(TV Series)

(1949)

User Reviews

Review this title
2 Reviews
Sort by:
Filter by Rating:
3/10
A misfire...
planktonrules4 October 2010
Warning: Spoilers
During the late 1940s and through the 1950s, there were quite a few shows on television that featured weekly teleplays which were broadcast live!! It's hard to imagine all the work that went into these productions, yet many of them (such as "Marty" and "Days of Wine & Roses") were true TV classics--and were later remade by Hollywood for the big screen. However, even though there were some great teleplays, there were also some misfires--and "Henry IV" is clearly a misfire as its story is weak and it fails to engage the viewer.

The story begins with people wearing 16th century costumes. You assume, naturally, that the play is set during this period and it is probably based on either Shakespeare's "Henry IV, part 1" or "Henry IV, part 2". In both cases you'd be wrong. The Henry IV in the title refers to a German, not English prince. And, weirdly, the story is set in modern times!! It seems that some rich guy lost his mind after an falling off a horse and he insists HE is Henry IV. Now someone being crazy is not that interesting, but the family and friends of this guy humor him--dressing up in period costumes themselves! It's all very surreal and dumb. The only interesting part of this is at the end when the old boy comes out of it--or possibly reveals he hasn't been crazy all along. You watch (if you care) and figure this out for yourself. But be forewarned, there is some overacting and the story is dreadful. Not terrible...but close.

By the way, 37 minutes into the show, look and you'll see an entire boom microphone accidentally in the shot! The technician is seen quickly dragging it off--too late to cover his mistake!
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Interesting take on too seldom seen Pirandello
eschetic-28 October 2011
This 13th Episode from the Second Season (5 Dec. 1949) of CBS TV's prestige anthology (33rd of 467 ep.) was Maurice Valency's adaptation of Luigi (1837-1936) Pirandello's ENRICO IV (1922), aka THE LIVING MASK and THE EMPEROR HENRY IV. Translated by many, including Tom Stoppard, it was on Broadway in 1924 and 1973 (with Rex Harrison). This cast is not quite that lofty, but the translation by the man who would go on to create the primary English language translation of Friedrich Dürrenmatt's 1956 THE VISIT is not bad. The story is of a wealthy man who believes himself to be the medieval Emperor Enrico IV following a head injury and whose sister creates an entire environment to cater to that fantasy - and what happens when the man regains his sanity. Most interesting, the play may have a devastating subtext from Pirandello's later life when, after catering to and being promoted by the rising Fascist movement which would control his native Italy for the remainder of his life, the playwright became disenchanted with them. Any serious limitations in our enjoyment of this drama are probably OURS - if one goes in knowing it's PIRANDELLO and not Shakespeare (Studio One's mistake in calling it by the bare English translation of the Italian title as neither of the Broadway productions did), it is a fascinating layered drama, and this production (available on Archive.org) a better than average representation.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed