| Photos (see all 47 | slideshow) | Videos |
| Laurence Olivier | ... | 'Maxim' de Winter | |
| Joan Fontaine | ... | The Second Mrs. de Winter | |
| George Sanders | ... | Jack Favell | |
| Judith Anderson | ... | Mrs. Danvers | |
| Nigel Bruce | ... | Major Giles Lacy | |
| Reginald Denny | ... | Frank Crawley | |
| C. Aubrey Smith | ... | Colonel Julyan | |
| Gladys Cooper | ... | Beatrice Lacy | |
| Florence Bates | ... | Mrs. Edythe Van Hopper | |
| Melville Cooper | ... | Coroner | |
| Leo G. Carroll | ... | Dr. Baker | |
| Leonard Carey | ... | Ben | |
| Lumsden Hare | ... | Tabbs | |
| Edward Fielding | ... | Frith | |
| Forrester Harvey | ... | Chalcroft | |
| Philip Winter | ... | Robert | |
| reste de la distribution par ordre alphabétique: | |||
| Billy Bevan | ... | Policeman (uncredited) | |
| Egon Brecher | ... | Hotel desk clerk (uncredited) | |
| Gino Corrado | ... | Hotel manager (uncredited) | |
| Alfred Hitchcock | ... | Man outside phone booth (uncredited) | |
| Leyland Hodgson | ... | Mullen (uncredited) | |
| Alphonse Martell | ... | Hotel Headwaiter (uncredited) | |
| William H. O'Brien | ... | Hotel Waiter (uncredited) | |
| Ronald R. Rondell | ... | Hotel Dining Room Guest (uncredited) | |
Réalisé par | |||
| Alfred Hitchcock | |||
Scénaristes | ||
| Daphne Du Maurier | (novel) | |
| Philip MacDonald | (adaptation) and | |
| Michael Hogan | (adaptation) | |
| Robert E. Sherwood | (screenplay) and | |
| Joan Harrison | (screenplay) | |
Produit par | |||
| David O. Selznick | .... | producer | |
Musique originale | |||
| Franz Waxman | |||
Image | |||
| George Barnes | (photographed by) | ||
Montage | |||
| W. Donn Hayes | (uncredited) | ||
Direction artistique | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Assistant réalisateur | |||
| Edmond F. Bernoudy | .... | assistant director (as Edmond Bernoudy) | |
| Eric Stacey | .... | assistant director (uncredited) | |
Art Department | |||
| Howard Bristol | .... | interior decorator | |
| Joseph B. Platt | .... | interior designer | |
| Dorothea Holt | .... | illustrator (uncredited) | |
Technicien du son | |||
| Jack Noyes | .... | sound recordist | |
| Arthur Johns | .... | sound (uncredited) | |
Effets spéciaux | |||
| Jack Cosgrove | .... | special effects | |
Visual Effects | |||
| Albert Simpson | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Arthur E. Arling | .... | camera operator (uncredited) | |
| Vincent J. Farrar | .... | camera operator (uncredited) | |
| Lloyd Knechtel | .... | director of photography: second unit (uncredited) | |
| Fred Parrish | .... | still photographer (uncredited) | |
| Irving Rosenberg | .... | camera operator (uncredited) | |
| Archie Stout | .... | director of photography: second unit (uncredited) | |
| John F. Warren | .... | assistant camera (uncredited) | |
| Harry L. Wolf | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Hal C. Kern | .... | supervising editor (as Hal G. Kern) | |
| James E. Newcom | .... | associate film editor | |
Music Department | |||
| Louis Forbes | .... | musical associate (as Lou Forbes) | |
| Robert Russell Bennett | .... | orchestrator (uncredited) | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| Joseph Nussbaum | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
Divers | |||
| Barbara Keon | .... | scenario assistant | |
| W.A. Bagley | .... | technical advisor (uncredited) | |
| Russell Birdwell | .... | unit publicist (uncredited) | |
| Kay Brown | .... | story editor (uncredited) | |
| Adele Cannon | .... | script clerk (uncredited) | |
| Val Lewton | .... | story editor (uncredited) | |
| Marcella Rabwin | .... | executive assistant to producer (uncredited) | |
| Lydia Schiller | .... | continuity supervisor (uncredited) | |
| David O. Selznick | .... | presenter (uncredited) | |
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| Suspicion | The Notebook | The Godfather | The Black Doll | Psycho |
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A stylishly directed and photographed film that examines a number of themes, such a deception, death and depression, and explores well the emotions of its characters. It is rare to find a film like this, as it tackles various genres, ranging from being a romance to a mystery to a drama to even a comedy at times, and all without seeming pretentious. The cast is truly magnificent. Judith Anderson is a stunner is a quiet but sinister role, and George Sanders is even more impressive in lively but also sinister performance. Laurence Olivier and Joan Fontaine are perfect for their roles too. The film won Academy Awards for Best Picture and Best Cinematography quite deservingly this is one of the best films Hollywood has ever produced.