A New Kind of Love (1963)
Reference View | Change View
- Unrated
- 1h 50min
- Comedy, Romance
- 10 Oct 1963 (UK)
- Movie
- Nominated for 2 Oscars. Another 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Paul Newman | ... |
Steve Sherman
|
|
| Joanne Woodward | ... |
Samantha Blake
|
|
| Thelma Ritter | ... |
Lena O'Connor
|
|
| Eva Gabor | ... |
Felicienne Courbeau
|
|
| George Tobias | ... |
Joe Bergner
|
|
| Marvin Kaplan | ... |
Harry
|
|
| Robert Clary | ... |
Frenchman at Restaurant
|
|
 |
Jan Moriarty | ... |
Suzanne
|
| Joan Staley | ... |
Danish Stewardess
|
|
| Robert F. Simon | ... |
Bertram Chalmers
|
|
| Maurice Chevalier | ... |
Self
|
|
| Rest of cast listed alphabetically: | |||
| Frank Sinatra | ... |
Singer of Title Song - Opening Credits (voice)
|
|
| Army Archerd | ... |
Onlooker (uncredited)
|
|
|
|
Jean Argyle | ... |
Shopper (uncredited)
|
|
|
Kay Armour | ... |
Shopper (uncredited)
|
|
|
Danielle Aubry | ... |
Danielle (uncredited)
|
|
|
Audrey Betz | ... |
Amazon (uncredited)
|
|
|
Eugene Borden | ... |
(uncredited)
|
| George Bruggeman | ... |
(uncredited)
|
|
|
|
Peter Canon | ... |
Peter Canon (uncredited)
|
|
|
Virginia Carr | ... |
Shopper (uncredited)
|
| Albert Carrier | ... |
Gendarme (uncredited)
|
|
|
|
Sue Casey | ... |
(uncredited)
|
|
|
Winnie Chandler | ... |
Shopper (uncredited)
|
|
|
Irene Chapman | ... |
Amazon (uncredited)
|
|
|
Kay Christian | ... |
Model with Pearls (uncredited)
|
|
|
Suzanne Dadolle | ... |
French Columnist (uncredited)
|
|
|
Keith Dahle | ... |
Shopper (uncredited)
|
|
|
Allison Daniell | ... |
Lingerie Model (uncredited)
|
|
|
Sandra Downs | ... |
Stewardess (uncredited)
|
|
|
Leno Jo Francen | ... |
(uncredited)
|
|
|
Gabrielle | ... |
Model (uncredited)
|
|
|
Judy Garwood | ... |
(uncredited)
|
| Ralf Harolde | ... |
French Waiter (uncredited)
|
|
|
|
Patricia Howard | ... |
(uncredited)
|
|
|
Emily LaRue | ... |
Shopper (uncredited)
|
| Ted Mapes | ... |
Floorwalker (uncredited)
|
|
|
|
Helen Marler | ... |
Cardin Model (uncredited)
|
| Alphonse Martell | ... |
Café Headwaiter (uncredited)
|
|
|
|
Jacqueline May | ... |
French Waitress (uncredited)
|
| Torben Meyer | ... |
Hotel Clerk (uncredited)
|
|
|
|
Paul Micale | ... |
Shopper (uncredited)
|
|
|
Marylu Miner | ... |
Model (uncredited)
|
| Laurie Mitchell | ... |
Parisienne Poule (uncredited)
|
|
|
|
George Nardelli | ... |
Waiter (uncredited)
|
|
|
Patricia Olson | ... |
Second French Girl (uncredited)
|
|
|
Allyn Parsons | ... |
Model (uncredited)
|
|
|
Vicki Poure | ... |
(uncredited)
|
|
|
Francis Ravel | ... |
(uncredited)
|
|
|
Gene Ringgold | ... |
Reporter (uncredited)
|
|
|
Gladys Roach | ... |
Shopper (uncredited)
|
|
|
Anne Ross | ... |
(uncredited)
|
|
|
Vernon Scott | ... |
Reporter (uncredited)
|
|
|
Mildred Shelton | ... |
Shopper (uncredited)
|
| June Smaney | ... |
Amazon (uncredited)
|
|
|
|
Mabel Smaney | ... |
(uncredited)
|
|
|
Jimmy Starr | ... |
Reporter (uncredited)
|
|
|
Lomax Study | ... |
Hansom Cab Driver (uncredited)
|
|
|
Audrey Swanson | ... |
Shopper (uncredited)
|
|
|
Sondra Teke | ... |
Model (uncredited)
|
|
|
Annabelle Thiele | ... |
Model (uncredited)
|
| Valerie Varda | ... |
Mrs. Hannah Chalmers (uncredited)
|
|
|
|
Joan Waddell | ... |
(uncredited)
|
|
|
Trude Wyler | ... |
Midinette (uncredited)
|
| Celeste Yarnall | ... |
(uncredited)
|
|
| Francine York | ... |
(uncredited)
|
|
Directed by
| Melville Shavelson | ||
Written by
| Melville Shavelson | ... | (written by) |
Produced by
| Melville Shavelson | ... | producer |
Music by
| Erroll Garner | ||
| Leith Stevens | ||
Cinematography by
| Daniel L. Fapp | ... | director of photography |
Editing by
| Frank Bracht | ||
Editorial Department
| George Hoyningen-Huene | ... | color coordinator (as Hoyningen-Huene) |
| Richard Mueller | ... | color consultant: Technicolor |
Art Direction by
| Arthur Lonergan | ||
| Hal Pereira | ||
Set Decoration by
| Sam Comer | ||
| James W. Payne | ... | (as James Payne) |
Costume Design by
| Edith Head | ||
Makeup Department
| Nellie Manley | ... | hair style supervisor |
| George Masters | ... | hair style designer: Joanne Woodward |
| Wally Westmore | ... | makeup supervisor |
Second Unit Director or Assistant Director
| Arthur Jacobson | ... | assistant director |
| Michael D. Moore | ... | assistant director: Paris unit |
Art Department
| Gene Lauritzen | ... | construction coordinator (uncredited) |
Sound Department
| John R. Carter | ... | sound recordist (as John Carter) |
| John Wilkinson | ... | sound recordist |
Visual Effects by
| Farciot Edouart | ... | process photography |
| Paul K. Lerpae | ... | special photographic effects |
Camera and Electrical Department
| Loyal Griggs | ... | director of photography: second unit |
Music Department
| Leith Stevens | ... | arranger (uncredited) / orchestrator (uncredited) |
| Van Cleave | ... | orchestrator (uncredited) |
Additional Crew
| George Hoyningen-Huene | ... | title designer (as Hoyningen-Huene) |
| Hal C. Kern | ... | assistant to producer |
| Miriam Nelson | ... | choreographer |
Production Companies
Distributors
- Paramount Pictures (1963) (United States) (theatrical) (as A Paramount Release)
- Paramount British Pictures (1963) (United Kingdom) (theatrical)
- Film AB Paramount (1964) (Sweden) (theatrical)
- Paramount Pictures (1964) (Argentina) (theatrical)
- American Broadcasting Company (ABC) (1967) (United States) (tv) (broadcast premiere)
- Rete A (1984) (Italy) (tv)
- Paramount Home Entertainment (2005) (United States) (DVD) (widescreen)
- Filmjuwelen (2020) (Germany) (DVD)
Special Effects
Other Companies
- Bergdorf Goodman (amused cooperation)
- Bonwit Teller (amused cooperation)
- CMBA (somewhat horrified participation: furs)
- Christian Dior (costumes)
- E.J. Korvette Inc. (amused cooperation)
- Kislav (somewhat horrified participation: gloves)
- Lanvin (costumes)
- Lord & Taylor (amused cooperation)
- Maximilian (somewhat horrified participation: furs)
- Mr. John (somewhat horrified participation: hats)
- Ohrbach's (amused cooperation)
- Park Lane (somewhat horrified participation: handbage)
- Pierre Cardin (costumes)
- Richelieu (somewhat horrified participation: jewelry wardrobe)
- Scandinavian Airlines System (somewhat horrified participation: transportation across the border)
- Westrex Recording System (sound recording system)
- Yves Saint Laurent (costumes)
Storyline
| Plot Summary |
Having once played and lost in love, twenty-five year old Samantha Blake has immersed herself in her job as the chief ladies fashions buyer for discount J. Bergner's Fifth Avenue in New York. In other words, she scowls the high end shops at night stealing their designs which Bergner then produces and sells for a fraction of the cost. She has placed as much space between herself and romance by dressing like a man and going by the moniker Sam. Steve Sherman could be a great journalist, but his womanizing always seems to get in the way. Steve and Sam meet on the same New York to Paris flight, Sam who is travelling there with her boss Joe Bergner and her wisecracking colleague Lena O'Connor, who is secretly in love with Joe, to visit the Paris design houses under the guidance of vivacious Felicienne Corbeau, while Steve has been exiled there by his boss, International Press chief Bertram Chalmers, as Steve's iron-clad contract won't allow Chalmers to fire him until the expiry of that contract, Chalmer's hope being that Steve kills himself among the bevy of French beauties in the process. Sam and Steve immediately butt heads being the antithesis of each other when it comes to love and romance. Lena has her own romance problems as she can see that she will have to fight Felicienne for Joe, which is made all the more difficult in Felicienne being a truly nice woman. But being in the city of love opens Sam's eyes to the fact that she really wants love in her life. Making herself over to an extreme, she meets Steve, who out of circumstance doesn't recognize her as Sam and who believes she is a prostitute named Mimi. Steve's initial interest in Mimi is purely as a source for stories, he using her background to equate the French view of love and sex with sport. But as they spend more time together, they begin to fall for each other, the question then being if they can love each other as plain old Steve and Samantha. Written by Huggo |
| Plot Keywords | |
| Taglines | THE PICTURE THAT TAKES A NEW ATTITUDE ON LOVE! See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Did You Know?
| Trivia | When his editor tells him he's being reassigned to Paris, "where you'll probably die," Newman replies, "Yeah, but what a wonderful way to go." The line turned out to be prophetic - the very next year, Newman played an American living in Paris in What a Way to Go! (1964). See more » |
| Goofs | Maurice Chevalier gives a party hat to Felicienne, who puts it on twice. See more » |
| Movie Connections | Referenced in Down with Love (2003). See more » |
| Soundtracks | You Brought a New Kind of Love to Me See more » |
| Crazy Credits | Paris originals designed, executed, and pirated from... See more » |
| Quotes |
Samantha Blake:
I don't want to be a semi-maiden forever. Steve Sherman: What the hell is that? Samantha Blake: It's worse than nothing at all. It's like eating one peanut. See more » |