"It Takes a Thief" A Thief Is a Thief (TV Episode 1968) Poster

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9/10
"We don't want you to spy...we want you to steal!"
ShadeGrenade3 May 2008
Warning: Spoilers
In a hotel in Lisbon, two sinister looking men enter an elevator, one with a briefcase chained to his wrist. When the doors open, a third man - wearing a mask and carrying a gun - backs out, the briefcase now in his possession. Another man, also armed, approaches him from behind. The would-be thief hands the case over before trying to make a break for it. He falls down the elevator shaft.

Four S.I.A. agents have died while attempting to discover what is in the diplomatic pouch of a foreign power. Noah Bain decides to recruit from outside the organisation; as a cop, he arrested notorious cat burglar Alexander Mundy, so he paroles him and installs him in a lavish house with three beautiful girls for company. There's just one catch - each room is fitted out with cameras and microphones, making sex impossible for Mundy unless he wants an audience.

Aboard a plane, Mundy poses as a loud tourist. He douses the lights long enough for him to switch cases with the Embassy officials. They come after him, and, with guns blazing, chase him across the airfield. Mundy escapes by clinging onto the undercarriage of a landing plane.

The pouch held photographs of S.I.A. agents; obviously someone in the organisation has gone bad. Noah is more interested in the fact that Mundy's actions have triggered an international incident. He tries to have Mundy returned to jail, but with the help of glamorous S.I.A. agent Clare Vickers, the thief escapes and sets out to discover who the traitor is...

Produced under the title 'Magnificent Thief', this is the pilot to the popular thriller series 'It Takes A Thief', which starred Robert Wagner as burglar turned reluctant spy 'Alexander Mundy' and Malachi Throne as spy chief 'Noah Bain'. It is one of those shows which although successful at the time appears to have been virtually forgotten here in the U.K. While 'Batman' and 'Star Trek' have been endlessly repeated since the 1960's, this has been left to gather dust on a shelf. One could be forgiven for assuming that the reason for this is that the show itself is not terribly good, but a viewing of the pilot immediately shoots down that theory.

Directed by Leslie Stevens ( creator of 'The Outer Limits' ), with a script by him and Roland Kibbee, this is a stylish T.V. movie, rather like 'Mission: Impossible' only more fun. Robert Wagner brings charm to the role of 'Mundy', an incorrigible rogue in the mold of Roger Moore's 'The Saint'. As his boss, Malachi Throne is equally impressive. John Saxon is as menacing as ever as the ( disfigured ) villain. 'Clare Vickers' ( if this had been a British film, just imagine what fun the hero could have had with a name like that! ) is played by sex-bomb Senta Berger, whose other contributions to the genre include 'The Quiller Memorandum' and the Matt Helm picture 'The Ambushers'. In cameo guest roles are James Drury and Doug McClure ( stars of the Western series 'The Virginian' ) as airport ticket officers, while a pre 'Airplane!' Leslie Neilsen deadpans as an S.I.A. security officer. Susan Saint James ( future 'MacMillan & Wife' co-star ) is seen as a stewardess.

Some good set-pieces include the briefcase theft, airport chase, and climactic shoot-out at Expo 68. Its surprisingly violent for a T.V. movie too, with one of the bad-guys getting a javelin in the chest. But its Wagner's laid-back performance which makes the whole thing such enjoyable viewing. This was made as just the television spy craze ( which began with 'The Man From U.N.C.L.E' ) was winding down, which meant that thriller shows were edging their way back to reality.

The ingredients for a hit television show were put in place, and 'It Takes A Thief' did not disappoint, running for three seasons.
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7/10
I'm looking forward to the rest of the series
bensonmum223 August 2017
Noah Bain, a big dog at the spy agency known as SIA, is tired of seeing his field agents killed one by one. He's convinced that a foreign power is behind the assassinations and the key lies in a special, heavily guarded briefcase. Thinking outside the box, Bain decides that the best way to steal the contents of the briefcase might be to employ the services of a real thief. He has master thief Alexander Mundy paroled from prison for the job. Can Mundy succeed where others have failed (and been killed)? To stay out of jail, he agrees to put his special talents to use for the government.

I've seen the odd episode of It Takes a Thief over the years, but it's been so long, I couldn't tell you which ones I've seen. I watched Episode 1 last night and really enjoyed it. For the most part, the writing is clever and the show has a nice pace to it. I enjoyed the breezy feel I got from Magnificent Thief (or is it A Thief is a Thief). Highlights for me included the scenes on the airplane (very funny) and the airport chase. Robert Wagner has a laid back style to him that works in a "light" show like It Takes a Thief. He would have made an excellent American James Bond in the style of Roger Moore. The supporting cast was both strong and interesting, with Senta Berger (she's good in just about everything), Susan Saint James, and, especially, John Saxon. There are several recognizable actors with bit parts. I got a real kick out of the confused passenger played by Wally Cox. My only issue comes with the final act. I didn't really care for the final shoot-out. I would have preferred to see the episode end after Mundy eludes the baddies at the airport. Still, Magnificent Thief was a lot of fun and I'm looking forward to the rest of the series.
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It was a long time ago for me.
searchanddestroy-15 March 2015
I have not watched it since my childhood, back in the early seventies. I still enjoy this too, besides Cade's County, that I just commented a couple of hours ago. I won't add much to the other comment, but I just wanted to point out something, for which I failed in the other IMDb lines: trivia, goofs, etc...At nearly the seventeenth minute of this episode, you have a short sequence where Robert Wagner draws a picture, a sort of geometric figure, for his own pleasure, I guess. If you watch closely, you'll find out that it is very similar to the one you have in the opening credits of the famous OUTER LIMITS series. Well, it is not actually the same, but it looks like it is, very similar at least. And Leslie Stevens, who directed this episode, was the major Producer, if I remember right, of the OUTER LIMITS TV show. Watch out. At the seventeenth minute.
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