Greed in the Sun (1964) Poster

User Reviews

Review this title
9 Reviews
Sort by:
Filter by Rating:
7/10
a typical french story about nice small bandits in north Africa
arsenick10 August 2005
Southern Morocco, 1963. The owner of a truck transports company hires a new driver (a self-called American tough guy) to transport mysterious goods in a brand new magnificent truck. While the established group of drivers of the company is welcoming the new driver, one of them (played by Jean-Paul Belmondo)hijack the mysterious truck on the day after, planning to negotiate the sale of goods for its own profit and fly over with his new young bride. The best driver of the company (played by Lino Ventura)is launched to his young fellow's pursuit. On his way, the new American driver joins him to eventually face the young "thief". The pursuit through the Moroccan "Atlas" is rich of surprises about each one, in a world where no one asks more than he has to know.

About all, friendship is always victorious, even if "Friends always share fight, problems, hunger an women, but never money when it is worth 100 000 dollars", as Jean-Paul Belmondo says.
19 out of 20 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
« When 250 lbs. guys are talking, 120 lbs. guys listen!!!"
Squeele4 June 2007
A classic, comedic chase movie starring the finest french actors from the 60's and a legendary Bond villain, no less !

The movie follows Marec (Lino Ventura), a truck driver sent by his boss (Gert Fröbe) to track down through the Morroccan desert a reckless youngster (Jean-Paul Belmondo) who stole a brand-new truck and its payload. Riddled with bad luck, Marec will face the dangers of the desert, as well as a fishy partner, and a reluctant, misogynist tow-truck helper (the hilarious Bernard Blier) until the climactic fight.

An excellent 60's French action-comedy, complete with great music, perfect direction by Henri Verneuil ("Le Casse", "Un singe en hiver", "La bataille de San Sebastian", "Le corps de mon ennemi") and hilarious dialogues by Michel Audiard. Reminds a lot of Peckinpah's "Convoy" (1978). It doesn't take itself seriously, and however reveals a lot about the times, the misogynistic and somewhat imperialistic nature of the French in Northern Africa during the early 60's. And even if the characters are sometimes real morons, in the end of the day you really root for them.
8 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Big trucks on a roller-coaster adventure in Saharan Africa
peter-10619 August 2005
Belmondo and Ventura are top-notch in this great Saharan adventure. A network of French long-distance truckers live the macho life in the Arabic western (I think) Sahara. When young Belmondo steals a truck with $100,000 of contraband and takes off across the desert and mountains, the chase begins. If you've seen The Wages of Fear (and you'd better!), this will recall that great adventure, although the seat-of-your pants tension is replaced by the back-and-forth fortunes and fun of the pursuit. But it's the same rough-man frontier atmosphere, same epic scale of adventure, same wide-screen memorable scenery in stunning locations, same big trucks, same handful of beautiful females. I'm sure the film is hard to find in English (I saw it on french TV), but watch it if you find it. You won't regret it.
7 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Tough guys.
brogmiller21 March 2021
Take two large tablespoons of Lino Ventura and Jean-Paul Belmondo with a sliver of Bernard Blier, add exotic location, mix with writer Michel Audiard and sprinkle with composer Georges Delerue and you should have a recipe for success. That is certainly the case here as this film of Henri Verneuil became one of the biggest box office hits of 1964 despite generally negative reviews.

Messieurs Ventura and Belmondo had certainly gelled in 'Classe toutes Risques' four years earlier and by the time they made this they were riding high in the popularity stakes. Belmondo also scored a hit during the same year with 'That Man from Rio'. Bernard Blier, father of director Bertrand, is always good value and with the help of Michel Audiard's dialogue, effortlessly steals his scenes. The quartet is completed by a plank named Reginald Kernan. The female interest is supplied by Andrea Parisy and Anne-Marie Coffinet who are required to be little more than eye candy.

After a rather slow opening with a lot of mucho macho posturing the film gradually builds momentum and although the chase sequences are vaguely reminiscent of 'Les Salaires de la Peur', there is neither the tension nor the subtle characterisation of Clouzot's film.

The cinematography in Franscope by Marcel Grignon takes full advantage of the arid, rocky landscape and Verneuil shows his customary slick direction and technical expertise. The film is inclined to meander and is a wee bit long but the charismatic leads keep one watching.

Surprisingly it was entered at Cannes but considering some of the competition that year it was hardly likely to win. The film's colonial stance and its attitude towards the female of the species is likely to raise a few eyebrows these days but it is what it is: an entertaining period piece. The 'brawn over brain' element is of course, timeless!

Henri Verneuil is reported to have said that in this 'the trucks are the stars'. That might have been his intention but as far as this viewer is concerned Messieurs Ventura, Belmondo and Blier win on points!
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A truck, loaded with contraband guns and ammunition, is hijacked on its way from Morocco to Nigeria.
JohnHowardReid14 November 2016
Warning: Spoilers
Due to some slip-up, this film was not copyrighted in the U.S.A. The film was made by S.N.E. Gaumont—Trianon Productions—UltraFilm. In the U.S.A. and other countries it was released through Metro- Goldwyn-Mayer. New York opening at the Apollo: 18 August 1965. U.S. release: 18 August 1965. Australian release: 28 October 1966. Sydney opening at the Capitol (ran one week). 122 minutes (U.S.); 109 minutes (Australia).

SYNOPSIS: A truck, loaded with contraband guns and ammunition, is hijacked on its way from Morocco to Nigeria.

COMMENT: Here we find the screenwriter of "Cloportes" (Michel Audiard) and the star (Lino Ventura) in a follow-up to "The Wages of Fear", brilliantly directed by Henri Verneuil. For once in his working life, Jean-Paul Belmondo is brilliantly and appropriately cast as a villain. The movie features good location camera-work, with plenty of solid action and seat-gripping excitement. It has only one demerit: The fade-out is a little disappointing. Otherwise, in my book anyway, "Greed in the Sun" rates as top suspense entertainment.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Macho truckers on the move
pete3621 August 2005
Warning: Spoilers
Some spoilers ahead

You can't go wrong with major French stars as Ventura and Belmondo, impeccable direction by Henri Verneuil, sharp dialogue and script from Michel Audiard and a sweeping score from Georges Delerue. A movie when men still were men and where women are merely playthings or just not to be trusted.

But there are some twists, most notably when Belmondo, to slow down his opponents, tells the owner of a filling station that the pursuant truck team is a gay couple ! A very daring thing for such a classic macho action flick from 1964. And there is much more to be discovered in the multi-layered fast-paced dialogue, courtesy of specialist Michel Audiard. Almost impossible to translate directly into English, you have to get the original version and have more then a basic mastery of the French language.

It was filmed entirely on location, (as far as I can deduce the Moroccan desert, or could it be former French Tunisia ?) and all stunt-work with the big trucks is of course for real. There exists a colorized version but it is in the terrible flat pan-and-scan format and gives it the look of a seventies' TV-movie. The original sharp-focused black-and-white copy fits much better the story and characters. Recently French public TV also choose to air this version in its scope format.

Director Verneuil went on to make another five movies with Belmondo with the final one "Les Morfalous" in 1984, again set in the desert but now during WW II and the truck being replaced by a German tank !

If you like this try another of those French sixties buddymovies as "Les Aventuriers" also with Ventura but now with that other French superstar, Alain Delon.
5 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
French Truck Drivers Battle Over Mysterious Cargo In The Sahara Desert
gerrythree7 February 2017
"Greed In The Sun" is a 1964 movie that is a time capsule, a view of a world long gone, where expatriate French nationals live and work in a heavily Arabic North African country. This movie was filmed in part in Marrakesh, Morocco, where at one point the camera pans across the primitive tanneries in that city as the characters walk to their destination. In the movie, the city is identified as Le Moussorah, a name that exists only on the hotel sign and mile markers made as set dressing for this movie. The movie itself deals with the truck drivers who transport goods through the desert and over mountainous terrain . Those drivers include Jean-Paul Belmondo and Lino Ventura, playing buddies who work for Gert Frobe's trucking company.

Gert Frobe's character has the best lines in the movie, but he vanishes after arranging for a newly hired driver to take a mysterious shipment of goods to Salem. Rocco, Belmondo's character, steals the truck and Frobe pays Marec (Lino Ventura) to recover the truck. Marec is not very good at that job, another company truck driver, Mitch- Mitch, helps him out three separate times when Marec has problems. Why Frobe did not hire the more competent Mitch-Mitch for the job is anyone's guess.

In "Greed In The Sun", the female characters are treated as second-class humans, dummies good for sex and not much else. The Arab characters are treated worse, lackeys there to serve their European masters. For that matter, the drivers don't come out looking very good either. Marec is a thug who demolishes a roadside store and Rocco is a greedy pig.

In France, there is on sale a Blu-ray version of "Greed In The Sun", a new restoration where the black and white photography looks crystal clear. French only though, and no optional English subtitles. For one scene at the end, there are large, old fashioned hard coded French subtitles, which indicates to me that the original camera negative is missing. Otherwise, we would have new subtitles for this short segment.

The American DVD release of "Greed In The Sun" is a disaster, using an older print, having large white hard coded English subtitles. The subtitles themselves leave out stuff and have errors. I made subtitles using English subtitles from an Internet site where the subs had exact timing but the translation and grammar were off.

The 1960s were the peak decade for director Henri Verneuil, a decade he ended with his great crime film, "The Sicilian Clan", a movie that also starred Lino Ventura. Thanks to computer technology, I was able to make a DVD of "Greed In The Sun" that combined the Blu-ray movie with optional on-off English subtitles in a nicer font, subs that I edited.

In this movie, the scenes that stand out for me are when the trucks drive through the center of the city identified as Le Moussorah. You see swarms of people walking all over the plaza with cars parked in a group on one side. 1964 and the location unit filming here showed how crowded this Southern Algeria city already was. The place looked really depressing, a giant flea market look to it, baking under the sun. No wonder people who live in crowded places like that look to migrate to nicer locations.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Wages of male chauvinism.
dbdumonteil12 September 2014
Henri Verneuil is not an auteur .So what? Who cares ? He is a perfect craftsman ,a very good story teller ,the perfect antidote to the N.V. headaches ;Saturday night movies best describe his work.And we do need this kind of cinema.

"100000 dollars Au Soleil" looks like a lite "Salaire De La Peur",the classic by Clouzot,but in a tongue in cheek way,with good lines by Audiard.Plus a splendid use of the wide screen exploring the Morrocan desert.Plus two French favorites;the third lead ,Reginald Kernan is unknown in France and is in it probably because the producers could not get Hardy Kruger.Plus a cast against type Blier and Gert "Goldfinger" Froebe .Plus a magnificent score by Georges Delerue,but had this composer ever written mediocre music for films?

An action-packed movie ,which enhances male friendship (if there's a moral in this tale) .Women are demeaned :Belmondo's best fiancée (sic)(Andréa Parisy) is scarcely allowed to complete a sentence ,he expects her to sit there and look pretty.As for Angèle,who dreams of the broader horizons of the big town,Ventura tells her that "she is not a whore cause she does not get dough when she sleeps with his mates (the truck drivers)"But one of the girls will remember the proverb:he(or she) who laughs last laughs best !Eat your heart out ,machos!
4 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
a western
Kirpianuscus20 July 2018
...in the clothes of a truck drivers story. good dialogues. good performances. and a not real convincing plot. but nice for individual stories, for the fight scene, for humor and for the well known recipe , used in decent manner. secrets, misteries - many predictable, Belmondo and Ventura and the American flavour of a Verneuil film.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed