Espelho de Carne (1985) User Reviews

Reflections of a Tedious and Repressed Existence

[claudio_carvalho · 7/10 · 8 October 2003]

The middle-class Álvaro Cardoso (Denis Carvalho) buys an expensive crystal mirror of the infamous brothel "Palácio dos Prazeres de Madame Solange" ("Palace of the Pleasures of Madam Solange") in an auction as a gift for his beautiful wife Helena (Hileana Menezes). They temporarily put the mirror in the master bedroom of their apartment in Barra da Tijuca, and show it to their best friends and neighbors, the couple Ana (Joana Fomm) and Jairo Almeida (Daniel Filho), and also to the divorced neighbor Leila Assunção (Maria Zilda). They are affected by the mirror that magnifies their sex drive, unleashing their erotic fantasies and leading them to erotic games.

On 08 October 2003, I saw "Espelho da Carne" on VHS and in that occasion, I did not like this film. Today I have just seen it again broadcast by "Canal Brasil" and now I have a totally different interpretation of the story. The surrealistic "Espelho da Carne" has an erotic flirtation with Buñuel style, showing tedious and repressed middle-class characters that are somehow affected by a mirror and unleash their sexual desires and fantasies free of their bourgeois moral values. The guilty of Helena with her temptation is metaphorically seen through a man with beard and hoofs that nobody else can see. The best moment is the bold scene between Daniel Filho and Denis Carvalho. My vote is seven.

Title (Brazil): "Espelho de Carne" ("Mirror of Flesh")

A mixture of terror and erotic

[olobo · 7/10 · 20 May 1999]

This is about a mirror bought in an auction. The mirror change the lives of five friends, two couples and a single men, leading them into new sexual experiences. Was implicit that a spirit is influencing them, with his origin in the mirror.

Very promising but irregular softcore horror-comedy

[guisreis · 6/10 · 20 November 2021]

This softcore film with elements of comedy and horror had a quite good beginning. There are beautifully filmed scenes playing with characters and their reflexes in the mirror. The auction and the following events were nice and amusing. As the film advances, however, situations become perhaps too much chaotic. Off course there is a reason for that chaos, but it is not well rooted. Indeed, it seems strongly to be just a shallow excuse to portray as many sex situations as possible. The irregular end says more about the movie than the promising opening scene.