Barking Dogs Never Bite
Slamdance Film Festival has announced it is going to move to Los Angeles from Utah in 2025.
The festival, which started off on the fringes of Sundance Film Festival in 1995, has since grown to a force to be reckoned with in its own right, with films getting their break there including Christopher Nolan's Following, Bong Joon-ho's Barking Dogs Never Bite and Matt Johnson's The Dirties.
It has traditionally run alongside Sundance in Park City, Utah, this year noticeably taking on a much more central and larger venue for its screenings. The switch saw an 18% rise in ticket sales. The festival said in a statement that the LA move will "allow it to expand its mission of supporting truly independent filmmakers" while giving better accessibility to attendees.
Slamdance president and co-founder Peter Baxter Founder and president of the festival Peter Baxter said: “Slamdance is coming to Los Angeles!
Slamdance Film Festival has announced it is going to move to Los Angeles from Utah in 2025.
The festival, which started off on the fringes of Sundance Film Festival in 1995, has since grown to a force to be reckoned with in its own right, with films getting their break there including Christopher Nolan's Following, Bong Joon-ho's Barking Dogs Never Bite and Matt Johnson's The Dirties.
It has traditionally run alongside Sundance in Park City, Utah, this year noticeably taking on a much more central and larger venue for its screenings. The switch saw an 18% rise in ticket sales. The festival said in a statement that the LA move will "allow it to expand its mission of supporting truly independent filmmakers" while giving better accessibility to attendees.
Slamdance president and co-founder Peter Baxter Founder and president of the festival Peter Baxter said: “Slamdance is coming to Los Angeles!
- 4/30/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Allow Robert Pattinson to introduce himself again… and again and again.
He plays more than a dozen versions of the same character, Mickey Barnes, in director Bong Joon Ho’s upcoming sci-fi thriller “Mickey 17.”
Bong, the Oscar-winning director of “Parasite,” brought a wacky, thrilling first look at the film to CinemaCon, the annual exhibition trade show that’s currently unfolding in Las Vegas. Through an interpreter, the Korean director described “Mickey 17” as a “story about a simple man who ultimately ends up saving the world. It’s a strange type of hero’s journey.”
It’s based on Edward Ashton’s novel “Mickey 7,” but Bong opted to ever-so-slightly change the name of the film to “Mickey 17.” The number reflects how many times the main character dies, so Bong teased, “I killed him 10 more times!”
Before theater owners at CinemaCon got a sneak peek of the trailer, which...
He plays more than a dozen versions of the same character, Mickey Barnes, in director Bong Joon Ho’s upcoming sci-fi thriller “Mickey 17.”
Bong, the Oscar-winning director of “Parasite,” brought a wacky, thrilling first look at the film to CinemaCon, the annual exhibition trade show that’s currently unfolding in Las Vegas. Through an interpreter, the Korean director described “Mickey 17” as a “story about a simple man who ultimately ends up saving the world. It’s a strange type of hero’s journey.”
It’s based on Edward Ashton’s novel “Mickey 7,” but Bong opted to ever-so-slightly change the name of the film to “Mickey 17.” The number reflects how many times the main character dies, so Bong teased, “I killed him 10 more times!”
Before theater owners at CinemaCon got a sneak peek of the trailer, which...
- 4/10/2024
- by Rebecca Rubin
- Variety Film + TV
Mubi has unveiled next’s streaming lineup, featuring notable new releases, including Molly Manning Walker’s debut How to Have Sex, Kevin Macdonald’s High & Low: John Galliano, and Quentin Dupieux’s Yannick. Ahead of Bong Joon Ho’s Mickey 17, two of his earlier films will arrive on the platform, along with a pair of features from All of Us Strangers director Andrew Haigh, as well as S. Craig Zahler’s Brawl in Cell Block 99, and more.
“The story can be translated into many different settings and I think it’s still relevant in terms of house parties, clubs, and even in relationships,” Molly Manning Walker recently told us about her debut How to Have Sex. “On the other hand: I wanted to make something that was very cinematic, but not set in a domestic environment. But the reason that this particular setting felt perfect was that––at that time,...
“The story can be translated into many different settings and I think it’s still relevant in terms of house parties, clubs, and even in relationships,” Molly Manning Walker recently told us about her debut How to Have Sex. “On the other hand: I wanted to make something that was very cinematic, but not set in a domestic environment. But the reason that this particular setting felt perfect was that––at that time,...
- 3/22/2024
- by Leonard Pearce
- The Film Stage
From November to December, it's time for what's next at Plex! Prepare for your "Killers of the Flower Moon" screening by catching one of Martin Scorcese and Leonardo DiCaprio's collaborations, "The Aviator," taking flight on the free streamer on Dec. 1.
The platform will also add romantic dramas and thrillers such as “Two Lovers” starring Joaquin Phoenix and Gwyneth Paltrow and double the dosage for A24 heads with “It Comes At Night” and “The Last Black Man in San Francisco.”
Check out The Streamable’s top picks for Plex’s December additions and see everything getting added to the library throughout the month!
Watch Now Tba plex.tv What are the 5 Best Shows and Movies Coming to Plex in December 2023? “Barking Dogs Never Bite” | Friday, Dec. 1
“Parasite” filmmaker and Oscar winner Bong Joon-ho makes his directorial debut with the 2000 black comedy that follows Yun-ju (played by Lee Sung-jae), a part-time...
The platform will also add romantic dramas and thrillers such as “Two Lovers” starring Joaquin Phoenix and Gwyneth Paltrow and double the dosage for A24 heads with “It Comes At Night” and “The Last Black Man in San Francisco.”
Check out The Streamable’s top picks for Plex’s December additions and see everything getting added to the library throughout the month!
Watch Now Tba plex.tv What are the 5 Best Shows and Movies Coming to Plex in December 2023? “Barking Dogs Never Bite” | Friday, Dec. 1
“Parasite” filmmaker and Oscar winner Bong Joon-ho makes his directorial debut with the 2000 black comedy that follows Yun-ju (played by Lee Sung-jae), a part-time...
- 11/30/2023
- by Ashley Steves
- The Streamable
The holidays are upon us, so whether you looking for film-related gifts or simply want to pick up some of the finest the year had to offer in the category for yourself, we have a gift guide for you. Including must-have books on filmmaking, the best from the Criterion Collection and more home-video picks, subscriptions, magazines, music, and more, dive in below.
Giveaways
In celebration of our holiday gift guide, we’ll be doing a number of giveaways! First up, we’re giving away My First Movie Vol. 2, a three-part ‘lil cinephile series by Cory Everett and illustrator Julie Olivi, featuring My First Spaghetti Western, My First Yakuza Movie, and My First Hollywood Musical.
Enter on Instagram (for My First Yakuza Movie), Twitter (for My First Hollywood Musical), and/or Facebook (for My First Spaghetti Western) by Sunday, November 26 at 11:59pm Et. Those that enter on all three platforms...
Giveaways
In celebration of our holiday gift guide, we’ll be doing a number of giveaways! First up, we’re giving away My First Movie Vol. 2, a three-part ‘lil cinephile series by Cory Everett and illustrator Julie Olivi, featuring My First Spaghetti Western, My First Yakuza Movie, and My First Hollywood Musical.
Enter on Instagram (for My First Yakuza Movie), Twitter (for My First Hollywood Musical), and/or Facebook (for My First Spaghetti Western) by Sunday, November 26 at 11:59pm Et. Those that enter on all three platforms...
- 11/20/2023
- by The Film Stage
- The Film Stage
Editor’s note: This review was originally published at the 2023 Busan Film Festival. Netflix releases the film on its streaming platform on Friday, October 27.
Paradise is ever elusive in the work of Bong Joon Ho, no matter what form it might take. That’s true whether it be resolution in “Memories of Murder,” wealth for the Park family of “Parasite,” or even the so-called “calm” that dead animals bring in “Barking Dogs Never Bite.” It’s this search for happiness that typifies the South Korean auteur’s work best, and nowhere is that more evident than in director Bong’s first narrative film: “Looking for Paradise.”
It’s often presumed that “White Man” — a 16mm short released in 1994 — was Bong’s directorial debut, but Netflix’s upcoming documentary, “Yellow Door: ’90s Lo-fi Film Club,” reveals that’s not the case. “Paradise” actually predates it by two entire years and, looking back now,...
Paradise is ever elusive in the work of Bong Joon Ho, no matter what form it might take. That’s true whether it be resolution in “Memories of Murder,” wealth for the Park family of “Parasite,” or even the so-called “calm” that dead animals bring in “Barking Dogs Never Bite.” It’s this search for happiness that typifies the South Korean auteur’s work best, and nowhere is that more evident than in director Bong’s first narrative film: “Looking for Paradise.”
It’s often presumed that “White Man” — a 16mm short released in 1994 — was Bong’s directorial debut, but Netflix’s upcoming documentary, “Yellow Door: ’90s Lo-fi Film Club,” reveals that’s not the case. “Paradise” actually predates it by two entire years and, looking back now,...
- 10/11/2023
- by David Opie
- Indiewire
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. But sometimes we talk to filmmakers! About filmmakers!
Today we talk to up-and-coming writer/director Andrew Adams whose debut feature American Meltdown is making a robust festival run as we speak!
He joins us to spearhead our first incarnation of “The First Frame:” a B-Side segment in which we examine the first films of legendary filmmakers. The three pictures we focus on today are My Best Friend’s Birthday by Quentin Tarantino, Sour Grapes by Larry David, and Barking Dogs Never Bite by Bong Joon-ho.
We discuss our love for these three masters, the seeds of their genius in each of their debuts (as well as each piece’s shortcomings), and the strange connection between all three of them.
Today we talk to up-and-coming writer/director Andrew Adams whose debut feature American Meltdown is making a robust festival run as we speak!
He joins us to spearhead our first incarnation of “The First Frame:” a B-Side segment in which we examine the first films of legendary filmmakers. The three pictures we focus on today are My Best Friend’s Birthday by Quentin Tarantino, Sour Grapes by Larry David, and Barking Dogs Never Bite by Bong Joon-ho.
We discuss our love for these three masters, the seeds of their genius in each of their debuts (as well as each piece’s shortcomings), and the strange connection between all three of them.
- 10/9/2023
- by Dan Mecca
- The Film Stage
Veteran Korean actor Byun Hee-bong, best known for his collaborations with Oscar winner Bong Joon-ho, including Okja and Memories of Murder, has died. He was 81.
Byun’s family confirmed that the actor died Monday after a lengthy battle with pancreatic cancer in a statement to local news outlet Yonhap News Agency.
Born in southern Korea in 1924, Byun began his career on the stage before transitioning to TV. Some of his most notable small screen credits include The First Republic (1981), The Joseon Dynasty 500 Years: Seoljungmae (1985), and The Legendary Doctor – Hur Jun (1999).
Byun later moved to the big screen. He is best known internationally for his work with Parasite filmmaker Bong Joon-ho. Byun starred in four films by the Oscar winner: Barking Dogs Never Bite (2000), Memories of Murder (2003), The Host (2006), and Okja (2017).
Byun picked up numerous awards throughout his career, including the Baeksang Arts Award for Most Popular Actor in 1985 and Best...
Byun’s family confirmed that the actor died Monday after a lengthy battle with pancreatic cancer in a statement to local news outlet Yonhap News Agency.
Born in southern Korea in 1924, Byun began his career on the stage before transitioning to TV. Some of his most notable small screen credits include The First Republic (1981), The Joseon Dynasty 500 Years: Seoljungmae (1985), and The Legendary Doctor – Hur Jun (1999).
Byun later moved to the big screen. He is best known internationally for his work with Parasite filmmaker Bong Joon-ho. Byun starred in four films by the Oscar winner: Barking Dogs Never Bite (2000), Memories of Murder (2003), The Host (2006), and Okja (2017).
Byun picked up numerous awards throughout his career, including the Baeksang Arts Award for Most Popular Actor in 1985 and Best...
- 9/18/2023
- by Zac Ntim
- Deadline Film + TV
Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81.
Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed.
He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network Mbc in 1966.
His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.”
His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes...
Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed.
He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network Mbc in 1966.
His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.”
His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes...
- 9/18/2023
- by Patrick Frater
- Variety Film + TV
The Fantasia International Film Festival will be celebrating its 27th edition with a whiplashing program of screenings, workshops, and launch events running from July 20 through August 9, 2023, taking place at the Concordia Hall Cinema, with additional screens at the Cinémathèque québécoise and Cinéma du Musée.
The festival’s full lineup will be announced in early July. In the meantime, Fantasia is excited to reveal a selected first wave of titles and happenings.
Bright Spotlights On South Korean Cinema Illuminate Fantasia’s 27th Edition
Since the selection of Kang Je-gyu’s Gingko Bed at Fantasia’s 1998 edition, the festival has become one of the premiere destinations for South Korean cinema. Over the years, Fantasia’s audience has had the opportunity to discover several essential Korean auteurs: Bong Joon-ho (Barking Dogs Never Bite), Park Chan-wook (Sympathy For Mr. Vengeance), Kim Ji-woon (The Quiet Family), Hwang Dong-hyuk (Miss Granny), and Yeon Sang-ho (The King Of Pigs) among many others.
The festival’s full lineup will be announced in early July. In the meantime, Fantasia is excited to reveal a selected first wave of titles and happenings.
Bright Spotlights On South Korean Cinema Illuminate Fantasia’s 27th Edition
Since the selection of Kang Je-gyu’s Gingko Bed at Fantasia’s 1998 edition, the festival has become one of the premiere destinations for South Korean cinema. Over the years, Fantasia’s audience has had the opportunity to discover several essential Korean auteurs: Bong Joon-ho (Barking Dogs Never Bite), Park Chan-wook (Sympathy For Mr. Vengeance), Kim Ji-woon (The Quiet Family), Hwang Dong-hyuk (Miss Granny), and Yeon Sang-ho (The King Of Pigs) among many others.
- 5/12/2023
- by Rouven Linnarz
- AsianMoviePulse
The Fantasia International Film Festival will be celebrating its 27th edition with a whiplashing program of screenings, workshops, and launch events running from July 20 through August 9, 2023, taking place at the Concordia Hall Cinema, with additional screens at the Cinémathèque québécoise and Cinéma du Musée.
The festival’s full lineup will be announced in early July. In the meantime, Fantasia reveals a selected first wave of titles and happenings.
Here’s the press release:
Bright Spotlights On South Korean Cinema Illuminate Fantasia’s 27th Edition
Since the selection of Kang Je-gyu’s Gingko Bed at Fantasia’s 1998 edition, the festival has become one of the premiere destinations for South Korean cinema. Over the years, Fantasia’s audience has had the opportunity to discover several essential Korean auteurs: Bong Joon-ho (Barking Dogs Never Bite), Park Chan-wook (Sympathy For Mr. Vengeance), Kim Ji-woon (The Quiet Family), Hwang Dong-hyuk (Miss Granny), and Yeon Sang-ho...
The festival’s full lineup will be announced in early July. In the meantime, Fantasia reveals a selected first wave of titles and happenings.
Here’s the press release:
Bright Spotlights On South Korean Cinema Illuminate Fantasia’s 27th Edition
Since the selection of Kang Je-gyu’s Gingko Bed at Fantasia’s 1998 edition, the festival has become one of the premiere destinations for South Korean cinema. Over the years, Fantasia’s audience has had the opportunity to discover several essential Korean auteurs: Bong Joon-ho (Barking Dogs Never Bite), Park Chan-wook (Sympathy For Mr. Vengeance), Kim Ji-woon (The Quiet Family), Hwang Dong-hyuk (Miss Granny), and Yeon Sang-ho...
- 5/11/2023
- by Brad Miska
- bloody-disgusting.com
Recommended New Books on Filmmaking: Bong Joon Ho, Avatar: The Way of Water, Alfred Hitchcock & More
Spring is on the horizon (yay!) but we’re still deep into winter (grr). And that means time for reading. Our latest roundup of noteworthy new books connected to the world of cinema features a typically diverse lineup: Bong Joon Ho, the art of James Cameron’s latest, screwball comedies, Alfred Hitchcock, and––’tis the season––Oscar history.
Bong Joon Ho: Dissident Cinema by Karen Han (Abrams)
In recent years Little White Lies and Abrams have released wonderfully comprehensive, immaculately designed books about Joel and Ethan Coen, Paul Thomas Anderson, David Fincher, and most recently Sofia Coppola. The latest subject, Bong Joon Ho, could not be more deserving of this treatment. Dissident Cinema is written by the ever-astute Karen Han, who shares Bong’s life story while diving into each entry of his filmography. Yes, there is much to be said about Parasite, The Host, Mother, Snowpiercer, Okja, and Memories of Murder.
Bong Joon Ho: Dissident Cinema by Karen Han (Abrams)
In recent years Little White Lies and Abrams have released wonderfully comprehensive, immaculately designed books about Joel and Ethan Coen, Paul Thomas Anderson, David Fincher, and most recently Sofia Coppola. The latest subject, Bong Joon Ho, could not be more deserving of this treatment. Dissident Cinema is written by the ever-astute Karen Han, who shares Bong’s life story while diving into each entry of his filmography. Yes, there is much to be said about Parasite, The Host, Mother, Snowpiercer, Okja, and Memories of Murder.
- 2/15/2023
- by Christopher Schobert
- The Film Stage
Coming only three years after the Palme d’Or for “Parasite,” the two Cannes prizes for Park Chan-wook as best director and for Song Kang-ho as best actor are further proof of the strength of Korean cinema’s originality, its elevated skills and its resilience.
Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas – think BTS and “Squid Game” – both of which flourished during the Covid era, while Korean film was struck down by the pandemic.
Closed cinemas and disrupted release schedules meant that the film sector was not fully able to capitalize on the 2019 Cannes and multiple Oscar successes of “Parasite” and “Minari.” Korean film producers’ revenues crumbled between 2020 and early 2022. Talent from in front of and behind the camera shifted across to the more vibrant streaming sector.
The Cannes prize for Park’s “Decision to Leave” is particularly satisfying for a core group of filmmakers,...
Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas – think BTS and “Squid Game” – both of which flourished during the Covid era, while Korean film was struck down by the pandemic.
Closed cinemas and disrupted release schedules meant that the film sector was not fully able to capitalize on the 2019 Cannes and multiple Oscar successes of “Parasite” and “Minari.” Korean film producers’ revenues crumbled between 2020 and early 2022. Talent from in front of and behind the camera shifted across to the more vibrant streaming sector.
The Cannes prize for Park’s “Decision to Leave” is particularly satisfying for a core group of filmmakers,...
- 5/29/2022
- by Patrick Frater
- Variety Film + TV
Oscar-winning director Bong Joon Ho, who made awards history with his genre-bending thriller “Parasite,” is making his next feature film at Warner Bros.
Robert Pattinson, who will soon appear as the Caped Crusader in “The Batman,” is expected to star in the science-fiction story, an adaptation of Edward Ashton’s upcoming novel “Mickey7.”
According to the book’s publisher St. Martin Press, the high-concept cerebral thriller is best described as “The Martian” meets “Dark Matter.” The tale is about an “expendable” — a disposable employee on a human expedition sent to colonize the ice world Nifheim — who refuses to let his replacement clone, dubbed Mickey 8, take his place.
In an early review, author Jason Pargin called the novel “a unique blend of thought-provoking sci-fi concepts, farcical relationship drama and exotic body humor.”
“Edward Ashton keeps it all grounded via a protagonist who experiences the wonders of interstellar travel and alien contact...
Robert Pattinson, who will soon appear as the Caped Crusader in “The Batman,” is expected to star in the science-fiction story, an adaptation of Edward Ashton’s upcoming novel “Mickey7.”
According to the book’s publisher St. Martin Press, the high-concept cerebral thriller is best described as “The Martian” meets “Dark Matter.” The tale is about an “expendable” — a disposable employee on a human expedition sent to colonize the ice world Nifheim — who refuses to let his replacement clone, dubbed Mickey 8, take his place.
In an early review, author Jason Pargin called the novel “a unique blend of thought-provoking sci-fi concepts, farcical relationship drama and exotic body humor.”
“Edward Ashton keeps it all grounded via a protagonist who experiences the wonders of interstellar travel and alien contact...
- 1/19/2022
- by Rebecca Rubin
- Variety Film + TV
Lock the doors. Turn on the lights. Check under the bed. Crank up the volume. It’s time for another Halloween Parade!
Please help support the Hollywood Food Coalition.
Click here, and be sure to indicate The Movies That Made Me in the note section so Josh can finally achieve his dream of showing Mandy to his wife!
Show Notes: Movies Referenced In This Episode
Scream Blacula Scream (1973)
Mandy (2018)
Carnival of Souls (1962) – Mary Lambert’s trailer commentary
Night Tide (1961) – Charlie Largent’s Blu-ray review
A Bucket Of Blood (1959) – Allan Arkush’s trailer commentary, Glenn Erickson’s DVD review, Glenn Erickson’s Blu-ray review
Dementia 13 (1963) – Mick Garris’s trailer commentary, Glenn Erickson’s Region B Blu-ray review, Glenn Erickson’s director’s cut Blu-ray review
The Godfather (1972) – Ernest Dickerson’s trailer commentary, Randy Fuller’s wine pairings
The Godfather Part II (1974) – Katt Shea’s trailer commentary
The Conversation (1974) – Josh Olson...
Please help support the Hollywood Food Coalition.
Click here, and be sure to indicate The Movies That Made Me in the note section so Josh can finally achieve his dream of showing Mandy to his wife!
Show Notes: Movies Referenced In This Episode
Scream Blacula Scream (1973)
Mandy (2018)
Carnival of Souls (1962) – Mary Lambert’s trailer commentary
Night Tide (1961) – Charlie Largent’s Blu-ray review
A Bucket Of Blood (1959) – Allan Arkush’s trailer commentary, Glenn Erickson’s DVD review, Glenn Erickson’s Blu-ray review
Dementia 13 (1963) – Mick Garris’s trailer commentary, Glenn Erickson’s Region B Blu-ray review, Glenn Erickson’s director’s cut Blu-ray review
The Godfather (1972) – Ernest Dickerson’s trailer commentary, Randy Fuller’s wine pairings
The Godfather Part II (1974) – Katt Shea’s trailer commentary
The Conversation (1974) – Josh Olson...
- 10/29/2021
- by Kris Millsap
- Trailers from Hell
Even though it feels like we’ve lived many lifetimes since Bong Joon Ho’s Parasite arrived stateside and swept the Oscars, it’s in fact only been just over a year. Thankfully, the director is staying busy and has now revealed in a new conversation he’s finished one of two screenplays he’s been whittling away at.
“I’m preparing two different projects. One is a Korean-language one, and the other one is an English-language one. Both projects are not big films. They’re the size of Parasite or Mother,” he said back in 2019. “The Korean film is located in Seoul and has unique elements of horror and action. It’s difficult to define the genre of my films. The English project is a drama film based on a true event that happened in 2016. Of course I won’t know until I finish the script, but it has...
“I’m preparing two different projects. One is a Korean-language one, and the other one is an English-language one. Both projects are not big films. They’re the size of Parasite or Mother,” he said back in 2019. “The Korean film is located in Seoul and has unique elements of horror and action. It’s difficult to define the genre of my films. The English project is a drama film based on a true event that happened in 2016. Of course I won’t know until I finish the script, but it has...
- 2/19/2021
- by Jordan Raup
- The Film Stage
Oscar-winning director of ‘Parasite’ to serve as international jury president at 78th Venice International Film Festival.
Bong Joon Ho, the Oscar-winning director of Parasite, is to serve as president of the international jury at the 78th Venice International Film Festival (September 1-11).
The South Korean director will lead a seven-strong jury and assign prizes to features selected in competition, including the prestigious Golden Lion for best film, won last year by Chloe Zhao’s Nomadland.
Bong has previously been more associated with the Cannes Film Festival, premiering five of his films there including Parasite, which won the Palme d’Or...
Bong Joon Ho, the Oscar-winning director of Parasite, is to serve as president of the international jury at the 78th Venice International Film Festival (September 1-11).
The South Korean director will lead a seven-strong jury and assign prizes to features selected in competition, including the prestigious Golden Lion for best film, won last year by Chloe Zhao’s Nomadland.
Bong has previously been more associated with the Cannes Film Festival, premiering five of his films there including Parasite, which won the Palme d’Or...
- 1/15/2021
- by Michael Rosser
- ScreenDaily
Oscar-winning director of ‘Parasite’ to serve as international jury president at 78th Venice International Film Festival.
Bong Joon Ho, the Oscar-winning director of Parasite, is to serve as president of the international jury at the 78th Venice International Film Festival (September 1-11).
The South Korean director will lead a seven-strong jury and assign prizes to features selected in competition, including the prestigious Golden Lion for best film, won last year by Chloe Zhao’s Nomadland.
Bong has previously been more associated with the Cannes Film Festival, premiering five of his films there including Parasite, which won the Palme d’Or...
Bong Joon Ho, the Oscar-winning director of Parasite, is to serve as president of the international jury at the 78th Venice International Film Festival (September 1-11).
The South Korean director will lead a seven-strong jury and assign prizes to features selected in competition, including the prestigious Golden Lion for best film, won last year by Chloe Zhao’s Nomadland.
Bong has previously been more associated with the Cannes Film Festival, premiering five of his films there including Parasite, which won the Palme d’Or...
- 1/15/2021
- by Michael Rosser
- ScreenDaily
With 2019’s success of “Parasite”, Bong Joon-ho’s other movies have once again seen an extreme spike in interest from the general public. However, Bong’s first feature film “Barking Dogs Never Bite” often misses out on this added attention. To find out whether this is justified, we revisited it.
Bong’s start in the feature film industry and released in 2000, this black comedy focuses on very simple story, at its core. A down-on-his-luck college lecturer is getting tired of the constant barking by a dog, somewhere in his apartment building. Irritation builds up, and one day he decides that sitting idly by is no longer an option. He takes matters into his own hands, and the story spirals out of control from there.
“Barking Dogs Never Bite” is not the most memorable of Bong’s films, but to be fair, that doesn’t say much, considering the quality of his repertoire.
Bong’s start in the feature film industry and released in 2000, this black comedy focuses on very simple story, at its core. A down-on-his-luck college lecturer is getting tired of the constant barking by a dog, somewhere in his apartment building. Irritation builds up, and one day he decides that sitting idly by is no longer an option. He takes matters into his own hands, and the story spirals out of control from there.
“Barking Dogs Never Bite” is not the most memorable of Bong’s films, but to be fair, that doesn’t say much, considering the quality of his repertoire.
- 11/30/2020
- by Reinier Brands
- AsianMoviePulse
Regardless of genre, the films of South Korean auteur Bong Joon Ho persistently probe at the divide between the powerful and the powerless. The shape of that power is often tied to whatever cinematic form with which Bong is playing. In his directorial debut, the darkly comedic “Barking Dogs Never Bite,” a struggling academic and social climber aim their career frustrations at other people’s pet dogs, whom they perceive as receiving more attention than they do.
Continue reading ‘Memories Of Murder’: Bong Joon Ho’s Crime Masterpiece Remains Impactful With Its Murky Morality at The Playlist.
Continue reading ‘Memories Of Murder’: Bong Joon Ho’s Crime Masterpiece Remains Impactful With Its Murky Morality at The Playlist.
- 10/23/2020
- by Roxana Hadadi
- The Playlist
Neon is excited to announce they will be releasing “Memories of Murder“, from Academy Award winning director, Bong Joon-ho. The digitally remastered film will be in theaters nationwide October 19th and October 20th for a two night limited theatrical engagement in partnership with Fathom Events. The special presentation of the film will include exclusive content plus a post-screening conversation with Bong Joon-ho and celebrated filmmaker Edgar Wright.
“Memories of Murder” tells the harrowing true story of the hunt for a sadistic serial rapist and murderer terrorizing a small province in 1980s South Korea. Marking the first of many successful collaborations between four-time Oscar winner Bong Joon-ho and leading man Song Kang-ho, the film follows the paths of three increasingly desperate detectives as they attempt to decipher the violent mind of a killer in a futile effort to solve the case. Now, seventeen years after its initial release, and a year...
“Memories of Murder” tells the harrowing true story of the hunt for a sadistic serial rapist and murderer terrorizing a small province in 1980s South Korea. Marking the first of many successful collaborations between four-time Oscar winner Bong Joon-ho and leading man Song Kang-ho, the film follows the paths of three increasingly desperate detectives as they attempt to decipher the violent mind of a killer in a futile effort to solve the case. Now, seventeen years after its initial release, and a year...
- 10/18/2020
- by Grace Han
- AsianMoviePulse
The Criterion Channel’s stellar offerings are continuing next month with a selection of new releases, retrospective, series, and more. Leading the pack is, of course, a horror lineup perfectly timed for Halloween, featuring ’70s classics and underseen gems, including Abel Ferrara’s The Driller Killer (pictured above), Tobe Hopper’s The Texas Chain Saw Massacre, early films by David Cronenberg, Wes Craven, and Brian De Palma, Bill Gunn’s Ganja & Hess, and more.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
- 9/29/2020
- by Jordan Raup
- The Film Stage
Lazy, corrupt humans are doing the biting in the Parasite director’s re-released 2000 film
Bong Joon-ho’s black-comic satire Barking Dogs Never Bite has been re-released after 20 years, and in many ways it could be seen as a thematic forerunner to his Oscar-winning hit Parasite, with its vision of strange people and strange secrets in a basement. But it’s entirely distinctive on its own (bizarre) terms: a film about animal cruelty and it begins with a huge “no animals were harmed” disclaimer. As well it might. The various moments of dog-jeopardy and dog-distress will have you hiding under your seat – and a certain dog rescue scene is like something out of The Shining.
Lee Sung-jae plays Yun-ju, a hapless postgrad student with a pregnant partner. The pair live in a crumbling apartment building whose front doors open outwards – which is to be important in one chase scene. Yun-ju’s...
Bong Joon-ho’s black-comic satire Barking Dogs Never Bite has been re-released after 20 years, and in many ways it could be seen as a thematic forerunner to his Oscar-winning hit Parasite, with its vision of strange people and strange secrets in a basement. But it’s entirely distinctive on its own (bizarre) terms: a film about animal cruelty and it begins with a huge “no animals were harmed” disclaimer. As well it might. The various moments of dog-jeopardy and dog-distress will have you hiding under your seat – and a certain dog rescue scene is like something out of The Shining.
Lee Sung-jae plays Yun-ju, a hapless postgrad student with a pregnant partner. The pair live in a crumbling apartment building whose front doors open outwards – which is to be important in one chase scene. Yun-ju’s...
- 9/17/2020
- by Peter Bradshaw
- The Guardian - Film News
Neon is excited to announce they will be releasing “Memories of Murder“, from Academy Award winning director, Bong Joon Ho. The digitally remastered film will be in theaters nationwide in the US, October 19th and October 20th for a two night limited theatrical engagement in partnership with Fathom Events. The special presentation of the film will include exclusive content plus a post-screening conversation with Bong Joon Ho and celebrated filmmaker Edgar Wright.
“Memories of Murder” tells the harrowing true story of the hunt for a sadistic serial rapist and murderer terrorizing a small province in 1980s South Korea. Marking the first of many successful collaborations between four-time Oscar winner Bong Joon Ho and leading man Song Kang Ho, the film follows the paths of three increasingly desperate detectives as they attempt to decipher the violent mind of a killer in a futile effort to solve the case. Now, seventeen years after its initial release,...
“Memories of Murder” tells the harrowing true story of the hunt for a sadistic serial rapist and murderer terrorizing a small province in 1980s South Korea. Marking the first of many successful collaborations between four-time Oscar winner Bong Joon Ho and leading man Song Kang Ho, the film follows the paths of three increasingly desperate detectives as they attempt to decipher the violent mind of a killer in a futile effort to solve the case. Now, seventeen years after its initial release,...
- 9/11/2020
- by Rouven Linnarz
- AsianMoviePulse
"Do you see this kind of thing in Seoul often?" Neon + Artificial Eye have released trailers for the new 4K re-release of Bong Joon-ho's Memories of Murder, his second feature film that he made in 2003 following Barking Dogs Never Bite. With Parasite taking the world by storm last year (and at the Oscars this year) there's no better time than now to get people back into Bong Joon-ho. This film is considered one of his all-time greatest, and it has been "remastered" in 4K and will be getting a limited release in the US this fall, in addition to the UK. Inspired by true events, it blends true-crime with social satire and even comedy. In a small Korean province in 1986, two detectives struggle with the case of multiple young women being found raped and murdered by an unknown culprit. Song Kang-ho stars as Detective Park Doo-man. The cast ...
- 9/10/2020
- by Alex Billington
- firstshowing.net
In the first week since “Parasite” became available for streaming exclusively on Hulu, Bong Joon Ho’s Best Picture-winning drama has broken streaming records and become one of the most-watched movies ever on the service.
Hulu revealed to TheWrap that since it made its debut on April 8, “Parasite” is now the second most-watched movie overall on Hulu and is the #1 most-watched independent or foreign language film to ever run on the service.
The film already has more lifetime views on Hulu in one week of streaming than the entire duration of even recent studio hits like “A Quiet Place,” “How to Train Your Dragon: The Hidden World,” “Transformers: The Last Knight” and “Creed II” that in some cases have already been on the platform for months.
Also Read: Bong Joon Ho to Release 'Parasite' Storyboards as Graphic Novel
A representative for Hulu clarified that analytics are only available...
Hulu revealed to TheWrap that since it made its debut on April 8, “Parasite” is now the second most-watched movie overall on Hulu and is the #1 most-watched independent or foreign language film to ever run on the service.
The film already has more lifetime views on Hulu in one week of streaming than the entire duration of even recent studio hits like “A Quiet Place,” “How to Train Your Dragon: The Hidden World,” “Transformers: The Last Knight” and “Creed II” that in some cases have already been on the platform for months.
Also Read: Bong Joon Ho to Release 'Parasite' Storyboards as Graphic Novel
A representative for Hulu clarified that analytics are only available...
- 4/15/2020
- by Brian Welk
- The Wrap
In our continued search to help fans of Asian cinema find affordable titles to stream in the comfort and safety of their homes, we take a look at some titles available through “Tubi”. The site boasts a great selection of Asian Cinema, and below we highlight a few of the titles available, with links to films (Click on title to be redirected). If not specified in the description, the title is available to users in both Canada and the United States.
All these titles and more are currently available to stream on Tubi
Tubi is an American streaming service based in San Francisco, California, United States, that launched in 2014. It is a free, ad-supported service, with advertisements shown during commercial breaks during programming. It is the largest independently owned video service in the United States, with over 15,000 movies and television series currently available. Tubi is available for free on Android,...
All these titles and more are currently available to stream on Tubi
Tubi is an American streaming service based in San Francisco, California, United States, that launched in 2014. It is a free, ad-supported service, with advertisements shown during commercial breaks during programming. It is the largest independently owned video service in the United States, with over 15,000 movies and television series currently available. Tubi is available for free on Android,...
- 3/21/2020
- by Adam Symchuk
- AsianMoviePulse
Horror fans living in the Los Angeles area might want to clear some calendar space, because Alamo Drafthouse is scaring up plenty of horror-themed screenings in March, including partnering with the Overlook Film Festival for very special Terror Tuesday screenings.
Including their Bong Joon Ho retrospective screenings and "Remakes and Hot Takes" series, Alamo Drafthouse is teaming up with Overlook Film Festival to present an eclectic lineup of horror movies with special guest hosts, including Near Dark (in 35mm) with Karyn Kusama, Carnival of Souls with Alicia Malone, StageFright with Ryan Turek, and more.
We have the press release with additional details below, and to learn more, visit:
https://drafthouse.com/los-angeles
Press Release: Los Angeles, CA The iconic Alamo Drafthouse in Los Angeles has jam packed its March programming full of incredible events like celebrating the genius that is Bong Joon Ho. The downtown location is hosting an eight-film...
Including their Bong Joon Ho retrospective screenings and "Remakes and Hot Takes" series, Alamo Drafthouse is teaming up with Overlook Film Festival to present an eclectic lineup of horror movies with special guest hosts, including Near Dark (in 35mm) with Karyn Kusama, Carnival of Souls with Alicia Malone, StageFright with Ryan Turek, and more.
We have the press release with additional details below, and to learn more, visit:
https://drafthouse.com/los-angeles
Press Release: Los Angeles, CA The iconic Alamo Drafthouse in Los Angeles has jam packed its March programming full of incredible events like celebrating the genius that is Bong Joon Ho. The downtown location is hosting an eight-film...
- 3/9/2020
- by Derek Anderson
- DailyDead
On the ninth of February 2020, Korean director Bong Joon Ho came, saw and conquered the Oscars with his film Parasite. A week earlier, he came, saw and conquered the International Film Festival Rotterdam. An old friend of the festival ever since they screened his debut feature Barking Dogs Never Bite, Bong has often stated his love for Rotterdam. For the 2019 edition he had even agreed to appear on the fest's Tiger award jury, a promise he unfortunately had to break to finish his film Parasite in time for that year's Cannes Film festival. A choice which paid out well, as he won that festival, the first in a loooong string. But Bong promised the Rotterdam festival he would make up for his non-appearance,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/19/2020
- Screen Anarchy
The Oscar bump for “Parasite” after its historic Best Picture victory is coming hard and fast, as ticketing sites Fandango and Atom Tickets are reporting a huge surge of ticket sales and streaming rentals from its customers.
On Tuesday, the site reported that on the day after “Parasite” became the first non-English film to win the Academy’s top prize, ticket sales for the film saw a 443% jump compared to last Monday. On the company’s online movie rental and purchase website FandangoNOW, buys and rentals of “Parasite” rose 468% week over week as the film became the top-selling title on Monday.
Meanwhile, Atom Tickets reports that “Parasite” has seen several bumps on their site throughout awards season, starting with a surge following its Best Foreign Language Film win at the Golden Globes. Following its surprise victory for Best Ensemble Cast at the SAG Awards, ticket sales on Atom doubled the...
On Tuesday, the site reported that on the day after “Parasite” became the first non-English film to win the Academy’s top prize, ticket sales for the film saw a 443% jump compared to last Monday. On the company’s online movie rental and purchase website FandangoNOW, buys and rentals of “Parasite” rose 468% week over week as the film became the top-selling title on Monday.
Meanwhile, Atom Tickets reports that “Parasite” has seen several bumps on their site throughout awards season, starting with a surge following its Best Foreign Language Film win at the Golden Globes. Following its surprise victory for Best Ensemble Cast at the SAG Awards, ticket sales on Atom doubled the...
- 2/11/2020
- by Jeremy Fuster
- The Wrap
David Crow Feb 11, 2020
He just won the Best Director and Best Picture Oscars, so if you're a new Bong Joon-ho fan, here is a crash course of where to go next.
So you just saw history be made on Oscar night when Parasite won Best Picture, beating out the expected frontrunner 1917 and becoming the first non-English film to ever win that award. Maybe you were already a Bong fan or maybe this is your first introduction to the increasingly legendary filmmaker. Either way, you want to take a trip down memory lane and explore his previous work. So now what?
That’s where we come in! Below we have assembled the best places to stream his feature length films, Korean and English, theatrical and Netflix-produced. So get on that warm bullet train and hug your super-pig close, because we’re doing this.
Barking Dogs Never Bite (2000)
Here is Bong’s theatrical feature-length debut.
He just won the Best Director and Best Picture Oscars, so if you're a new Bong Joon-ho fan, here is a crash course of where to go next.
So you just saw history be made on Oscar night when Parasite won Best Picture, beating out the expected frontrunner 1917 and becoming the first non-English film to ever win that award. Maybe you were already a Bong fan or maybe this is your first introduction to the increasingly legendary filmmaker. Either way, you want to take a trip down memory lane and explore his previous work. So now what?
That’s where we come in! Below we have assembled the best places to stream his feature length films, Korean and English, theatrical and Netflix-produced. So get on that warm bullet train and hug your super-pig close, because we’re doing this.
Barking Dogs Never Bite (2000)
Here is Bong’s theatrical feature-length debut.
- 2/11/2020
- Den of Geek
Bong Joon Ho became an overnight Hollywood sensation when he won Best Picture, Best Director and Best Original Screenplay Oscars for “Parasite,” his satirical thriller about a poor family that infiltrates a wealthy household before things go dangerously awry. And by overnight, of course, I mean after more than 20 years of making movies. He has become a household name thanks to his historic victories over the weekend, but if you’re not familiar with his earlier work, you can watch it all right now. Scroll down to find out how.
SEE2020 Oscars: Full list of winners (and losers) at the 92nd Academy Awards
“Parasite” is already available to rent or buy on Redbox, Apple, Google, Fandango and more, and it’s going to expand its theatrical run following its Oscars windfall. But his first feature film was 20 years ago: “Barking Dogs Never Bite” (2000), in which a college lecturer takes drastic...
SEE2020 Oscars: Full list of winners (and losers) at the 92nd Academy Awards
“Parasite” is already available to rent or buy on Redbox, Apple, Google, Fandango and more, and it’s going to expand its theatrical run following its Oscars windfall. But his first feature film was 20 years ago: “Barking Dogs Never Bite” (2000), in which a college lecturer takes drastic...
- 2/11/2020
- by Daniel Montgomery
- Gold Derby
Ending a nail-biting derby pitting Bong Joon Ho against Sam Mendes for Best Director, the South Korean filmmaker took home the Academy Award on Sunday night for his direction on “Parasite.” While all signs throughout awards season had pointed to Mendes taking home the gold — including wins from the Ee BAFTAs, the Directors Guild of America, and the Golden Globes — the love for “Parasite” overpowered the “1917” narrative. Bong’s win for Best Director adds to an already unprecedented set of wins for the film — three in total — which include Best Original Screenplay and Best International Feature. These are all firsts for a Korean-language film.
Along with “1917” filmmaker Mendes, Bong also beat out Todd Phillips for “Joker,” Martin Scorsese for “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.” All of those films are up for Best Picture as well, but that race at this point is between “1917” and “Parasite,...
Along with “1917” filmmaker Mendes, Bong also beat out Todd Phillips for “Joker,” Martin Scorsese for “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.” All of those films are up for Best Picture as well, but that race at this point is between “1917” and “Parasite,...
- 2/10/2020
- by Ryan Lattanzio
- Indiewire
A limited series based around the critically-acclaimed South Korean film “Parasite” is in the works at HBO, Variety has confirmed.
The film’s director Bong Joon Ho and “The Big Short” and “Vice” helmer Adam McKay are both in talks to executive produce the series. It isn’t clear as of yet whether the series will be a direct English language remake of the film, or some kind of spinoff.
“Parasite,” which recently won the Golden Globe for best foreign language and is considered a potential frontrunner for best picture at the Oscars, tells the story of the poor Kim family who, one by one, infiltrate the domestic lives of the wealthy Park family. However, as in most of Bong Joon Ho’s films, things take a twisted, sinister turn, throwing the Kims’ perfect plans off the rails.
The film deals with issues of greed and class discrimination, and stars Song Kang Ho,...
The film’s director Bong Joon Ho and “The Big Short” and “Vice” helmer Adam McKay are both in talks to executive produce the series. It isn’t clear as of yet whether the series will be a direct English language remake of the film, or some kind of spinoff.
“Parasite,” which recently won the Golden Globe for best foreign language and is considered a potential frontrunner for best picture at the Oscars, tells the story of the poor Kim family who, one by one, infiltrate the domestic lives of the wealthy Park family. However, as in most of Bong Joon Ho’s films, things take a twisted, sinister turn, throwing the Kims’ perfect plans off the rails.
The film deals with issues of greed and class discrimination, and stars Song Kang Ho,...
- 1/9/2020
- by Will Thorne
- Variety Film + TV
HBO is in negotiations for a limited series based on one of the hottest movies of the year, Bong Joon Ho’s genre-bending Parasite.
Bong and Adam McKay will craft the TV series adaptation, from Cj Entertainment, the studio behind the feature film, McKay’s Hyperobject Industries and Dooho Choi’s Kate Street Picture Company.
The Parasite series was hotly pursued by top streamers, including Netflix. The in-demand Bong chose to set up the project at HBO, which has a strong track record in limited series — from Band of Brothers to Big Little Lies — and team up with Succession executive producer McKay, who is under a first-look deal at HBO/HBO Max.
Bong and McKay will executive produce with Choi for Kate Street, Mikey Le, Cho Young Ki and Francis Chung for Cj Entertainment and Kevin Messick for Hyperobject Industries. Cj Entertainment’s Jerry Ko is co-executive producer and Fred Lee is a producer.
Bong and Adam McKay will craft the TV series adaptation, from Cj Entertainment, the studio behind the feature film, McKay’s Hyperobject Industries and Dooho Choi’s Kate Street Picture Company.
The Parasite series was hotly pursued by top streamers, including Netflix. The in-demand Bong chose to set up the project at HBO, which has a strong track record in limited series — from Band of Brothers to Big Little Lies — and team up with Succession executive producer McKay, who is under a first-look deal at HBO/HBO Max.
Bong and McKay will executive produce with Choi for Kate Street, Mikey Le, Cho Young Ki and Francis Chung for Cj Entertainment and Kevin Messick for Hyperobject Industries. Cj Entertainment’s Jerry Ko is co-executive producer and Fred Lee is a producer.
- 1/9/2020
- by Nellie Andreeva
- Deadline Film + TV
The Slamdance Film Festival unveiled its 2020 lineup of microbudget films Monday that will premiere at the Sundance alternative, among of which include projects about Chernobyl, a brainwashing camp, drag queens and a taxidermist looking for Bigfoot.
All films in competition during its weeklong celebration in Park City from Jan. 24-30 have no U.S. distribution and a budget of under $1 million. Films from 10 countries will participate: U.S., Belarus, Canada, Germany, Japan, Mexico, Peru, Poland, Russia, and South Africa.
“Slamdance is above all a place of discovery,” said Slamdance Co-founder and President Peter Baxter. “Every year filmmakers break out of the festival because the industry at large recognizes the need for new voices. With a record breaking 8,231 submissions this year, our artist-led organization brings a lineup full of wonderful risk taking and unique storytelling. That’s the spirit of Slamdance 2020.”
Also Read: 'High Flying Bird' Film Review: Steven Soderbergh...
All films in competition during its weeklong celebration in Park City from Jan. 24-30 have no U.S. distribution and a budget of under $1 million. Films from 10 countries will participate: U.S., Belarus, Canada, Germany, Japan, Mexico, Peru, Poland, Russia, and South Africa.
“Slamdance is above all a place of discovery,” said Slamdance Co-founder and President Peter Baxter. “Every year filmmakers break out of the festival because the industry at large recognizes the need for new voices. With a record breaking 8,231 submissions this year, our artist-led organization brings a lineup full of wonderful risk taking and unique storytelling. That’s the spirit of Slamdance 2020.”
Also Read: 'High Flying Bird' Film Review: Steven Soderbergh...
- 12/2/2019
- by Jeremy Fuster
- The Wrap
“Parasite,” a twisty look at a poor family’s attempts to insinuate itself into the lives of its rich employers, is a worldwide box office phenomenon, a critical sensation and a bona fide awards contender. It’s also the rare Korean film to be embraced in the United States, where it has racked up $12.5 million and counting to become the highest-grossing foreign language film of the year. Globally, it has sold more than $109 million in tickets. Clearly something remarkable is going on here, and it’s partly attributable to the way the movie’s subversive portrait of class tensions resonates at a time when economic inequality has become a dominant political issue.
It’s not just the politically driven fall film of choice for Bernie Sanders supporters. “Parasite” has exponentially raised the profile of writer-director Bong Joon Ho, who has earned a cult following over the past two decades with the likes of “Mother,...
It’s not just the politically driven fall film of choice for Bernie Sanders supporters. “Parasite” has exponentially raised the profile of writer-director Bong Joon Ho, who has earned a cult following over the past two decades with the likes of “Mother,...
- 11/19/2019
- by Brent Lang and Claudia Eller
- Variety Film + TV
Film at Lincoln Center and Subway Cinema, in association with the Korean Cultural Center New York, announce Relentless Invention: New Korean Cinema, 1996–2003, a showcase of the essential films and filmmakers of this transformative movement, November 22–December 4.
The South Korean film industry has been in the midst of a remarkable, decades-long creative explosion, with Bong Joon Ho, Hong Sang-soo, and Park Chan-wook jolting new life into art-house and genre cinema alike. With the end of the nation’s military rule and the relaxing of government censorship, Korean film experienced the kind of renaissance that hadn’t been seen since its golden age in the 1950s. This new generation of filmmakers took more than political and social issues as their inspiration: they re-energized national cinema in the late 1990s and early 2000s with homegrown blockbusters that imbued the pleasures of pop cinema with a subversive, gleefully inventive approach to genre and a sharp sociopolitical edge.
The South Korean film industry has been in the midst of a remarkable, decades-long creative explosion, with Bong Joon Ho, Hong Sang-soo, and Park Chan-wook jolting new life into art-house and genre cinema alike. With the end of the nation’s military rule and the relaxing of government censorship, Korean film experienced the kind of renaissance that hadn’t been seen since its golden age in the 1950s. This new generation of filmmakers took more than political and social issues as their inspiration: they re-energized national cinema in the late 1990s and early 2000s with homegrown blockbusters that imbued the pleasures of pop cinema with a subversive, gleefully inventive approach to genre and a sharp sociopolitical edge.
- 11/1/2019
- by Rhythm Zaveri
- AsianMoviePulse
Oh you lucky, lucky people in Los Angeles. What we wouldn`t do to be in Los Angeles at the end of the month for this special treat, a retrospective program of some of Bong Joon-ho`s cinematic masterpieces. Damnit, Los Angeles, you suck! American Cinemateque and the Korean Cultural Center are presenting four night of Korean cinema greatness. The man himself will be in town and will attend screenings of his latest flick Parasite, currently storming cinemas here in North America, and the incredible The Host and Mother the following night. The back half of the program includes screenings of Snowpiercer, Barking Dogs Never Bite, Okja and ending on a positive note with Memories of Murder. Incredible! The complete press release is below. Ticket...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/18/2019
- Screen Anarchy
Hollywood, CA – The Hollywood Film Awards announced today that some of this year’s brightest talent from behind the camera will be honored at the 23rd Annual “Hollywood Film Awards.” Writer/Director/Producer Bong Joon Ho will receive the “Hollywood Filmmaker Award” for the Palme d’Or winner “Parasite,” which opened to record-breaking box office and is being hailed by critics as one of the best movies of the year. Emma Tillinger Koskoff, longtime producing partner of Martin Scorsese, will be receiving the “Hollywood Producer Award” for “The Irishman.” Critics have been calling the film a masterpiece since opening the New York Film Festival. It is one of several films Koskoff has produced this year. James Mangold will receive the “Hollywood Director Award” for “Ford v Ferrari,” which already has audiences buzzing with excitement and Anthony McCarten, whose words have paved the way for many award-winning acting turns, will receive...
- 10/15/2019
- by HollywoodNews.com
- Hollywoodnews.com
As Jokers, Gemini men and charmingly eccentric spooky families hit the theaters this weekend, there is one movie that is looking to latch on to the box office and shake things up. Auteur Bong Joon-ho’s Parasite has already been released abroad and has been making its festival runs leading up to what Neon hopes to be a solid debut and launch of an award season run.
Parasite will join the ranks of other award season contenders that have recently hit theaters including Judy and Pain and Glory. From the looks of it, it seems like the buzzy Korean film will rule the specialty box office — but that’s not to say that the mockumentary Mister America or the riveting documentary Emanuel won’t be worth your time.
Parasite
Neon
If you heard anything about Parasite, then you probably know that everyone who has seen it is remaining tight-lipped about...
Parasite will join the ranks of other award season contenders that have recently hit theaters including Judy and Pain and Glory. From the looks of it, it seems like the buzzy Korean film will rule the specialty box office — but that’s not to say that the mockumentary Mister America or the riveting documentary Emanuel won’t be worth your time.
Parasite
Neon
If you heard anything about Parasite, then you probably know that everyone who has seen it is remaining tight-lipped about...
- 10/11/2019
- by Dino-Ray Ramos
- Deadline Film + TV
For every Host, there must be a Parasite. Since his debut Barking Dogs Never Bite 19 years ago, Bong Joon-ho's works have always resisted easy classification. Within stories that stray from one genre to the next, surprising things tend to happen, sometimes horrific, occasionally even fantastic. Disparate elements abound, but a rigid degree of control and an ever-present sense of humor have given us something approaching a stylistic aesthetic we have come to expect from him. Similarly, the thematic array of his work, not only from film to film, but even from scene to scene, moment to moment, is equally vast and unpredictable. Yet here too we find a common thread, never more richly explored than in his latest work, Parasite. Social inequality forms the pulsating...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/10/2019
- Screen Anarchy
Launched in 2006, the Cine Fan Summer International Film Festival (SummerIFF) premieres new films with an added appeal to the younger audience in Hong Kong. The screenings of around 30 titles from pop Asian fare to restored classics to award-winning titles freshly from world-class film festivals are held in August every year. SummerIFF arouses the interest of public in watching films and continues to develop new audiences for Hkiff. Filmmakers and critics are invited to attend meet-the-audience sessions to facilitate cultural exchange.
This year, SummerIFF will be bringing a host of Cannes titles, including “The Gangster, The Cop, The Devil” sees Korea’s burly charismatic actor Don Lee anchors the high-concept thriller.
“The Gangster, The Cop, The Devil”
The Fantastic East section brings awe-inspiring experience with a selection of six gripping films from Japan and South Korea, including “Almost a Miracle”, a lighthearted romance by Ishii Yuga, “Ride Your Wave” from free-spirited animator Yuasa Masaaki,...
This year, SummerIFF will be bringing a host of Cannes titles, including “The Gangster, The Cop, The Devil” sees Korea’s burly charismatic actor Don Lee anchors the high-concept thriller.
“The Gangster, The Cop, The Devil”
The Fantastic East section brings awe-inspiring experience with a selection of six gripping films from Japan and South Korea, including “Almost a Miracle”, a lighthearted romance by Ishii Yuga, “Ride Your Wave” from free-spirited animator Yuasa Masaaki,...
- 7/22/2019
- by Rhythm Zaveri
- AsianMoviePulse
For every Host, there must be a Parasite. Since his debut Barking Dogs Never Bite 19 years ago, Bong Joon-ho's works have always resisted easy classification. Within stories that stray from one genre to the next, surprising things tend to happen, sometimes horrific, occasionally even fantastic. Disparate elements abound, but a rigid degree of control and an ever-present sense of humor have given us something approaching a stylistic aesthetic we have come to expect from him. Similarly, the thematic array of his work, not only from film to film, but even from scene to scene, moment to moment, is equally vast and unpredictable. Yet here too we find a common thread, never more richly explored than in his latest work, Parasite. Social inequality forms the pulsating...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 5/30/2019
- Screen Anarchy
After nearly two weeks of viewing some of the best that cinema will have to offer this year, the 72nd Cannes Film Festival has concluded. With Bong Joon-ho’s Parasite taking the top jury prize of Palme d’Or (full list of winners here), we’ve set out to wrap up our favorite films from the festival. Check out favorites from Rory O’Connor, Ed Frankl, Leonardo Goi, and Giovanni Marchini Camia below (with a few more reviews to come), followed by the rest of their coverage. One can also return in the coming months as we learn of distribution news and more related to this year’s slate.
The Best
Bacurau (Kleber Mendonça Filho and Juliano Dornelles)
The school in the fictional village of Bacurau, located somewhere in the desert hinterlands of north-eastern Brazil, bears the name of one João Carpinteiro. If the throbbing synth track that introduces the opening credits,...
The Best
Bacurau (Kleber Mendonça Filho and Juliano Dornelles)
The school in the fictional village of Bacurau, located somewhere in the desert hinterlands of north-eastern Brazil, bears the name of one João Carpinteiro. If the throbbing synth track that introduces the opening credits,...
- 5/29/2019
- by The Film Stage
- The Film Stage
Bong Joon-ho’s Palme d’Or winner “Parasite” revolves around a family that overtakes a wealthy residence, bit by bit, but the best sequence finds them trapped. When an unexpected development (no spoilers here) puts their scheme at risk, they’re forced to hide in various corridors of the expansive house, under floorboards and in the walls. It’s a startling visual embodiment of the class warfare at the heart of the movie — and in much of Bong’s work, from “Barking Dogs Never Bite” to “Snowpiercer” — wherein less fortunate people attempt to take control of the conditions holding them down, and wind up stuck somewhere in the middle.
Bong’s directorial talents were long overdue for this prize: His slick ability to compose rich visuals in every frame, with complex characters almost too driven for their own good, has made him one of the greatest working filmmakers for years now.
Bong’s directorial talents were long overdue for this prize: His slick ability to compose rich visuals in every frame, with complex characters almost too driven for their own good, has made him one of the greatest working filmmakers for years now.
- 5/26/2019
- by Eric Kohn
- Indiewire
Basements are a recurring motif in the cinema of Bong Joon-ho. From the tunnels running below the apartment building of Barking Dogs Never Bite (2000), to the torture chambers in Memories of Murder (2003) and Okja (2017), to the monster’s lair in The Host (2006), these underground spaces are where society keeps its most sordid secrets locked up and out of sight, only to have them resurface with a vengeance. Bong greatly expands the subterranean metaphor in Parasite, which looks at the culture of underground living in Seoul–a literal lower class forced by economic necessity to live in basements or semi-basements–to deliver a withering assessment of the social stratification in his native South Korea.
The first of the two families in Parasite belongs to this lower class. Father Ki-Taek (Song Kang-ho), mother Chung-sook (Chang Hyae Jin) and their adult children Ki-Woo (Choi Woo-sik) and Ki-Jung (Park So Dam) are introduced as...
The first of the two families in Parasite belongs to this lower class. Father Ki-Taek (Song Kang-ho), mother Chung-sook (Chang Hyae Jin) and their adult children Ki-Woo (Choi Woo-sik) and Ki-Jung (Park So Dam) are introduced as...
- 5/25/2019
- by Giovanni Marchini Camia
- The Film Stage
Bong Joon-ho, the sui generis South Korean auteur behind unclassifiable modern wonders like “Barking Dogs Never Bite” and “The Host,” has always made films that refuse to fit the narrow parameters of any particular genre. Each of them is built atop a bedrock of comic violence that Bong uses to support the weight of the heavy stories he places on top of it, but simply categorizing “Snowpiercer” as science-fiction or “Memories of Murder” as a mystery would require you to ignore the rare magic that holds them together, and deny the controlled instability that allows them to keep changing shape before your eyes.
The director refers to his furious and fiendishly well-crafted new film as a “family tragicomedy,” but the best thing about “Parasite” is that it gives us permission to stop trying to sort his movies into any sort of pre-existing taxonomy — with “Parasite,” Bong finally becomes a genre unto himself.
The director refers to his furious and fiendishly well-crafted new film as a “family tragicomedy,” but the best thing about “Parasite” is that it gives us permission to stop trying to sort his movies into any sort of pre-existing taxonomy — with “Parasite,” Bong finally becomes a genre unto himself.
- 5/21/2019
- by David Ehrlich
- Indiewire
South Korea’s Bong Joon-ho has been a familiar sight in Cannes since 2006, when word of his delirious Han River monster romp The Host swept the Croisette after screening in Directors’ Fortnight. Since then, while his English and dress sense quietly improved, director Bong has always returned with a surprise, making the transition to Official Selection with Ucr entry Mother and upgrading to Competition with 2017’s English-language Netflix Original Okja. Bong loves to flit from genre to genre, which might explain why he’s keeping quiet about his upcoming Neon release Parasite.
What’s Parasite about?
It’s a unique family drama featuring two Korean families, one rich and one poor. It’s difficult to define as a genre. It could be a crime drama. It could be a family drama. It could be a black comedy. It’s a mix of a variety of genres.
What was the first inspiration?...
What’s Parasite about?
It’s a unique family drama featuring two Korean families, one rich and one poor. It’s difficult to define as a genre. It could be a crime drama. It could be a family drama. It could be a black comedy. It’s a mix of a variety of genres.
What was the first inspiration?...
- 5/20/2019
- by Damon Wise
- Deadline Film + TV
Over the past quarter century, the Slamdance Film Festival has served as a launchpad for a number of now high profile filmmakers at the very start of their careers. Here is a baker’s dozen of some of the festival’s greatest discoveries.
Marc Forster
“Loungers”
Forster premiered his $10,000 debut in 1995 and grabbed the Audience Award, and has become one of the most versatile directors working, with other credits including “Monster’s Ball,” “Finding Neverland,” “Stay,” “The Kite Runner,” “Stranger Than Fiction,” “Quantum of Solace,” “World War Z” and “Christopher Robin.”
Rian Johnson
“Evil Demon Golfball from Hell!!!”
Johnson’s irreverent short film played the festival in 1996, launching a career that has dabbled in artistic indies and big-budget franchise blockbusters (“Star Wars: The Last Jedi”).
Greg Mottola
“The Daytrippers”
The writer-director’s 1996 feature debut was produced by Steven Soderbergh and got Mottola work on cult-classic television series “Undeclared,” “Arrested Development,...
Marc Forster
“Loungers”
Forster premiered his $10,000 debut in 1995 and grabbed the Audience Award, and has become one of the most versatile directors working, with other credits including “Monster’s Ball,” “Finding Neverland,” “Stay,” “The Kite Runner,” “Stranger Than Fiction,” “Quantum of Solace,” “World War Z” and “Christopher Robin.”
Rian Johnson
“Evil Demon Golfball from Hell!!!”
Johnson’s irreverent short film played the festival in 1996, launching a career that has dabbled in artistic indies and big-budget franchise blockbusters (“Star Wars: The Last Jedi”).
Greg Mottola
“The Daytrippers”
The writer-director’s 1996 feature debut was produced by Steven Soderbergh and got Mottola work on cult-classic television series “Undeclared,” “Arrested Development,...
- 1/24/2019
- by Nick Clement
- Variety Film + TV
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