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Elan Mastai (written by) &
Michael Roesch (written by) ...
(suite)
28 janvier 2005 (USA) suite
Evil awakens. suite
Based on the video game, Alone in the Dark focuses on Edward Carnby, a detective of the paranormal, who slowly unravels a mysterious events with deadly results. full summary | add synopsis
2 nominations suite
I went on a quest for the worst movie ever made that had a high budget, and It has been discovered. plus de (496 total)
Réalisé par | |||
| Uwe Boll | |||
Scénaristes | ||
| Elan Mastai | (written by) & | |
| Michael Roesch | (written by) & | |
| Peter Scheerer | (written by) | |
Produit par | |||
| Uwe Boll | .... | executive producer | |
| Bruno Bonnell | .... | co-executive producer | |
| Dan Clarke | .... | line producer (as Daniel Clarke) | |
| Frederic Demey | .... | associate producer | |
| Wolfgang Herold | .... | executive producer | |
| Harry Rubin | .... | co-executive producer | |
| Dan Sales | .... | associate producer (as Daniel Sales) | |
| Philip Selkirk | .... | associate producer | |
| Jonathan Shore | .... | associate producer | |
| Jörg Tittel | .... | associate producer | |
| Max Wanko | .... | associate producer | |
| Shawn Williamson | .... | producer | |
Musique originale | |||
| Reinhard Besser | |||
| Oliver Lieb | |||
| Bernd Wendlandt | |||
| Peter Zweier | |||
Image | |||
| Mathias Neumann | |||
Montage | |||
| Richard Schwadel | |||
Distribution des rôles | |||
| Maureen Webb | |||
Création des décors | |||
| Tink | |||
Direction artistique | |||
| Peter Stratford | |||
Décorateur de plateau | |||
| David Birdsall | |||
Création des costumes | |||
| Maria Livingstone | |||
Maquillage | |||
| Honey Dawn Faircrest | .... | assistant hair stylist (as Honey-Dawn Faircrest) | |
| Kathy Howatt | .... | first assistant makeup artist | |
| Lise Kuhr | .... | key makeup artist | |
| Harlow MacFarlane | .... | special makeup effects artist | |
| J.P. Mass | .... | special makeup effects artist | |
| Tamar Ouziel | .... | key makeup artist: second unit | |
| Connie Parker | .... | key makeup artist | |
| Sanna Seppanen | .... | hair stylist | |
| Carole Simcox | .... | day checker makeup artist | |
| Bill Terezakis | .... | special makeup effects designer | |
| Maureen Terezakis | .... | special makeup effects producer | |
| Monique Venier | .... | special makeup effects artist | |
| Vince Yoshida | .... | special makeup effects artist | |
| Howard Lau | .... | special makeup effects artist (uncredited) | |
| Keith Lau | .... | special makeup effects artist (uncredited) | |
Directeur de production | |||
| Paul Lukaitis | .... | unit manager | |
Département Art | |||
| David Dowling | .... | property master | |
| Troy Eirich | .... | assistant property master | |
| Wes Hamby | .... | assistant property master | |
| Jeremy Hanen | .... | set dresser | |
| Stefan Lochmann | .... | storyboard artist | |
| Daniel Scarcello | .... | sculptor | |
| Gary Young | .... | sculptor | |
| Chelsea Yusep | .... | assistant art director | |
Technicien du son | |||
| Konrad Birnbaum | .... | sound post assistant | |
| Phillip Bürger | .... | sound post assistant | |
| Jose R. Castellon | .... | adr recordist | |
| Jochen Engelke | .... | sound editor | |
| Jochen Engelke | .... | sound re-recording mixer | |
| Tobias Fleig | .... | sound re-recording mixer | |
| Wolfgang Herold | .... | sound supervisor | |
| Bob Holbrook | .... | boom operator | |
| Manuel Karakas | .... | mix editor | |
| Manuel Karakas | .... | re-recording projectionist | |
| Deni King | .... | adr supervisor | |
| Yumiko Konomi | .... | sound editor | |
| Annika Krieger | .... | sound post assistant | |
| Roland Platz | .... | foley supervisor | |
| Marco Raab | .... | additional sound designer (as Ma Raab) | |
| Peter Roik | .... | foley artist (as Peter Roigk) | |
| Adam Sharpe | .... | adr mixer | |
| Max Wanko | .... | dialogue editor | |
| Max Wanko | .... | supervising sound editor | |
| F.A. Wollner | .... | sound editor | |
Effets spéciaux | |||
| Barry Hebein | .... | lead metal fabricator | |
| Ian Korver | .... | special effects first assistant | |
| Thierry Latremoille | .... | lighting technical director | |
| Vance Vegas Salvalaggio | .... | special effects technician | |
| John Sleep | .... | special effects coordinator | |
Visual Effects | |||
| Michael Alkan | .... | lighting technical director | |
| Gilles Beloeil | .... | lighting technical director | |
| Ann-Marie Blommaert | .... | visual effects coordinator | |
| Jeff Bruneel | .... | digital compositor: ToyBox | |
| Maria Bückenhoff | .... | visual effects artist | |
| Lester James Chung | .... | 2D compositor | |
| Dug Claxton | .... | digital compositor | |
| Gerrit Corsmeyer | .... | visual effects artist | |
| Frédéric Côté | .... | animator | |
| Phil Dakin | .... | lighting/texture artist | |
| Anthony De Chellis | .... | character animator: ToyBox | |
| Jeremy Dineen | .... | senior visual effects animator: Toybox | |
| Pete Dionne | .... | 3D artist: ToyBox | |
| Andrew Edwards | .... | Inferno artist | |
| Christopher Elke | .... | visual effects assistant producer | |
| Daniel Fiegenschuh | .... | visual effects artist | |
| Jay Field | .... | compositor | |
| Helena Fischer | .... | visual effects artist | |
| John Fukushima | .... | digital compositor | |
| Brent Paul George | .... | character animation director | |
| Brent Paul George | .... | digital character supervisor | |
| Brent Paul George | .... | lead creature technical director | |
| Paul C. George | .... | sequence supervisor | |
| Martin Gessner | .... | visual effects producer | |
| Peter Giliberti | .... | lead animator | |
| Mark Goldberg | .... | digital effects artist | |
| Adrian Graham | .... | visual effects technical supervisor | |
| Rob Gyorgy | .... | editor / vfx artist | |
| Bodo Keller | .... | visual effects producer | |
| Iris Krause-Mirus | .... | visual effects artist | |
| Filip Lange | .... | visual effects artist | |
| Francois Latremoille | .... | visual effects | |
| Chad Malbon | .... | digital film producer | |
| Simon Mayer | .... | title artist | |
| Ryan McDonald | .... | render wrangler | |
| Erik Nordby | .... | digital compositor | |
| Doug Oddy | .... | visual effects supervisor | |
| Richard Oey | .... | character animator | |
| Sean O'Hara | .... | compositor | |
| Sébastien Quessy | .... | effects technical director | |
| Jan Raimann | .... | visual effects artist | |
| Florent Revel | .... | character animator | |
| Tania Richard | .... | matte artist | |
| Thorsten Schell | .... | visual effects artist | |
| Christoph Schuhmacher | .... | visual effects artist | |
| Geoff D.E. Scott | .... | visual effects supervisor | |
| Michael Shapcotte | .... | visual effects systems integrator: Toybox | |
| Jason Snea | .... | compositing supervisor | |
| Martin Tardif | .... | lighting technical director | |
| Joel Tong | .... | digital compositor | |
| Max Wanko | .... | visual effects supervisor | |
| Fiona Campbell Westgate | .... | visual effects producer | |
| Wendy Whaley | .... | digital compositor | |
| Sarah Wormsbecher | .... | visual effects coordinator: Toybox | |
| Benjamin J. Wylie | .... | 3D animator | |
| Philippe Zerounian | .... | character animator | |
| Lars Zimmermann | .... | visual effects artist | |
| Bojan Zoric | .... | creature concept designer | |
| Bojan Zoric | .... | digital matte painter | |
| Nick Perks | .... | 3D animator: research and development (uncredited) | |
Cascadeur | |||
| Ed Anders | .... | stunt coordinator | |
| Shawn Beaton | .... | utility stunts | |
| Jason Calder | .... | stunt performer | |
| Dave Campbell | .... | stunts | |
| Mike Carpenter | .... | stunt double | |
| Douglas Chapman | .... | stunts | |
| Laura Lee Connery | .... | stunt double: Tara Reid | |
| Mike Crestejo | .... | stunt coordinator | |
| Kylie Furneaux | .... | stunts | |
| Christopher Gordon | .... | stunt double: Christian Slater-Carnby | |
| Scott Leva | .... | stunt coordinator: action wire coordinator | |
| Rick Moore | .... | stunt double | |
| Gerald Paetz | .... | stunt driver | |
| Darryl Scheelar | .... | stunt performer | |
| Sharon Simms | .... | stunt performer | |
| Kimani Ray Smith | .... | stunts | |
| Sylvesta Stuart | .... | stunt performer | |
| Brad Turner | .... | stunts | |
| Owen Walstrom | .... | stunt coordinator | |
| Claire Webb | .... | stunt double | |
| Darren E. Scott | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Mark Cohen | .... | camera operator: "a" camera | |
| Mark Cohen | .... | first assistant camera | |
| Jesse Deacon | .... | assistant chief lighting technician | |
| Ryan Epp | .... | video technician | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Carol Macdonald | .... | second assistant camera | |
| Brad Smith | .... | b dolly grip | |
| Steven J. Winslow | .... | camera technician: Wescam camera | |
| Darek Wyszynski | .... | first assistant camera: second unit | |
Departement Animation | |||
| Pedram Goshtasbpour | .... | senior animator | |
| Zachary V. Lowe | .... | animator | |
| Danny Testani | .... | animator | |
Département Casting | |||
| Frederic Robinson | .... | casting assistant | |
Département Costume et garde-Robe | |||
| Patti Bishop | .... | assistant costume designer | |
| Audrey Wong | .... | set costumer | |
Dpartement Editorial | |||
| Rhonda Blewett | .... | telecine assistant | |
| Gary Lam | .... | first assistant editor | |
| Warren Mazutinec | .... | first assistant editor | |
| Daniela Szentgrothy | .... | assistant post-production supervisor | |
Département Musique | |||
| Wolfgang Herold | .... | executive soundtrack producer | |
| Wolfgang Herold | .... | music supervisor | |
| Hugo Sanchez | .... | music editor | |
Département Transport | |||
| Clif Kosterman | .... | transportation coordinator | |
Merci | |||
| Avery Zands | .... | thanks | |
| Jan Zands | .... | thanks | |
| Monika Zands | .... | thanks | |
Rated R for violence and language.
USA:96 min | Argentina:96 min
2,35 : 1 suite
DTS | Dolby Digital | SDDS
Germany:18 (director's cut) | UK:18 | Taiwan:R-12 | Netherlands:16 | Singapore:M18 | New Zealand:R16 | Finland:K-15 | Spain:13 | Portugal:M/12 | Argentina:13 | South Korea:15 (cable rating) | Canada:14A | Germany:16 | Philippines:R-13 | USA:R | Australia:MA
Was given an additional ten million after execs read the green draft of the shooting script. Uwe Boll poured the money into special effects and ended up losing a lot of the background in the script. Thus, the title scroll at the beginning of the film. suite
Continuité: After the explosion at the end they exit the wooden structure near the orphanage, which wasn't in the scene when Edward visited the orphanage to ask for the files of the children. suite
[first lines]
Prof. Lionel Hudgens:
[narrating] In 1967, mine workers discovered the first remnants of a long lost Native American civilization - The Abkani. The Abkani believed that there are two worlds on this planet, a world of light and a world of darkness. 10,000 years ago the Abkani opened a gate between these worlds...
suite
Références Lethal Weapon (1987) suite
Ghost suite
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| Contamination | Resident Evil: Apocalypse | Silent Hill | AVP: Alien vs. Predator | Halloween |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| Films du Flop 100 IMDb | IMDb Action section | IMDb Canada section |
| Add this title to MyMovies |
True, there are many movies much worse then this movie. This movie was no Manos: The Hands of Fate, or Troll 2 (yes, I have seen them both.. twice) but at the same time this movie is No Alien, Predator or even Alien Vs. Predator (Yes, even that movie surpassed this). Movies like this make Battlefield Earth look like a Star Wars it is so bad. Razzie awards lookout, your biggest competition has just arrived in theaters. This film I'm talking about is of course Alone in the Dark. I'll try to take you though a step by step process on why this film was so bad.
Acting- I'll first start off with what perhaps was the best component of this film (next to the ending credits, which played 'Wish I had An Angel', the acting. Christian Slater must be proud of himself, he successfully proved that it is possible to act decent in a film worse then drinking antifreeze. Though all his awful dialog he had to speak, it made me wonder why he just didn't walk off the set halfway. Perhaps it was because of Stephen Dorff being in the film as well (somebody he wishes he could be but fails at it). Tara Reid is a bad actress but good looking and that's all that really matters in films like these. That is not to say the acting was perfect though, it was average, not good, and perhaps the only thing in the film not good.
The Soundtrack- Except for 'Wish I had An Angel', the soundtrack is pointless and bad heavy medal being pumped into the viewers ears, perhaps to disguise the awful story (something I will get to soon). A long and very expensive 2 CD soundtrack is now up for sale for those musically challenged.
The Directing- Directed by Hollywoods favorite director Uwe Ball who brought us the classic House of the Dead. Telling us "Yes, movies can get this utterly bad and that's just the beginning to my deadly saga of awful movies". At least it is said to be directed by Uwe Ball. Without being told I would have guessed a monkey was kidnapped from the Congo, brought here and forced to make opinions on how to make the movie under penalty of being shocked. The director of photography was probably a camcorder taped onto a skateboard and pushed forward until it hits a wall. On the scenes where the camera should stay still it is constantly moving, not allowing us to stop anywhere and when it should be moving in action, the camera stops for some reason.
The Producing- Who on earth is stupid enough to put money towards this bomb? I pity the fool... sometimes. Sometimes I'm glad he or she was taught such a lesson to never put money towards garbage worse then dog dung tied up in a bag.
The Writing / Storyboard- Trying to Analise the story is more painful then jamming an ice pick under a big toe and kicking a soccer ball as hard as I possibly could with it right after but I will still attempt it.
Edward Carnby escapes as a child from an orphanage where 20 children where to go under science experiments. He escapes and hides in an electrical outlet where he is electrocuted (this is the point where it got so bad i started to laugh out loud). Then it fast-forwards many years later where he's a paranoia detective. He get's attacked by some zombie that can't be shot to death, kills it and moves on with life. Later on he gets attacked by some crazy looking monster and he discovers secrets that nobody else knows.
Yeah, the plot is bad, really really bad. The film beings with expecting us to read approximately 10 minutes, which felt like 100, of random text about an untrue civilization called the Abskani. The film goes not to have one twist after another, more then the audience can handle, more then the audience wants to handle, more then the audience could ever care about. This storyline is rock bottom bad that even Double Dragon does better.
Overall, miss out on this movie. I gave it a 1 out of 10 but that is because there is no 0.