James A. Fitzpatrick sends the Technicolor cameras under the supervision of Winston Hoch to shoot pictures of junks and sampans, and babble in his invariably overblown manner about pirates and drowning girls.
Although Fitzpatrick shows the modern sections of the city, and the undeveloped view of Repulse Bay, I was fascinated by the less wealthy, downtown shots of the city. They looked familiar to me, because they look almost exactly like New York City's Chinatown in my younger days!
Although Fitzpatrick shows the modern sections of the city, and the undeveloped view of Repulse Bay, I was fascinated by the less wealthy, downtown shots of the city. They looked familiar to me, because they look almost exactly like New York City's Chinatown in my younger days!