I don't think I really need to tell you that 'Mermaid (1997)' is a visual masterpiece. This is, after all, Aleksandr Petrov, whose exquisite skill with oil paints on glass is unsurpassed by any animator ever to have worked in the medium {though I did recently discover a worthy rival in Alexei Karaev, with ''The Lodgers of an Old House (1987)'}. The wonderful thing about Petrov's work from 'Cow (1989)' to 'My Love (2006)' is that sense of timelessness about the animation, evoking the eternal bliss of our dreams and memories. However, his films are so focused upon visual storytelling that the stories themselves are often convoluted beyond comprehensibility, an issue not aided by Petrov's insistence upon adapting novel-length literature. The problem with 'Mermaid' is that it only allows itself ten minutes to develop a complex breadth of ideas, leaving the plot so vague and ambiguous as to be almost disposable. That said, this is not a film you're watching for its story, anyway.
An elderly monk, doomed to a life of solidarity after a lost love about whom he still dreams, is training a young apprentice by the riverside. This young boy is overjoyed to discover a beautiful mermaid residing beside his shack, and the pair spend much time playing merrily in the water. But the old monk senses in this mermaid the spirit of his lost love, and strictly forbids the friendship. Everything that tales place after this is a little hazy, but there's an almighty storm, a vicious swirl of wind and water and a conclusion that sees crude wooden crosses mournfully lining the shore. 'Mermaid' provided the second of four Oscar nominations for its famed animator, though it lost this particular statue to Pixar, whose 'Geri's Game (1997)' is incidentally my favourite short film from the studio. Petrov would, however, snare the Oscar a few years later with his masterpiece, 'The Old Man and the Sea (1999).' However unintelligible the story, this is a marvellous visual treat that is worth watching at least twice.
An elderly monk, doomed to a life of solidarity after a lost love about whom he still dreams, is training a young apprentice by the riverside. This young boy is overjoyed to discover a beautiful mermaid residing beside his shack, and the pair spend much time playing merrily in the water. But the old monk senses in this mermaid the spirit of his lost love, and strictly forbids the friendship. Everything that tales place after this is a little hazy, but there's an almighty storm, a vicious swirl of wind and water and a conclusion that sees crude wooden crosses mournfully lining the shore. 'Mermaid' provided the second of four Oscar nominations for its famed animator, though it lost this particular statue to Pixar, whose 'Geri's Game (1997)' is incidentally my favourite short film from the studio. Petrov would, however, snare the Oscar a few years later with his masterpiece, 'The Old Man and the Sea (1999).' However unintelligible the story, this is a marvellous visual treat that is worth watching at least twice.