Cameraman Jim Travis exhibits The Peter Principle, deciding to write, direct and produce this clunker for VCA and coming up with nothing.
It's a series of six random vignettes, representing Jon Dough's erotic fantasies as he lies on his couch in front of a TV (displaying only static, probably late night after sign-off) talking to his pet snake, who gives Jon ideas of sex scenes. It's truly a dumb concept.
Leading off is Mark Davis as an arist, humping his beauiful model Roxanne Blaze (a/k/a Crystal Lea). She's an obscure actress who should have had a real career, given her fabulous look. Both Davis and Crystal receive screen credits as "Introducing".
Next up Andy Tyler gives star Deidre Holland a rubdown, and the screen credit commits the usual porn mistake of calling him a Masseuse instead of Masseur. Deidre also poses nude with the snake in imitation of that famous 1981 Richard Aveon poster of Nastassja Kinski. Half-way through this scene, Dough thinks better of it, and instead Alicia Rio takes over as Holland's masseuse.
Other vignettes are just as pointless: Jonathan Morgan as a submissive secretary who services his boss Rebecca Bardoux at her request -in the ass!; and another pretty blonde Kiss services big-dicked Rocco Siffredi.
Finale has Alicia Rio returning as a pizza girl in a fantasy of Dough ordering up some sex from her. Her figure is terrific in this scene.
It's a series of six random vignettes, representing Jon Dough's erotic fantasies as he lies on his couch in front of a TV (displaying only static, probably late night after sign-off) talking to his pet snake, who gives Jon ideas of sex scenes. It's truly a dumb concept.
Leading off is Mark Davis as an arist, humping his beauiful model Roxanne Blaze (a/k/a Crystal Lea). She's an obscure actress who should have had a real career, given her fabulous look. Both Davis and Crystal receive screen credits as "Introducing".
Next up Andy Tyler gives star Deidre Holland a rubdown, and the screen credit commits the usual porn mistake of calling him a Masseuse instead of Masseur. Deidre also poses nude with the snake in imitation of that famous 1981 Richard Aveon poster of Nastassja Kinski. Half-way through this scene, Dough thinks better of it, and instead Alicia Rio takes over as Holland's masseuse.
Other vignettes are just as pointless: Jonathan Morgan as a submissive secretary who services his boss Rebecca Bardoux at her request -in the ass!; and another pretty blonde Kiss services big-dicked Rocco Siffredi.
Finale has Alicia Rio returning as a pizza girl in a fantasy of Dough ordering up some sex from her. Her figure is terrific in this scene.