The Viscount (1967) User Reviews

Average Eurospy with an above-average cast

[gridoon2024 · 5/10 · 25 May 2013]

The dependable Kerwin Mathews stars as the Viscount of the title; he is also an insurance investigator, a fierce vigilante, an irresistible Casanova....he is the man who men want to be and women want to be with. He gets caught in the crossfire between two rival gangsters (Fernando Rey and Folco Lulli), and simultaneously endangers and saves a beautiful Parisian stripper (Sylvia Sorrente). Claude Chabrol regular Jean Yanne plays the Viscount's trusty sidekick. The film has some energetic, exciting fight scenes, but setting the climactic shootout in the middle of the night was a mistake; you can hardly tell who's shooting at who! Mostly a run-of-the-mill entry, but cast and locations keep it going. ** out of 4.

Pretty standard Eurospy stuff

[bensonmum2 · 5/10 · 18 November 2017]

Kerwin Mathews is Clint de la Roche, le Vicomte (what a name - I'll just refer to him as Clint from now on). Clint is an insurance investigator out to find the loot from a recent robbery. His investigation leads him to Paris where he finds himself caught between two rival gangs. He also finds himself entangled with a Parisian stripper who may or may not have information he needs. You know, your standard Eurospy plot.

The Viscount isn't the best Eurospy I've seen, but it's not a complete waste of time. Mathews is quite good and has a real screen presence. Other cast members that stood out to me include: Sylvia Sorrente (the stripper), Fernando Rey (gangleader) , and Jean Yanne (Cilnt's "assistant"). The film features plenty of reasonably entertaining fight scenes, chases, and gunplay - again, pretty standard Eurospy stuff. The robbery at the beginning of the film is especially nice. It's well planned and expertly carried out. It's a real highlight of the film. I was going to write about some confusing elements of the plot, but, instead, I've decided to blame the issues I have with the plot on my lack of foreign language skills. (The copy I watched had some scenes that were not dubbed - and the subtitles made things even worse.) The film's ending was something of a letdown. The final scenes are, unfortunately, set at night and it's about impossible to tell what's going on. Overall, a fairly average film that I can honestly rate no higher than a 5/10.

Oh, one last thing - I forgot to mention the incredibly entertaining 60s vibe found in The Viscount. The music, locations, costumes - it really pulls you into the time period. Very nice.

Bond with Kerwin Mathews

[RodrigAndrisan · 4/10 · 21 November 2017]

Let's start with what it has best: the music, specially that strong bass guitar rhythm, in all the songs. The script is not great but the actors are somehow OK, specially Sylvia Sorrente. Fernando Rey, great in Luis Bunuel's films and in "The French Connection"(1971) is trying his best, like also Franco Fabrizi, Jean Yanne and Folco Lulli. Kerwin Mathews is trying hard to copy Sean Connery but he is not Sean Connery. Much ado about almost nothing!

What a disappointment!

[JohnHowardReid · 3/10 · 12 November 2012]

It's hard to believe that this rubbish was directed by the Maurice Cloche who gave us that magnificent movie, "Monsieur Vincent" (1947). Not that I mind watching rubbish if the action is brisk (here it is agonizingly slow), or the dialogue sparkles (here it is silly, banal and/or boring), or the plot grabs my interest (here it is nothing more than a stupid amalgam of gadgets and clichés), or the acting glows with style and charisma (here the performances vary from the impossibly stilted to the disinterestedly wooden), or the pacing is sharp and aggressive (here it is agonizingly flat-footed and determinedly dreary), or the direction has a bit of flair and style (here it seems dull, disinterested or, at best, thoroughly routine). Admittedly, I watched the English version and it's possible the French production may have been more worth my attention -- but I doubt it!