On Tuesday, October 3, 2023, at 1:45 Pm, BBC One will broadcast Season 24, Episode 103 of “Doctors” titled “The Party’s Over.”
In this episode, Al faces his fears, which might not be easy for him. Meanwhile, Daniel experiences a letdown as his hopes are dashed. Additionally, Emma has a challenge on her hands as she tries to convince a patient’s mother to agree to home care.
“Doctors” is a TV series that explores the lives and work of the staff at a medical practice. Each episode delves into the personal and professional challenges they face in their daily routines.
If you are a fan of medical dramas and want to see how Al, Daniel, and Emma navigate their respective challenges, you can tune in to BBC One at 1:45 Pm on Tuesday, October 3, 2023, to watch this episode of “Doctors.” It’s an opportunity to witness the complexities of their work and lives.
In this episode, Al faces his fears, which might not be easy for him. Meanwhile, Daniel experiences a letdown as his hopes are dashed. Additionally, Emma has a challenge on her hands as she tries to convince a patient’s mother to agree to home care.
“Doctors” is a TV series that explores the lives and work of the staff at a medical practice. Each episode delves into the personal and professional challenges they face in their daily routines.
If you are a fan of medical dramas and want to see how Al, Daniel, and Emma navigate their respective challenges, you can tune in to BBC One at 1:45 Pm on Tuesday, October 3, 2023, to watch this episode of “Doctors.” It’s an opportunity to witness the complexities of their work and lives.
- 9/28/2023
- by Posts UK
- TV Everyday
Other titles include Dea Kulumbegashvili’s new film and ’Like A Son’ starring Vincent Lindon.
Goodfellas, the Paris-based sales company formerly known as Wild Bunch International, has unveiled a lively slate of titles ahead of Cannes, including starry period drama The Flood, Dea Kulumbegashvili’s Those Who Find Me, French social drama Like A Son, prison drama Inside, football documentary Napoli 1990, Napoli 2023 and Spanish thriller When The Party’s Over, along with several titles in Cannes’ Official Selection.
The Flood is the second feature from Italian director Gianluca Jodice following The Bad Poet and stars Mélanie Laurent and Guillaume Canet as...
Goodfellas, the Paris-based sales company formerly known as Wild Bunch International, has unveiled a lively slate of titles ahead of Cannes, including starry period drama The Flood, Dea Kulumbegashvili’s Those Who Find Me, French social drama Like A Son, prison drama Inside, football documentary Napoli 1990, Napoli 2023 and Spanish thriller When The Party’s Over, along with several titles in Cannes’ Official Selection.
The Flood is the second feature from Italian director Gianluca Jodice following The Bad Poet and stars Mélanie Laurent and Guillaume Canet as...
- 5/4/2023
- by Rebecca Leffler
- ScreenDaily
Willie Nelson’s 90th birthday celebration gathered an eclectic group of well-wishers including Neil Young, Snoop Dogg, and The Chicks for the first of two performances at Los Angeles’ Hollywood Bowl on Saturday. Watch fan-captured footage from the event below.
“Long Story Short: Willie Nelson 90, A Star-Studded Concert Celebrating Willie’s 90th Birthday” kicked off with perhaps the roster’s youngest performer, Billy Strings, who played two Shotgun Willie staples, “Whiskey River” and “Stay a Little Longer.” He later returned to back Bob Weir on a rendition of “Blue Eyes Crying in the Rain” from Nelson’s classic 1975 LP, Red Headed Stranger, which received further looks from the likes of Norah Jones, Beck, and Tyler Childers.
Country as a genre was well represented between The Chicks, Margo Price, Chris Stapleton, Miranda Lambert, and more, but the set also spanned Nelson’s many musical phases and stages with covers from Tom Jones,...
“Long Story Short: Willie Nelson 90, A Star-Studded Concert Celebrating Willie’s 90th Birthday” kicked off with perhaps the roster’s youngest performer, Billy Strings, who played two Shotgun Willie staples, “Whiskey River” and “Stay a Little Longer.” He later returned to back Bob Weir on a rendition of “Blue Eyes Crying in the Rain” from Nelson’s classic 1975 LP, Red Headed Stranger, which received further looks from the likes of Norah Jones, Beck, and Tyler Childers.
Country as a genre was well represented between The Chicks, Margo Price, Chris Stapleton, Miranda Lambert, and more, but the set also spanned Nelson’s many musical phases and stages with covers from Tom Jones,...
- 4/30/2023
- by Bryan Kress
- Consequence - Music
On an overcast night inside the Hollywood Bowl on April 29, the crowd had barely found their seats when Billy Strings and the band launched into “Whiskey River” at 7 p.m. sharp. After all, this was Willie Nelson’s 90th birthday bash — and no one wanted to waste time.
The Red Headed Stranger might’ve been over a thousand miles away from Spicewood, Texas, but for four hours on a Saturday night, a birthday celebration at the Bowl felt just like partying at home with close friends and family gathered around,...
The Red Headed Stranger might’ve been over a thousand miles away from Spicewood, Texas, but for four hours on a Saturday night, a birthday celebration at the Bowl felt just like partying at home with close friends and family gathered around,...
- 4/30/2023
- by John Lonsdale
- Rollingstone.com
“Dune” has been named the best-shot film of 2021 by the American Society of Cinematographers, which held its annual awards show on Sunday evening in Los Angeles.
Cinematographer Greig Fraser won the award over a field that included fellow Oscar nominees “The Power of the Dog,” “The Tragedy of Macbeth” and “Nightmare Alley,” as well as “Belfast.”
In the first 35 years of its existence, the ASC winner has gone on to take the Oscar for Best Cinematography less than half the time, although that percentage has improved recently. “Dune” is considered one of the front runners for this year’s cinematography Oscar, with Fraser seemingly in a close with Ari Wegner for “The Power of the Dog,” who could be the first woman ever to win in the category.
Other feature-film awards went to Jessica Beshir for “Faya Dayi” in the documentary category and Pat Scola for “Pig” in the spotlight category,...
Cinematographer Greig Fraser won the award over a field that included fellow Oscar nominees “The Power of the Dog,” “The Tragedy of Macbeth” and “Nightmare Alley,” as well as “Belfast.”
In the first 35 years of its existence, the ASC winner has gone on to take the Oscar for Best Cinematography less than half the time, although that percentage has improved recently. “Dune” is considered one of the front runners for this year’s cinematography Oscar, with Fraser seemingly in a close with Ari Wegner for “The Power of the Dog,” who could be the first woman ever to win in the category.
Other feature-film awards went to Jessica Beshir for “Faya Dayi” in the documentary category and Pat Scola for “Pig” in the spotlight category,...
- 3/21/2022
- by Steve Pond
- The Wrap
The legacy of designer Halston - which Netflix's miniseries Halston explores from beginning to end - is so intertwined with Studio 54 that of course there would be an entire episode dedicated to the club's infamous debauchery. In episode four, titled "The Party's Over," we get a glimpse of some of the wilder aspects of Studio 54's heyday, including the dress code (which sometimes included no clothing at all), the sex balcony, the rampant use of cocaine, and the lengths to which people would go to get in.
At the beginning of the episode, we're introduced to an unnamed woman, who is continuously rejected from the entrance into Studio 54 until she finds an open side door. From there, she manages to sneak into an air duct only to get stuck, with Halston later learning that not only was Studio 54 raided and closed, that cops found her body wearing Calvin Klein.
At the beginning of the episode, we're introduced to an unnamed woman, who is continuously rejected from the entrance into Studio 54 until she finds an open side door. From there, she manages to sneak into an air duct only to get stuck, with Halston later learning that not only was Studio 54 raided and closed, that cops found her body wearing Calvin Klein.
- 5/14/2021
- by Grayson Gilcrease
- Popsugar.com
We continue our unabashed appreciation of some of the highlights of composer John Barry’s early movie career beyond the remit of the Bond franchise...
In the second part of our look at John Barry's extraordinary back catalogue of movie scores, we concentrate on a few more of the films from the mid- to late sixties. This was the beginning of a phase of phenomenal output, as well as experimentation, signposting his continuing diversity of technique and his burgeoning sense of style. Following on from the success of Zulu, his was a reputation that was quickly gaining momentum and garnering feverish accolades.
Stylish, contemporary and full of energy, Barry played as hard as he worked, and this musical period took place in a blur of fast living and nights at the Pickwick Club with the likes of Michael Caine and Terence Stamp, sampling the delights of the sixties at...
In the second part of our look at John Barry's extraordinary back catalogue of movie scores, we concentrate on a few more of the films from the mid- to late sixties. This was the beginning of a phase of phenomenal output, as well as experimentation, signposting his continuing diversity of technique and his burgeoning sense of style. Following on from the success of Zulu, his was a reputation that was quickly gaining momentum and garnering feverish accolades.
Stylish, contemporary and full of energy, Barry played as hard as he worked, and this musical period took place in a blur of fast living and nights at the Pickwick Club with the likes of Michael Caine and Terence Stamp, sampling the delights of the sixties at...
- 8/1/2011
- Den of Geek
Normal 0 false false false En-us X-none X-none
By Matthew Field
BFI Flipside was launched in May 2009 with a mission to expose the hidden history of British cinema by releasing restored prints on DVD and Blu-ray of British films that have slipped through the cracks of time. Now on its 17th release the label has released everything from exploitation documentaries about the seedy sixties (London In The Raw) to B-movies featuring Oliver Reed (The Party's Over), Shirley Anne Field (Lunch Hour), Klaus Kinski (The Pleasure Girls) and Withnail & I director Bruce Robinson (Private Road). If it's weird, British and forgotten, then it's Flipside.
Developed from its popular monthly screening slot at BFI Southbank, the Flipside titles are newly mastered to High Definition from original film elements, and are presented with rare and fascinating special features - including previously unavailable short films, documentaries and archival interviews, many of which are preserved in the BFI National Archive.
By Matthew Field
BFI Flipside was launched in May 2009 with a mission to expose the hidden history of British cinema by releasing restored prints on DVD and Blu-ray of British films that have slipped through the cracks of time. Now on its 17th release the label has released everything from exploitation documentaries about the seedy sixties (London In The Raw) to B-movies featuring Oliver Reed (The Party's Over), Shirley Anne Field (Lunch Hour), Klaus Kinski (The Pleasure Girls) and Withnail & I director Bruce Robinson (Private Road). If it's weird, British and forgotten, then it's Flipside.
Developed from its popular monthly screening slot at BFI Southbank, the Flipside titles are newly mastered to High Definition from original film elements, and are presented with rare and fascinating special features - including previously unavailable short films, documentaries and archival interviews, many of which are preserved in the BFI National Archive.
- 5/10/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
London's Scala was once the king of repertory cinemas, showing everything from high art to the lowest trash. Stephen Woolley talks about its festival-based return
In June 1979, I was 22 years old, and I published my first programme for the Scala cinema in London. Having served a baptism of fire at the Screen on the Green in Islington, and at the political film collective The Other Cinema, I had fire in my belly and wanted to create an alternative Nft, where you could laugh at Buñuel, weep at Sirk and scream at George Romero. In that first month we showed all-night Judy Garland classics and a celebration of Gay Pride Week shoulder to shoulder with macho men such as Toshiro Mifune, Robert Mitchum and John Wayne.
We put on double bills, triple bills, all nighters on Friday and Saturday, and had a fully licensed bar with the best jukebox in London...
In June 1979, I was 22 years old, and I published my first programme for the Scala cinema in London. Having served a baptism of fire at the Screen on the Green in Islington, and at the political film collective The Other Cinema, I had fire in my belly and wanted to create an alternative Nft, where you could laugh at Buñuel, weep at Sirk and scream at George Romero. In that first month we showed all-night Judy Garland classics and a celebration of Gay Pride Week shoulder to shoulder with macho men such as Toshiro Mifune, Robert Mitchum and John Wayne.
We put on double bills, triple bills, all nighters on Friday and Saturday, and had a fully licensed bar with the best jukebox in London...
- 8/5/2010
- The Guardian - Film News
1965, 12, BFI
Simultaneously released on DVD and Blu-ray in the BFI's carefully packaged "Flipside" series devoted to the rediscovery of offbeat British films, The Party's Over was made at the point when our native cinema was switching from the observation of the northern working class to the celebration of swinging London.
Like The Pleasure Girls (also released this week in "Flipside") it's a morality tale shot in Chelsea involving an out-of-town innocent exposed to the traditional temptations of metropolitan life.
Written by American expatriate Marc Behm (co-author of Charade and Help!) and directed by the well-established Guy Hamilton (assistant to Carol Reed on The Third Man and later director of four Bond films), The Party's Over centres on the search by her fiancé and father for an American heiress who's fallen in with a group of well-heeled bohemian nihilists led by a charismatic Oliver Reed.
A sensational story of sex, drugs,...
Simultaneously released on DVD and Blu-ray in the BFI's carefully packaged "Flipside" series devoted to the rediscovery of offbeat British films, The Party's Over was made at the point when our native cinema was switching from the observation of the northern working class to the celebration of swinging London.
Like The Pleasure Girls (also released this week in "Flipside") it's a morality tale shot in Chelsea involving an out-of-town innocent exposed to the traditional temptations of metropolitan life.
Written by American expatriate Marc Behm (co-author of Charade and Help!) and directed by the well-established Guy Hamilton (assistant to Carol Reed on The Third Man and later director of four Bond films), The Party's Over centres on the search by her fiancé and father for an American heiress who's fallen in with a group of well-heeled bohemian nihilists led by a charismatic Oliver Reed.
A sensational story of sex, drugs,...
- 5/22/2010
- by Philip French
- The Guardian - Film News
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