The Original Movie. (1922) Poster

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5/10
"And now comes the proud author to see his masterpiece screened"
ackstasis12 September 2008
An early 1920s animated satire of movie-making? I thought I had a home-run right there, but unfortunately Tony Sarg's 'The Original Movie (1922)' is something of a disappointment, despite its strengths, failing almost entirely to engage me. This is one of only three surviving episodes from the series of short animated films, "Tony Sarg's Almanac (1921-23)," which traced modern life back to the Stone Age, where things really weren't all that different. The style of animation uses relatively simple silhouettes, most readily identifiable with Lotte Reiniger and Carl Koch's 'The Adventures of Prince Achmed (1926),' though it had been used earlier in a 1915-1916 American series called "Silhouette Fantasies." The style is also notable in that it calls to mind the magic lantern technology that predated movies; this is very appropriate for a film that concerns itself, however jokingly, with the birth of cinema. Sarg also acknowledged the influence of Chinese shadow puppetry in his animation, an ancient art that goes back centuries.

'The Original Movie' opens, rather cleverly, with a flashback to Eadweard Muybridge's motion photography experiments with horses, ostensibly the birth of film-making as we know it. However, this notion is swiftly dismissed, and, via an even longer flashback, we are brought back to the Stone Age – which, aside from the production company name, Stonehenge Film Company, could just as easily be set in modern times. From here, I didn't find all that much interest in the subsequent proceedings. Sarg's animation is very static, lingering on the single shot for considerable periods of time, and the film under production {bafflyingly titled "Who's the Goat?"} doesn't offer much in the way of creativity. I did, however, get a chuckle from the very ending, when the film's original writer – thanks to the division-of-labour production system already in Hollywood at the time – doesn't even recognise the product of his efforts. Overall, there's mild interest in this short animated comedy, but the opportunity for cinematic satire was largely squandered – something like 'Sherlock Jr. (1924)' would be much more worthwhile.
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7/10
Cute film with a very odd style of animation
planktonrules29 October 2006
This is a cute film, as the film is supposedly the product of a stone-age film production company--and is reminiscent of the Flintstones in many ways. You not only get to see what the caveman crew made but the actual steps they take to make this strange little film. And for 1922, this is a pretty cute idea and is overall a very watchable film. Warner Brothers did some films like this in the 1930s and I am guessing that the producers of THE ORIGINAL MOVIE may have been inspired by the success of Winsor McCay's Gertie the Dinosaur. Oddly though, the style of animation looks a lot like Asian shadow puppets. This really isn't bad, but certainly is unusual and gives this short a unique look. It's an excellent film for historians and lovers of early animation. Others might find the film a bit dull, but considering it's a short you haven't got much to lose by watching this.
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6/10
Interesting animation style
Jbbarger9 November 2001
I happened to see this movie on TCM in their classic short showcase. an excellent program which gives great supplemental information. About this short they explained that the animation was done by a puppeteer using cut outs of the figures. This is quite unique, and the elaborate figures are so masterfully handled it rivals any animation done in the intervening 80 years.
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Quite Imaginative
Snow Leopard18 August 2005
This very imaginative short feature combines a self-parody of the movie industry with some creative use of the silhouette style of animation. Most of it is pretty amusing, and it is also interesting in what it shows about common perceptions of movie studios even in the early 1920s. It also starts with a brief joke about the Muybridge experiments in series photography, which is rather interesting in that it assumes that most audiences of its time would be aware of the experiments and their significance in movie history.

After the opening joke, the story follows the development of a movie, from the original story idea onwards. Much of it is a satire on studio technique, which even at the time served as a good target for parody. Though certainly nothing like what it would become later, the industry clearly already had enough of a 'system' that, for example, writers could identify with the kinds of frustrations that the writer in the movie experiences.

The animation style is similar to that later refined by, for example, Lotte Reiniger in "The Adventures of Prince Achmed". It's an interesting style when used imaginatively, and it's used pretty well here. It's occasionally unrefined, but often clever. This is the kind of short movie that is not bad in itself, and that is even more enjoyable to watch as a piece of movie history.
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6/10
Tony Sarg's The Original Movie is fascinating for the unique at the time animation
tavm28 June 2010
A year ago, I watched Tony Sarg's Marionettes in the Orient where the puppetmaster manipulated strings for a show. Here, he's the animator using shadow cutouts to tell the beginning of moving pictures during the Stone Age. This was a parody of the way movies were filmed and edited to the consternation of the writer whose work gets castrated to the point of intelligibleness! I thought the whole thing a little amusing if not hilarious. It was a nice recall of the silhouette animation that I had previously watched of a few Lotte Reiniger films. This was certainly one of the more technically fascinating shorts from the silent era. So on that note, I recommend The Original Movie for anyone interested in these rarities.
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8/10
beautiful and complex self-critical exploration of early screenwriter's travails, in silhouette
OldAle116 January 2009
"The Original Movie" (Tony Sarg 1922) is a silhouette animation about the travails of early screenwriters and filmmakers -- early being in the age of dinosaurs! Inventive and charming, it's only the second silhouette film I've seen (Lotte Reininger's 1926 feature masterpiece "Prince Achmed" being the other) but I certainly want to see more. The goat sitting behind the screenwriter as he's editing his work ends up being the ultimate culprit as the writer's work makes an uneasy transition to finished product; there are also censors waiting to put their own stamp on things. Brilliantly done, with an awful lot of ideas packed into 8 minutes.

The copy I watched was from the "Treasures of American Cinema", Volume I (first disc), and like everything else on the set is impeccably transferred and well-scored, with excellent documentation.
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4/10
Okay subject, but shoddy execution
Horst_In_Translation8 April 2017
Warning: Spoilers
Here we have the silent black-and-white movie "The Original Movie." (with a full-stop indeed), most likely the most famous work by Guatemalan filmmaker Tony Sarg. It is a cartoon and at slightly under eight minutes, it is a bit longer than cartoons usually were at that time. There are two things you can say in Sarg's favor here. First of all film on film is always interesting, especially from the very early days and this one here will have its 100th anniversary in 2022, so only five more years. And also admittedly cartoons weren't good around that time to be honest. There are many live action films that are clearly superior from the first two decades of the 20th century, but also Lotte Reiniger's (similar style) animation was clearly superior. So yeah, story-wise and visually I found this one underwhelming, the characters aren't memorable at all either and I think there is a good reason why nobody today (except film historians) knows the name Tony Sarg anymore. I cannot recommend this film here. Don't watch.
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Who's the Goat?
Cineanalyst17 August 2005
Warning: Spoilers
This animation short is only eight minutes long, but contains some sophisticated humor about movie-making. I didn't find the silhouette puppet animation very interesting (it's the same as would later be in "The Adventures of Prince Achmed" (1926)), although it was probably assiduous to accomplish. Of early film animators, I'm in awe of Wladyslaw Starevicz (later in France, Ladislas Starewitch), who's mentionable here only because his "The Cameraman's Revenge" (1912) also contains some clever self-referential humor, which is supported by unique and brilliant puppet animation involving replica insects. But, that's just my preference, and you might very well find Tony Sarg's animation very interesting. Barbara Bernstein, on her self-referential movies website, for one, says it recalls early forms of movie-making.

The short begins by dismissing, tongue-in-cheek, the commonly held belief that Eadweard Muybridge's sequential still photography of a horse running was the birthplace of movies. It then tells of an original movie made in the days of cavemen. As with "The Cameraman's Revenge", "The Original Movie" also contains some sophisticated ideas on film and movie studios, especially notable for how early in film history they are. It views the writer as the auteur. In the film, the caveman producer-director botches the film's source material and further ruins the scenario by cutting it to avoid censorship. Thus, in the end, the film-within-the film, "Who's the Goat?" begins by crediting its original author with "floundered on the story by Aloysius Flintpebble". The goat, it would seem, are the producer-directors.

Again, "The Original Movie" is only eight minutes, so it doesn't require much from viewers, and it's clever and delightful, too.
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