The Finish of Bridget McKeen (1901) Poster

User Reviews

Review this title
2 Reviews
Sort by:
Filter by Rating:
3/10
That Irish maid blowed-up real good!
wmorrow5929 May 2002
Watch the coming attractions trailers in any movie house today, especially as the summer season approaches, and you'll see and hear lots of explosions. But in case you thought this obsession with cinematic pyrotechnics was something new, take a look at the first two decades of film, 1895-1915, and you'll find that movie-makers have always enjoyed blowing up stuff. In early movies, right up through Chaplin's Dough and Dynamite (1914) and Work (1915), explosions were often played for comedy. It seems that the First World War changed things, for a while, anyway, but once memories of the war began to fade, explosions became funny again.

At any rate, this very early and very brief film, The Finish of Bridget McKeen, is a pioneering attempt at film comedy. In 1901 films often consisted of only a single shot, but this one has two, and the second one serves as the punchline. In the first shot we see Bridget, a husky Irish maid (played perhaps by a man in drag?). She's in the kitchen, working before a canvas backdrop: the window, chair, potted plant, and pots hanging from hooks, are all obviously painted. But the stove Bridget is trying to light is real, and we can see that she's having difficulty with it. She decides to douse the stove with Kerosine. Instantly, there is an explosion, and Bridget flies up into the air. Pieces of the stove fall from the sky, and then so does Bridget herself, in the form of a dummy. This shot cross-fades with the second and last shot, a painted image of Bridget's gravestone, which reads: Here Lies the Remains of Bridget McKeen, Who Started a Fire With Kerosine.

Like I said, it's very brief. And not exactly sophisticated, but it was probably considered pretty funny at the time.
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Editing
boblipton2 January 2023
It's a version of such mean-spirited comedies as HOW BRIDGET STARTED THE FIRE

When people who are interested in very old films think of Edwin S. Porter, they tend to think of fairly elaborate works like THE GREAT TRAIN ROBBERY. It's odd to conceive of it, but back when Porter began in the movies, three years before this film, there was no editing in the sense of putting more than one scene in a film. There might be editing for effects; the first show had THE EXECUTION OF MARY QUEEN OF SCOTS, with a cut so the victim could be replaced with a dummy and a chopped-of head. Editing to indicate a transition to a different time or place did not exist. Everything took place in the time and space of a single camera set-up and one roll of film, less than a minute.

So the fact that this short film uses two very clearly differentiated shots at two very clearly differentiated locations and moments makes it enormously advanced for the year it was released.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed