cosgrove .... special effects
 
Visual Effects
Albert Simpson .... matte artist (uncredited)
 
Camera and Electrical Department
Arthur E. Arling .... camera operator (uncredited)
Vincent J. Farrar .... camera operator (uncredited)
Lloyd Knechtel .... director of photography: second unit (uncredited)
Fred Parrish .... still photographer (uncredited)
Irving Rosenberg .... camera operator (uncredited)
Archie Stout .... director of photography: second unit (uncredited)
John F. Warren .... assistant camera (uncredited)
Harry L. Wolf .... assistant camera (uncredited)
 
Editorial Department
Hal C. Kern .... supervising editor (as Hal G. Kern)
James E. Newcom .... associate film editor
 
Music Department
Louis Forbes .... musical associate (as Lou Forbes)
Robert Russell Bennett .... orchestrator (uncredited)
Hugo Friedhofer .... orchestrator (uncredited)
Paul Marquardt .... orchestrator (uncredited)
Joseph Nussbaum .... orchestrator (uncredited)
Leonid Raab .... orchestrator (uncredited)
 
Divers
Barbara Keon .... scenario assistant
W.A. Bagley .... technical advisor (uncredited)
Russell Birdwell .... unit publicist (uncredited)
Katherine Brown .... story editor (uncredited)
Adele Cannon .... script clerk (uncredited)
Val Lewton .... story editor (uncredited)
Marcella Rabwin .... executive assistant to producer (uncredited)
Lydia Schiller .... continuity supervisor (uncredited)
David O. Selznick .... presenter (uncredited)
 
Crew verified as complete


Production CompaniesDistributors
Create a character page for: ?

Additional Details

Autre(s) titre(s):
Rebecca (France) [fr]
suite
Durée:
130 min
Pays:
USA
Couleur:
Noir et Blanc
Aspect Ratio:
1.37 : 1 suite
Son:
Mono (Western Electric Noiseless Recording)
Emplacements De Pelliculage:
Big Sur, California, USA suite

Curiosités

Anecdotes:
Alfred Hitchcock wanted to make this film several years before but was unable to afford the rights to the novel. suite
Goofs:
Errors in geography: George is driving on the left-hand side of the road outside Monte Carlo. suite
Guillemet:
Maxim de Winter: I can't forget what it's done to you. I've been thinking of nothing else since it happened. It's gone forever, that funny young, lost look I loved won't ever come back. I killed that when I told you about Rebecca. It's gone. In a few hours, you've grown so much older. suite
Movie Connections:
Featured in Hitchcocked! (2006) (TV) suite

foire aux questions

Where is Hitchcock's cameo in this movie?
How closely does the movie follow the novel?
Did the novel reveal the second Mrs de Winter's name?
suite
3 out of 4 people found the following comment useful:-
"She knew everyone that mattered. Everyone loved her.", 25 December 2007
9/10
Author: ackstasis de Australia

By the end of the 1930s, working for Michael Balcon at the Gaumont-British Picture Corporation , director Alfred Hitchcock was heading towards the peak of his artistic potential. Films such as 'The Man Who Knew Too Much (1934),' 'The 39 Steps (1935)' and 'The Lady Vanishes (1938)' became both critical and commercial successes, and so it was only a matter of time before he was tempted over to Hollywood to pursue even greater fame and fortune. Though his working relationship with independent producer David O. Selznick proved constantly frustrating – Selznick often demanded a large amount of creative control over his films – their very first collaboration proved one of Hitchcock's most successful, with 'Rebecca (1940)' becoming his only film to win Best Picture at the Academy Awards. Based on Daphne du Maurier's 1938 novel of the same name, 'Rebecca' is a tense, atmospheric Gothic melodrama about the lingering influence of the story's unseen title character, long after her own death.

Relative newcomer Joan Fontaine plays a young, modest woman who falls in love with a wealthy widower, Maxim de Winter (Laurence Olivier), who still apparently mourns the death of his wife, Rebecca. Following a humble wedding in Monte Carlo, the two lovers return to Maxim's sprawling Manderley estate in Cornwall, England, where the servants – especially the chillingly creepy Mrs. Danvers (Judith Anderson) – find it difficult to accept this young bride as the new Mrs. de Winter. Whenever Fontaine's character finds herself within the walls of her new home, the atmosphere in each of the rooms is discomforting, even suffocating, as she struggles vainly to assimilate into a world for which she is unsuited. Her character symbolically remains without a given name, reinforcing the story's stance that she is without an individual identity; as long as she remains with Maxim, she will continue to be evaluated against Rebecca, and will be forever in the lingering shadow of Maxim's long-dead, "perfect" previous wife.

The Master of Suspense certainly knew how to make an entrance into Hollywood, and 'Rebecca' is definitely one of his top ten films {out of the twenty-seven that I've seen thus far}. Though, at 130 minutes, it is one of the longest motion pictures that Hitchcock ever produced, the film never drags nor feels overly cumbersome, with the extended running time merely prolonging the suffering that the audience must endure through Fontaine's innocent, continually-threatened character. This isn't the sort of thriller that lulls you into a false sense of security and then shocks you, since that was simply not Hitchcock's style. Like another Gothic thriller of which I am fond, George Cukor's 'Gaslight (1944),' the main character is forever at ill-ease with her surroundings, and we, as the audience, are never afforded the luxury of feeling safe and secure. Rebecca de Winter is one of the most meticulously-detailed unseen characters in the history of cinema, and, without the story ever straying into supernatural territory, it seems as though her lingering presence is somehow orchestrating the disturbing events of the film.

Was the above comment useful to you?
suite

Message Boards

Discuss this movie with other users on IMDb message board for Rebecca (1940)
Recent Posts (updated daily)User
Question on the novel 'Mrs. de Winter' kotrofos
What exactly did someone like Mrs de Winter do all day? lola-lola
Mrs. Danvers was obsessed with her...NOT in love with her kotrofos
*SPOILER* If Maxim hated... HarlequinForestt
Safety First screenman
The title: 'Rebecca' forbidden10
suite

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
Gone with the Wind Vertigo Dragonwyck City of Shoulders and Noses Basic Instinct
IMDb Note des utilisateurs:
IMDb Note des utilisateurs:
IMDb Note des utilisateurs:
IMDb Note des utilisateurs:
IMDb Note des utilisateurs:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
IMDb top 250 movies IMDb Mystery section IMDb USA section
Add this title to MyMovies

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.