Big Timers (1945) Poster

(1945)

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5/10
Where is Moms Mabely!?
angels_egg118 June 2005
Despite words to the contrary on both the back cover of the VHS and cheap budget public domain DVD of this film, (and the IMDb credits listings as well), I can assure you that Moms Mabely does not appear in this film, not billed as Jackie or Moms or anything else. Her name is not in the credits, and after viewing the quickie musical I discovered why ... because she is not in the movie either. Despite that major disappointment, it is still another fascinating low-budget song and dance film with an all-black cast from director Bud Pollard, who specialized in these kinds of pictures.

The film starts with a statement written on the screen, "This story is about the poor folks who work for the rich folks." Stepin Fetchit plays a butler who mumbles and drinks martinis. He seems to be a character suffering from mental illness of some sort, as he swats at flies in the air that aren't there and compulsively scratches at his neck, mumbling all the while. Like most of the low budget all black musicals, the story is nearly non existent, and simply used as a way to tie together many song and dance routines. A woman hosts a show in her apartment and presents, "... the boy with the crazy feet!" He tap dances (without the sound of any tapping) to the music of an all female swing band. He jumps up on top of the piano at one point tapping up a storm. The girls play an instrumental called 'Start Swingin' and also back up Stepin Fetchit on a strange number. Fetchit sits at the piano and performs a drawling rap, most of which goes by so fast it is hard to catch. Much of it seems to be "put it down! put down the pork chop ... the cat'll get it later ..." He then moves into a comical, if not totally confusing song and shuffle with an African American dwarf dressed as a bellboy. The film is quite short at 36 minutes, and Fetchit's mumbly character is fascinating and fun to watch. It was filmed on a cheap set in Fort Lee, New Jersey. I wondered if perhaps I missed Moms Mabely somehow, but I watched Boarding House Blues (1948) directly after and it stars the missing comedy queen. The face and voice of Moms in BHB is unmistakable. It does not appear in Big Timers for even a second. Too bad.
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5/10
Big Timers is pretty entertaining despite Stepin Fetchit's antics
tavm9 February 2011
Continuing my reviews of people of color in films in chronological order for Black History Month, we're now at 1945 when the All-American News company made this musical short for the segregated audiences of the time. There is something of a plot in which Betty Washburn (Francine Everett) finds out her fiancé Tom Powers (Duke Williams) is coming to the hotel to meet his parents and ask her to marry him. Trouble is, Betty didn't tell him she's poor as opposed to rich since he's loaded. So her domestic mother Cora (Lou Swarz) takes some clothes of her employer Mabel Page (Gertrude Saunders)-who's out of town-and passes herself as her. Then Ms. Page arrives...One cast member I haven't mentioned yet is Stepin Fetchit who's top-billed here and plays Porter. His usual slow-witted antics aren't very funny here but the director involves him in some visual slapstick that livens some of the proceedings. He's also one of the acts when he rambles some lines while music by The All-American Girl Band plays and a short person bothers him. Again, not funny. More entertaining-besides the band I mentioned-are Ms. Washburn's and Ms. Saunders' warbling, a tap dancer who jumps on the piano, and an animal-costumed dancer named Tarzana. So on that note, Big Timers is worth a look.
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3/10
The same old Stepin Fetchit
Paularoc16 May 2012
The movie begins with a statement that: "Sugar Hill is where the rich folks live….This story is about the poor folks who work for the rich folks on Sugar Hill." Betty Washburn (Francine Everett) tells her Mom, who works as a chambermaid at Sugar Hill that a lieutenant who she met at a canteen wants to visit her with his parents. He is from one of the wealthiest families in the Midwest and thinks she is wealthy also (because of her professionally trained voice). Thinking that one of the tenants, Mabel Page (Gertrude Saunders), is going to be away for the week-end, Cora moves into the apartment pretending to be Mabel's sister. The Lieutenant and his parents arrive and Betty sings a song perhaps entitled "If It Isn't Love." She has a lovely singing voice. Well, Mabel shows up and oddly agrees to play along with the deception and even have her troupe come and entertain the guests. In the next scene the troupe magically appears and includes The All American Girl Band (they're quite good), a male dancer, and Tarzana , a dancer. Mabel sings a song called "Do My Sweet Daddy Love Me?." She's a good singer but I wish she had selected a different song than this one, which includes the line "If he beats me what is that to you?" I am not a fan of "I love him even though he beats the crap out of me" songs. Stepin Fechit does a bizarre singing/talking number. I watched this movie because of Stepin Fetchit, an actor whose performances I have always disliked; indeed I think his characterization almost ruined what was an otherwise good movie (Charlie Chan in Egypt). I assumed that he felt forced to use this mumbling, stupid persona in movies in order to get work in Hollywood. So, I wanted to see him in a movie intended for black audiences. It's the same old Stepin – mumbling to the point where he is barely audible, shuffling and generally just not funny. I guess tastes in humor change over the decades but I just don't get it in this case. The movie is of some historical interest especially because of Francine Everett's performance but has little else to recommend it.
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2/10
This one was embarrassing at times...and not much fun, either
planktonrules16 September 2010
This is a dreadful film by any standard. This isn't surprising considering it stars Stepin Fetchit and is made by the tiniest of studios, American. Plus, in the 1930s and 40s, black Americans were often given third-rate black-produced films--films that had negligible budgets and were shown in segregated theaters. In other words, black people got (for the most part) lousy films while the white audiences had the first-rate films! While I wouldn't consider him the star of the film, Stepin Fetchit gets top billing--mostly because he'd already had a long career playing horribly stereotypically stupid caricatures of black men. Frankly, seeing this is often embarrassing and makes your skin crawl. And, in even though I balk at the craze for political correctness today, this is one case where I can agree--Fetchit's routine was demeaning.

The plot of the film involves a young lady wanting to impress her fiancé and his family by pretending to be rich instead of the daughter of a cleaning lady. When her mother finds out, she agrees to keep her secret and use one of her customer's fancy apartments when she is out of town. Now THAT'S teaching our youth a good lesson! This plot, however, really isn't all that important. This is because in the middle of the film it all turns into a musical variety show in the middle of this apartment! Yes, an entire band, singers and tap dancers all perform here--making for a very strange and surreal experience. Not only is does this make little sense, but the performers just aren't very good--and there WERE many talented black performers--just not in this lousy short film. Dumb, dull and daffy--this one represents the three Ds of bad film making!!
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4/10
Best viewed as a historical curiosity.
mark.waltz8 January 2020
Warning: Spoilers
There have been a dozen or so B musicals about someone pretending to be someone else yet they are a far cry more elegant than this all black musical streamliner, not quite a feature but double the length of the average short. Sweet Francine Everett is a combination of a young Rita Hayworth and Dorothy Dandridge, a talented young black singer who is persuaded by mother Lou Swarz to pretend to be the sister of her employer, Gertrude Saunders, supposedly out of town with her own show. Mom wants the perfect spot for Everett to entertain her soldier boyfriend Duke Williams and her family. Fortunately, when Saunders returns, she's a good sport, and arranges for a big show for her "guests".

Unfortunately, the prince of this film art really bad which makes the ridiculous plot look even worse than it is. Historians of black films will be disappointed to see that Stepin Fetchit is basically playing the same character he played in all those 1930s melodramas, basically once again the black buffoon. I've seen many of the black musicals of the 1930's and 40's, and they are much better than this, but there are a few decent specialties that a are pretty good even if they don't come off that well on film because of the extremely low budget. Everett is a charmer however and at least makes her segments much more than tolerable.
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6/10
Francine Everett steals the movie again!
msladysoul13 December 2005
This movie is a short one but it tries to fill in as much as it can and fast. Francine Everett is the only reason to see this movie, she's one of the most beautiful woman in movies ever and her beauty could rival any white actress. Francine plays a poor girl who's dating a wealthy, high society lieutenant and he think's she's high class because of her lovely trained voice. He sends a letter to her to let her know he's coming to meet her family. She's afraid for him to visit to find out she comes from a poor family and not marry her. Her mother who is a chambermaid helps her daughter by sneaking a hotel room and pretending she's a rich lady so her daughter won't be embrassed, their caught but everything works out in their favor. Francine always delivers the good even if others in the cast don't. Many said Francine was Hollywood material. She was offered a contract from Fox but her husband at the time actor Rex Ingram discouraged the idea. She refused many offers from Hollywood to play stereotypical type roles but she did appear in a few Hollywood productions but had she not turned down the contract from Fox there's no telling what she could have become. Francine didn't hit it big in Hollywood but she became a movie star to black America through black cinema. She got to do more in these types of movies than Lena Horne and Dorothy Dandridge ever did in Hollywood but because she didn't had cross over success she's overlooked. Lou Swarz is quite funny, she's like an Alice Brady. Duke Williams is the ideal movie matinée idol for girls, he's very handsome and not bad as an actor. Stepin Fetchit performance is one many blacks would look down on but look at him as a comedienne because that's what he is. The girl band in the movie has a great sound, remember this is the era of girl bands.
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7/10
Lots of Heart
punchup11 July 2018
Look beyond the obvious flaws and there is a lot of love in this movie. With the era's limited opportunities for black actors, the women do the best they can with the material and manage to avoid stereotypical accents and behaviors
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More of a Variety Show Than Anything Else
Michael_Elliott17 February 2017
Big Timers (1945)

** (out of 4)

Here's another example of a race movie that sadly didn't have much financing and the end result is obviously cheap. The film has a basic plot dealing with a woman who met a rich guy when she was singing. The guy wants to marry her but he doesn't realize that she's actually poor.

At just thirty-six minutes there's certainly nothing ground-breaking here. If you're a fan of these race movies then you'll want to check it out but most people will probably be hitting the stop button long before the short running time is over. As you'd expect, the low- budget means that the entire film has a rather cheap look to it and it was obviously filmed in a rush but this doesn't hurt it too badly.

What really kills the film is the fact that there's just not too much going on. Stepin Fetchit gets top-billing but he actually doesn't have too much to do. In fact, I'd argue that this is probably the least entertaining that I've seen him in any movie. The supporting players mostly consist of people who were making their first and only film appearance.

The majority of the running time is devoted to these new folks who do several dance and musical numbers. The film really does play out more like a variety show and not an actual film. What the point of the silly plot line is anyone's guess but some might be curious in watching these since there's simply no other place to see some of these unknown acts.
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