Les enfants du paradis (1945)

Réalisateur:

Marcel Carné

Scénariste:

Jacques Prévert (scenario and dialogue)

Date de sortie:

15 novembre 1946 (USA)

Genre:

Drame | Romance

Intrigue:

This tragic tale centers around the ill-fated love between Baptiste, a theater mime, and Claire Reine...

Plot Keywords:

Count | Love | Actor | Mime | Actress

Récompenses:

Nominated for Oscar.

Avis des utilisateurs:

you will be left with so much you never knew before, that you always thought existed

Ensemble

Arletty	...	Garance (Claire Reine)
Jean-Louis Barrault	...	Baptiste Debureau
Pierre Brasseur	...	Frédérick Lemaître
Pierre Renoir	...	Jéricho
María Casares	...	Nathalie (as María Casarès)
Gaston Modot	...	Fil de Soie
Fabien Loris	...	Avril
Marcel Pérès	...	Director of the Funambules
Palau	...	Stage manager of the Funambules (as Pierre Palau)
Etienne Decroux	...	Anselme Debureau (as Étienne Decroux)
Jane Marken	...	Mme. Hermine (as Jeanne Marken)
Marcelle Monthil	...	Marie
Louis Florencie	...	Policeman
Habib Benglia	...	Turkish Bath Attendant
Rognoni	...	Director, 'Grand Theatre'
Jacques Castelot	...	George
Paul Frankeur	...	Police Inspector
Albert Rémy	...	Scarpia Barrigni
Robert Dhéry	...	Celestin
Auguste Bovério	...	First Author (as Auguste Boverio)
Paul Demange	...	Second Author
Louis Salou	...	Édouard, Count de Montray
Marcel Herrand	...	Pierre-François Lacenaire
reste de la distribution par ordre alphabétique:
Nicolas Bataille	...	Extra (uncredited)
Jean-Pierre Belmon	...	Little Baptiste Debureau (Jr.) (uncredited)
Gérard Blain	...	(uncredited)
Jean Carmet	...	Extra (uncredited)
Jean Diéner	...	Third Author (uncredited)
Guy Favières	...	Debt Collector (uncredited)
Jean Gold	...	Second Dandy (uncredited)
Gustave Hamilton	...	Stage Doorman, 'Grand Theatre' (uncredited)
Jean Lanier	...	Iago (uncredited)
Léon Larive	...	Stage Attendant (uncredited)
Lucienne Legrand	...	First Pretty Girl (uncredited)
André Numès Fils	...	Man whose watch gets stolen (uncredited)
Raphaël Patorni	...	Another dandy (uncredited)
Cynette Quero	...	Second Pretty Girl (uncredited)
Roger Vincent	...	Bit part (uncredited)
Lucien Walter	...	Ticket Seller (uncredited)

Réalisé par
Marcel Carné

Scénaristes
Jacques Prévert		(scenario and dialogue)

Produit par
Raymond Borderie	....	producer: Pathé Cinéma
Fred Orain	....	producer

Musique originale
Maurice Thiriet

Image
Marc Fossard
Roger Hubert

Montage
Henri Rust		(as Henry Rust)
Madeleine Bonin		(uncredited)

Création des décors
Léon Barsacq		(as Leon Barsacq)
Raymond Gabutti
Alexandre Trauner		(as Alex. Trauner)

Direction artistique
Léon Barsacq		(as Leon Barsacq)
Raymond Gabutti

Création des costumes
Mayo

Directeur de production
Louis Théron	....	unit manager

Assistant réalisateur
Pierre Blondy	....	artistic assistant director
Bruno Tireux	....	technical assistant director

Département Art
Alexandre Trauner	....	collaborator: sets (as Alex. Trauner)

Technicien du son
Robert Teisseire	....	sound engineer

Département Musique
Joseph Kosma	....	music collaborator
Charles Münch	....	conductor

Companies de production

• Pathé Consortium Cinéma (present)
• Société Nouvelle Pathé Cinéma

Distributeurs

• Pathé (1945) (France) (theatrical)
• René Chateau Video (1999) (France) (VHS)
• Pathé (2006) (France) (DVD)
• Internationale Filmallianz (IFA) (1947) (Germany) (theatrical)
• Tricolore (1946) (USA) (theatrical) (subtitled) (edited)
• Zazie Films (2005) (Japan) (theatrical) (re-release)
• 01 Distribution (2008) (Italy) (DVD)
• A-Film Home Entertainment (2005) (Netherlands) (DVD)
• Criterion Collection, The (1992) (USA) (VHS) (laserdisc)
• Criterion Collection, The (2002) (USA) (DVD)
• Umbrella Entertainment (2003) (Australia) (DVD)
• Versátil Home Vídeo (2002) (Brazil) (DVD)

Autres Companies

• Orchestre de la Société des Concerts du Conservatoire  music performers (as La Société des Concerts du Conservatoire)
• Pathé-Cinéma  studio: Paris-Joinville
• La Victorine  studio: Nice
• Laboratories Pathé Cinéma  titles
• Lanvin  costume makers (uncredited)
• Lobster Films  sound restoration
• Ramsès  recording studio: Restauration du son 1991

Autre(s) titre(s):

Children of Paradise (USA)
L'homme blanc (France) (second part title)
Le Boulevard du crime (France) (first part title)

Durée:

USA:163 min (edited) | France:190 min

Pays:

France

Langue:

Français

Couleur:

Noir et Blanc

Rapport de forme:

1,37 : 1

Son:

Mono

Classification:

Brazil:18 | West Germany:12 | Australia:PG | Finland:K-16 | Sweden:15 | Sweden:7 (1986) | UK:PG | USA:Approved

Lieux de tournage:

Nice, Alpes-Maritimes, France

Société:

Pathé Consortium Cinéma

Anecdotes:

Pierre Renoir took over the role of Jéricho (an informer) after the actor Robert Le Vigan was arrested for being a Nazi collaborator. One of his scenes survives late in the film.

Goofs:

Continuité: The positions of Avril and Lacenaire in the Turkish baths changes between the shot of their entry and the closer shot.

Guillemet:

Édouard, Count de Montray: You're much too lovely to be truly loved.
Garance: Truth, but only front the neck up, it frustrated them.

Connexions De Film:

figure dans In girum imus nocte et consumimur igni (1978)

you will be left with so much you never knew before, that you always thought existed

Film Review by Jim Richardson

First published in "Der Stump" 7/16/75

GREATEST FILM EVER MADE

The greatest film ever made is director Marcel Carne's "Children of Paradise" with script by Jacques Prevert. It's hard to say more.

In Paris of the 1840's on Le Boulevard du Crime, Carne's camera soars through sideshow entertainments of every description. The motion picture has just begun. No characters introduced. Already the audience is gasping, dizzy, lost in a swirl of romantic imagery. We are inside a theatre sharing the cheapest seats in the last row of the top balcony near the ceiling with the "children of paradise." We forget ourselves and any notion that a film has to be "realistic" as we float along catching Carne's glimpse of this lost, fantastic era. The movie moves. It overflows with art and intelligence; we are totally under its spell of romance and beauty.

As the story unfolds, we watch it in a daze. There is suffering and sudden death. But no leaden hand is telling us this is a stylized allegory dealing with the paralysis of an occupied France. This is the kind of film people make when they may die tomorrow: we are compelled to receive it on the edge of our seat, every nerve tingling with desperate anticipation. We don't need to know that it was made between 1943-45 when some of the filmmakers were being hunted by the Gestapo, that starving extras stole banquets before they could be photographed.

Every movement the performers make is studied, made perfect as though this would be the last time any of them were to act. Garbo interests you? Meet Arletty. The ideal twentieth century woman. Witty. Controlled. Passionate. When she comes to her lover she glides toward the camera, walking without the use of her feet. Impossible? Not this time.

Jean-Louis Barrault playing Baptiste Debureau, the greatest French mime who created Pierrot (a pale, love-sick, ever-hopeful seeker after happiness) -- Barrault transcends the man's legend with elegant pathos. And the way he moves. Like a feather. How did he learn that?

The man who taught him plays his father in the film. As a matter of fact, Etienne Decroux taught Marcel Marceau as well. What does Decroux think of Marceau's popular mime? Snarls, "Walt Disney!"

Mime is serious to Decroux. At some of his performances if the audience interrupts with applause, he is insulted and immediately retires from the stage!

In the film, we see Barrault do many of Decroux's mime exercises during moments of Debureau's performances. Does Decroux think this is a good film? It is said that when he views it, tears run down his cheeks as he mouths all the lines.

But the film is not just about mime. Pierre Brasseur plays the most renowned romantic actor in France, Frederick LeMaitre. Decroux doesn't want him in his mime company at first because it's so obvious that "he's an actor." Frederick gets his break when he mocks a playwright by turning the man's melodrama into a farce. Years pass and both actor and mime become successful. But the actor cannot play "Othello" because he is so vain nothing can make him feel jealousy. That's right: Arletty cures him!

And there are aristocrats, and murderers, and thieves. And the film is over three hours long without a break. And you will be surprised how fast those three hours disappear!

You will be overcome with a feeling of ecstasy; you will sign, you will cry. And as your breath is taken away you will be left with so much you never knew before, that you always thought existed; something will have happened to you for the first time, and forever. Now is the time to fall in love with the best there is!